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The Ides of March, 1883. Creator: Edward John PoynterThe Ides of March, 1883. The persistent warnings given to Julius Caesar by the augurs as to the fatefulness of " The Ides of March" for him
The Cave of the Storm Nymphs, 1903. Artist: Edward John PoynterThe Cave of the Storm Nymphs, 1903. From a private collection
Perspective view of the Great Clock of the Royal Exchange, 1844. Creator: UnknownPerspective view of the Great Clock of the Royal Exchange, 1844. The clock of our Exchange is now going, and what is of equal importance
Portrait of Sir Edward John Poynter, 1877. Creator: Alphonse LegrosPortrait of Sir Edward John Poynter, 1877
Edward John Poynter, 1860s. Creator: John & Charles WatkinsEdward John Poynter, 1860s
January, decorative wall tiles, c1860s, (1881). Creator: J M BensonJanuary, decorative wall tiles, c1860s, (1881). Detail of interior decoration in the Grill Room (now the Poynter Room) of the South Kensington Museum
Apelles: design for a mosaic, c1864, (1881). Creator: Bernard CollierApelles: design for a mosaic, c1864, (1881). Design for a glass mosaic in the Kensington Valhalla at the South Kensington Museum (later renamed the Victoria & Albert Museum)
East Dining or Grill Room, c1860s, (1881). Creator: John WatkinsEast Dining or Grill Room, c1860s, (1881). View showing the interior decoration in the Grill Room (now the Poynter Room) of the South Kensington Museum
The Birthday, c1870-1906, (1906). Creator: Edward John GregoryThe Birthday, c1870-1906, (1906). Watercolour by British artist Edward John Gregory (1850-1909). From " The Royal Institute of Painters in Water Colours", edited by Charles Holme
The Gothic Towers of Ellfeld, c1834. Creator: Edward John RobertsThe Gothic Towers of Ellfeld, c1834. The tower of the 14th-century Electoral Castle at Eltville (or Elfeld) on the River Rhine in Germany
The Leaning Bell-Tower, at Pisa, c1824. Creator: Edward John RobertsThe Leaning Bell-Tower, at Pisa, c1824. View of the Leaning Tower of Pisa, the famous freestanding bell tower of the cathedral in Pisa, Italy. The tilt began during construction in the 12th century
Piccadilly, c1883, (1896). View of the busy London thoroughfare, looking towards Green Park. From The Magazine of Art. [Cassell & Company, London, Paris & Melbourne, 1896]
Church of St Michael, Crooked Lane, City of London, 1831. Artist: Edward John RobertsChurch of St Michael, Crooked Lane, City of London, 1831
Israel in Egypt, 1867. Artist: Edward John PoynterIsrael in Egypt, 1867. Dramatic scene set in Ancient Egypt showing Israelite slaves pulling a giant statue of a lion during the construction of the cities of Phithom and Rameses
View of Christs Hospital and a water pump, City of London, 1816
Psyche in the Temple of Love, 1882, (c1915). Artist: Edward John PoynterPsyche in the Temple of Love, 1882, (c1915). Held in the Walker Art Gallery, Liverpool. From Famous Pictures of the World, c1900
The Walls of Old England (Bude), c1886, (1914). Artist: Edward John PoynterThe Walls of Old England (Bude), c1886, (1914). From King Alberts Book. [The Daily Telegraph, London, 1914]
Marooned, 1909. Artist: Edward John GregoryMarooned, 1909. From The Studio Volume 48. [London Offices of the Studio, London, 1909-10]
In the Sunshine, c1890. Artist: Edward John PoynterIn the Sunshine, c1890. From The Studio Volume 72. [London Offices of the Studio, London, 1917-18]
Knight in armour, circa late 19th century. Artist: Edward John GregoryKnight in armour, c late 19th century
Sir E Poynter, c1860-1910 (1924)Artist: Alphonse LegrosSir E Poynter, c1860-1910 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924
The Catapult, c1868. A Roman siege engine attacks the city of Carthage during the siege of 146 BC. Delenda est Carthago (Carthage must be destroyed) is carved into the wood. Hand-coloured later
Edward John Poynter, President of the Royal Academy, 1880. Artist: Lock & WhitfieldEdward John Poynter, President of the Royal Academy, 1880. During a visit to Rome in 1853 he made the acquaintance of Lord Leighton, who encouraged him to study art futher