Edgar Degas French Collection

Horse and Rider, c. 1890. Creator: Edgar Degas (French, 1834-1917)
Horse and Rider, c. 1890. Degass drawing Gentleman Rider alludes to the steeplechase, a fashionable race in which the riders were not professional jockeys but, instead, " gentlemen." Here

Victoria Dubourg, c. 1866. Creator: Edgar Degas (French, 1834-1917)
Victoria Dubourg, c. 1866

Two Seated Women (verso), 1856-1860. Creator: Edgar Degas (French, 1834-1917)
Two Seated Women (verso), 1856-1860

Self Portrait, 1857. Creator: Edgar Degas (French, 1834-1917)
Self Portrait, 1857. In the 1850s Degas frequently used himself as a model, but he made only one self-portrait in a print medium, of which only ten known impressions of the first three states exist

Stefanina Primicile Carafa, Marchioness of Cicerale and Duchess of Montejasi, c. 1875. Although best remembered for his depictions of ballet dancers and race horses

Paul Lafond and Alphonse Cherfils Examining a Painting, c. 1878-1880. Creator: Edgar Degas (French)
Paul Lafond and Alphonse Cherfils Examining a Painting, c. 1878-1880. The upper left corner of this painting bears a dedication by Degas " to his dear friends." The double portrait depicts

Nude Woman with Towel, Standing, 1891-92. Creator: Edgar Degas (French, 1834-1917)
Nude Woman with Towel, Standing, 1891-92

Nude Woman Standing, Drying Herself, 1891-1892. Creator: Edgar Degas (French, 1834-1917)
Nude Woman Standing, Drying Herself, 1891-1892

Nude Man Standing, with Left Hand Raised, c. 1900. Creator: Edgar Degas (French, 1834-1917)
Nude Man Standing, with Left Hand Raised, c. 1900

Mlle Becat at the Cafe des Ambassadeurs, 1877-1878. Creator: Edgar Degas (French
Mlle Becat at the Cafe des Ambassadeurs, 1877-1878. This vivid scene of a performance by the famed chanteuse Emilie Becat at the Cafe des Ambassadeurs captures the spectacle

Mary Cassatt at the Louvre: The Paintings Gallery, 1879-1880. Creator: Edgar Degas (French
Mary Cassatt at the Louvre: The Paintings Gallery, 1879-1880. Degas and his friends Mary Cassatt and Camille Pissarro were all experimental printmakers who combined traditional printmaking techniques

Mary Cassatt at the Louvre: The Etruscan Gallery, 1879-1880. Creator: Edgar Degas (French
Mary Cassatt at the Louvre: The Etruscan Gallery, 1879-1880. As in Mary Cassatt at the Louvre, the Paintings Gallery Degas once again depicted Cassatt and her sister Lydia at the Louvre

In the Salon, c. 1880s. Creator: Edgar Degas (French, 1834-1917)
In the Salon, c. 1880s. Just as Degass illustrations for La Famille Cardinal revealed what went on behind the scenes at the Opera

Conversation: Ludovic Halevy and Madame Cardinal (The Conversation)…, c
Conversation: Ludovic Halevy and Madame Cardinal (The Conversation) for " La Famille Cardinal" by Ludovic Halevy, c. 1880-1883

Four Studies of the Head of a Young Italian Woman, 1856. Creator: Edgar Degas (French, 1834-1917)
Four Studies of the Head of a Young Italian Woman, 1856. This sheet of head studies unites three fundamental characteristics of Degass art: consummate draftsmanship, captured movement and expression

The Jockey, c. 1885-1900. Creator: Edgar Degas (French, 1834-1917)
The Jockey, c. 1885-1900. A study made for a larger racetrack composition rendered in pastel, Degass Jockey shows the attention that the artist lavished on perfecting the positions of the horses

Ludovic Lepic Holding His Dog, 1889. Creator: Edgar Degas (French, 1834-1917)
Ludovic Lepic Holding His Dog, 1889. Executed rapidly in pastel, the forms in this portrait of Degass artist friend, Count Ludovic Lepic, are defined with expressive freedom and emotional force

Diego Martelli, 1879. Creator: Edgar Degas (French, 1834-1917)
Diego Martelli, 1879. This sheet is one of many studies that Degas made in 1879 of his friend and supporter, the Italian art critic and patron Diego Martelli (1839-1896)

Battle Scene with Armored Figures on Horseback, 1856-1860. Creator: Edgar Degas (French
Battle Scene with Armored Figures on Horseback, 1856-1860

Before the Race, c. 1887-1889. Creator: Edgar Degas (French, 1834-1917)
Before the Race, c. 1887-1889. Degas returned to the theme of horse and rider time and again throughout his career. Scholars believe that he executed the first version of this composition of four

Battle Scene with Armored Figures on Horseback (recto) Two Seated Women (verso), 1856-1860

Esterel Village, c. 1890. Creator: Edgar Degas (French, 1834-1917)
Esterel Village, c. 1890. Spontaneously executed because the media dries quickly, monotypes reflect the artists first impulse

Dancers, 1896. Creator: Edgar Degas (French, 1834-1917)
Dancers, 1896. Degas depicted the ballet in more than 1, 000 paintings, prints, pastels, and sculptures. He preferred private

Dancer at Rest, c. 1895. Creator: Edgar Degas (French, 1834-1917)
Dancer at Rest, c. 1895

Frieze of Dancers, c. 1895. Creator: Edgar Degas (French, 1834-1917)
Frieze of Dancers, c. 1895. This painting may depict a single dancer seen from four different viewpoints. The young woman is placed in an undefined setting, surrounded by mere wisps of colour

After the Bath (large version), 1891-1892. Creator: Edgar Degas (French, 1834-1917)
After the Bath (large version), 1891-1892. About 1876 Degas began to make lithographs with which he attained a rich tonality using only black and white

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