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Ecclesiastical Collection (page 5)

Background imageEcclesiastical Collection: Drawing of churches, c1472-c1519 (1883). Artist: Leonardo da Vinci

Drawing of churches, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of churches, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Background imageEcclesiastical Collection: Two plans of churches, c1472-c1519 (1883). Artist: Leonardo da Vinci

Two plans of churches, c1472-c1519 (1883). Artist: Leonardo da Vinci
Two plans of churches, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Background imageEcclesiastical Collection: Two drawings of churches, c1472-c1519 (1883). Artist: Leonardo da Vinci

Two drawings of churches, c1472-c1519 (1883). Artist: Leonardo da Vinci
Two drawings of churches, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Background imageEcclesiastical Collection: Four drawings of ecclesiastical architecture, c1472-c1519 (1883). Artist: Leonardo da Vinci

Four drawings of ecclesiastical architecture, c1472-c1519 (1883). Artist: Leonardo da Vinci
Four drawings of ecclesiastical architecture, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Background imageEcclesiastical Collection: Drawing of ecclesiastical architecture, c1472-c1519 (1883). Artist: Leonardo da Vinci

Drawing of ecclesiastical architecture, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of ecclesiastical architecture, c1472-c1519 (1883). From the Codex Atlanticus. From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Background imageEcclesiastical Collection: Choirboys of St Clement Danes beating the boundary-marks on the Thames, London, 1926-1927

Choirboys of St Clement Danes beating the boundary-marks on the Thames, London, 1926-1927. Boys in mortarboards take part in the old custom of beating the parish bounds

Background imageEcclesiastical Collection: Chapel Royal choirboys in procession, Clerkenwell, London, 1926-1927

Chapel Royal choirboys in procession, Clerkenwell, London, 1926-1927. Procession going to a commemorative service of the order in the Grand Priory Church

Background imageEcclesiastical Collection: Papesse Jeanne, 15th century (1849)

Papesse Jeanne, 15th century (1849). After a 15th century miniature. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Background imageEcclesiastical Collection: Mandell Creighton (1843-1901), English historian and ecclesiastic, 1893. Artist: W&D Downey

Mandell Creighton (1843-1901), English historian and ecclesiastic, 1893. Artist: W&D Downey
Mandell Creighton (1843-1901), English historian and ecclesiastic, 1893. From The Cabinet Portrait Gallery, fourth series, Cassell and Company Limited (London, Paris and Melbourne, 1893)

Background imageEcclesiastical Collection: Declaration of the bishops in favour of King Henry VIIIs powers, 16th century, (1840)

Declaration of the bishops in favour of King Henry VIIIs powers, 16th century, (1840)
Declaration of eight of the bishops in favour of King Henry VIIIs power in ecclesiastical affairs, 16th century, (1840). Christian princes may also make ecclesiastical laws

Background imageEcclesiastical Collection: The Proctor and Parator, 1641, (1893)

The Proctor and Parator, 1641, (1893). Title page of a tract on the abuse and exorbitance of the ecclesiastical courts, 1641

Background imageEcclesiastical Collection: Pope Leo X, Giulio de Medici (the future Pope Clement VII) and Cardinal de Rossi, 1882

Pope Leo X, Giulio de Medici (the future Pope Clement VII) and Cardinal de Rossi, 1882
Pope Leo X (1475-1521), Giulio de Medici (the future Pope Clement VII; 1478-1534) and Cardinal de Rossi, 1882. Original held by the Pitti Palace

Background imageEcclesiastical Collection: Pope Paul III (1468-1549), 1543 (1930). Artist: Titian

Pope Paul III (1468-1549), 1543 (1930). Artist: Titian
Pope Paul III (1468-1549), 1543 (1930). Born Alessandro Farnese, Pope Paul III was Pope between 1534 and 1549. Original found in the collection of the Museo e Gallerie Nazionale di Capodimonte

Background imageEcclesiastical Collection: A Gospel Cover and Ecclesiastical Plate, 19th century. Artist: John Burley Waring

A Gospel Cover and Ecclesiastical Plate, 19th century. Artist: John Burley Waring
A Gospel Cover and Ecclesiastical Plate, 19th century. Bys Goobkin of Moscow

Background imageEcclesiastical Collection: Thomas Hutchison Tristram, QC, ecclesiastical lawyer, 1882. Artist: Lock & Whitfield

Thomas Hutchison Tristram, QC, ecclesiastical lawyer, 1882. Artist: Lock & Whitfield
Thomas Hutchison Tristram, QC, ecclesiastical lawyer, 1882. Tristram (1825-1912) was a Judge of the Consistory Court of London

Background imageEcclesiastical Collection: Cardinal Wolsey, costume design for Shakespeares play, Henry VIII, 19th century

Cardinal Wolsey, costume design for Shakespeares play, Henry VIII, 19th century. A 19th-century costume design for William Shakespeares (1564-1616) play, Henry VIII

Background imageEcclesiastical Collection: Bishop in house dress, costume design for Shakespeares play, Henry VIII, 19th century

Bishop in house dress, costume design for Shakespeares play, Henry VIII, 19th century. A 19th-century costume design for William Shakespeares (1564-1616) play, Henry VIII

Background imageEcclesiastical Collection: Pope Sylvester I, (1870)

Pope Sylvester I, (1870). Taken froma fresco painted in mosaic, Basilica of St Paul, Rome. A wood engraving from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul LaCroix

Background imageEcclesiastical Collection: Bishops crozier, Cathedral of Metz, 14th century, (1870)

Bishops crozier, Cathedral of Metz, 14th century, (1870). A wood engraving from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix, (London, 1870)

Background imageEcclesiastical Collection: Abbots crozier, 13th century, (1870)

Abbots crozier, 13th century, (1870). A wood engraving of an enamelled crozier, made in Limoges, France. Illustration from The Arts of the Middle Ages and at the Period of the Renaissance

Background imageEcclesiastical Collection: Censer, 11th century, (1870)

Censer, 11th century, (1870). A censer recalling the shape of the Temple of Jerusalem, in copper repousse, formerly in Metz Cathedral and later transferred to Treves

Background imageEcclesiastical Collection: Development of the mitre, 1121-1161, (1910)

Development of the mitre, 1121-1161, (1910). Early ecclesiastical dress. A depression in the centre of the mitre (bishops headgear), has caused a small knob to become apparent on either side

Background imageEcclesiastical Collection: Abbot Elfnoth, 1020-1050, (1910)

Abbot Elfnoth, 1020-1050, (1910). A 19th-century depiction after an 11th-century manuscript, showing Abbot Elfnoth (died 980 AD) presenting his book of prayer to St Augustine

Background imageEcclesiastical Collection: Hedda of Winchester consecrates St Guthlac, late 12th century, (1843). Artist: Henry Shaw

Hedda of Winchester consecrates St Guthlac, late 12th century, (1843). Artist: Henry Shaw
Hedda of Winchester consecrates St Guthlac, late 12th century, (1843). The bishop wears sacerdotal dress consisting of albe, tunic, dalmatic and chasuble. Guthlac lived 673-714 AD

Background imageEcclesiastical Collection: Pyx, 12th century, (1843). Artist: Henry Shaw

Pyx, 12th century, (1843). Artist: Henry Shaw
Pyx, 12th century, (1843). Container for consecrated communion bread. This example was made of gilt copper with the ornaments relieved in blue and green Limoge enamel

Background imageEcclesiastical Collection: Russian pope, 1886. Artist: Hildibrand

Russian pope, 1886. Artist: Hildibrand
Russian pope, 1886. A Russian orthodox priest with crucifix

Background imageEcclesiastical Collection: Prophecy figure II from Prognosticatio Eximii Doctoris Paracelsi, 1536. Artist

Prophecy figure II from Prognosticatio Eximii Doctoris Paracelsi, 1536. Artist
Prophecy figure II from Prognosticatio Eximii Doctoris Paracelsi, 1536, A small book of 32 prophecies, filled with cryptic and allegorical symbols, by the Swiss astrologer

Background imageEcclesiastical Collection: Title page of Prognosticatio Eximii Doctoris Paracelsi, 1536

Title page of Prognosticatio Eximii Doctoris Paracelsi, 1536. Artist: Theophrastus Bombastus von Hohenheim Paracelsus
Title page of Prognosticatio Eximii Doctoris Paracelsi, 1536. A small book of 32 prophecies, filled with cryptic and allegorical symbols, by the Swiss astrologer

Background imageEcclesiastical Collection: The Gloucester Candlestick, gilt-bell metal, English, 12th century

The Gloucester Candlestick, gilt-bell metal, English, 12th century. From the collection of the Victoria & Albert Museum, London

Background imageEcclesiastical Collection: Twin Stars, or Rival Italian Artistes, 1858

Twin Stars, or Rival Italian Artistes, 1858. This cartoon shows Dr Wiseman, head of the Catholic Church in England. Some years previously



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