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Easel Collection (page 8)

Background imageEasel Collection: The Paintress of Macaroni s, 1770. Artist: Richard Dighton

The Paintress of Macaroni s, 1770. Artist: Richard Dighton
The Paintress of Macaroni s, 1770. A macaroni was a dandy who wore exaggerated fashions. Illustration from Social Caricature in the Eighteenth Century

Background imageEasel Collection: The Macaroni Painter, or Billy Dimple sitting for his picture, 1770. Artist: Robert Dighton

The Macaroni Painter, or Billy Dimple sitting for his picture, 1770. Artist: Robert Dighton
The Macaroni Painter, or Billy Dimple sitting for his picture, 1770. The painter Richard Cosway paints a macaroni or dandy in this satire on exaggerated fashions of the day

Background imageEasel Collection: Burlesque sur le burlesque, 1753. Artist: Paul Sandby

Burlesque sur le burlesque, 1753. Artist: Paul Sandby
Burlesque sur le burlesque avec privilege du roi December 1st, 1753. An art critic watches Hogarth painting a cherub pissing on the sparking chamber of a gun

Background imageEasel Collection: An Ape painting an Ass, 1753. Artist: George Bickham

An Ape painting an Ass, 1753. Artist: George Bickham
An Ape painting an Ass, 1753. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Background imageEasel Collection: The Battle of the Pictures, 1745. Artist: William Hogarth

The Battle of the Pictures, 1745. Artist: William Hogarth
The Battle of the Pictures, 1745. The bearer hereof is entitled (if he thinks proper) to be a bidder for Mr Hogarths pictures, which are to be sold on the last day of this month

Background imageEasel Collection: Episodes of the Life of Famous Painters: Hans Holbein, (c1900)

Episodes of the Life of Famous Painters: Hans Holbein, (c1900). The queen and her lady-in-waiting wish to be painted in Greek costume by Holbein (1497-1543), without being recognised

Background imageEasel Collection: Episodes of the Life of Famous Painters: Durer, (c1900)

Episodes of the Life of Famous Painters: Durer, (c1900). Procession in honour of Durer (1471-1528). Durer shows his masterpiece. French advertisement for Liebigs extract of meat

Background imageEasel Collection: Renaissance Art in Italy: Antonio Allegri, (c1900)

Renaissance Art in Italy: Antonio Allegri, (c1900). Correggio (c1489-1534), born Antonio Allegri, completing his famous work The Holy Night in front of amazed pupils

Background imageEasel Collection: The Removal Of The Painter, (1885). Artist: Jeaurat

The Removal Of The Painter, (1885). Artist: Jeaurat
The Removal Of The Painter, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

Background imageEasel Collection: Eva Gonzales, 1870. Artist: Manet, Edouard (1832-1883)

Eva Gonzales, 1870. Artist: Manet, Edouard (1832-1883)
Eva Gonzales, 1870. Found in the collection of the National Gallery, London

Background imageEasel Collection: Two Boys before an Easel, c. 1645. Artist: Oost, Jacob van, the Elder (1601-1671)

Two Boys before an Easel, c. 1645. Artist: Oost, Jacob van, the Elder (1601-1671)
Two Boys before an Easel, c. 1645. Found in the collection of the National Gallery, London

Background imageEasel Collection: Portrait of a painter in front of his easel, c. 1630. Artist: Codde, Pieter (1599-1678)

Portrait of a painter in front of his easel, c. 1630. Artist: Codde, Pieter (1599-1678)
Portrait of a painter in front of his easel, c.1630. Found in the collection of the Museum Boijmans Van Beuningen, Rotterdam

Background imageEasel Collection: The studio of the artist at Rue de La Condamine, 1870. Artist: Bazille, Frederic (1841-1870)

The studio of the artist at Rue de La Condamine, 1870. Artist: Bazille, Frederic (1841-1870)
The studio of the artist at Rue de La Condamine, 1870. Found in the collection of the Musee d Orsay, Paris

Background imageEasel Collection: Studio of the painter. Artist: Platzer, Johann Georg (1704-1761)

Studio of the painter. Artist: Platzer, Johann Georg (1704-1761)
Studio of the painter. Found in the collection of the Schloss Fuschl Collection

Background imageEasel Collection: View from the Artists Studio in Alservorstadt toward Dornbach, 1836. Artist: Alt, Jakob (1789-1872)

View from the Artists Studio in Alservorstadt toward Dornbach, 1836. Artist: Alt, Jakob (1789-1872)
View from the Artists Studio in Alservorstadt toward Dornbach, 1836. Found in the collection of the Albertina, Vienna

Background imageEasel Collection: Self-portrait, c1604. Artist: Annibale Carracci

Self-portrait, c1604. Artist: Annibale Carracci
Self-portrait, c1604. Found in the collection of the State Hermitage, St Petersburg

Background imageEasel Collection: Sir Anthonis van Dyck painting a Portrait, 1853. Artist: Andre Plumot

Sir Anthonis van Dyck painting a Portrait, 1853. Artist: Andre Plumot
Sir Anthonis van Dyck painting a Portrait, 1853. Plumot, Andre (1829-1906). Found in the collection of the Regional Art Museum, Kaluga

Background imageEasel Collection: Visit in an Artists Atelier, 1659. Artist: Job Adriaensz Berckheyde

Visit in an Artists Atelier, 1659. Artist: Job Adriaensz Berckheyde
Visit in an Artists Atelier, 1659. Berckheyde, Job Adriaensz (1630-1693). Found in the collection of the State Hermitage, St. Petersburg

Background imageEasel Collection: Yakov Polonsky, Russian poet, working at an easel, c1890. Artist: Sergei Dmitrievich Botkin

Yakov Polonsky, Russian poet, working at an easel, c1890. Artist: Sergei Dmitrievich Botkin
Yakov Polonsky, Russian poet, working at an easel, c1890. Polonsky (1820-1898) was a leading poet in the Romantic tradition of Pushkin

Background imageEasel Collection: A artist from Linz painting the Limberg Dam, Austria, c1947-1951

A artist from Linz painting the Limberg Dam, Austria, c1947-1951. The dam, part of a large hydroelectricity project, was built with the assistance of the Marshall plan

Background imageEasel Collection: A Woman seated Drawing, c1649-1667. Artist: Gabriel Metsu

A Woman seated Drawing, c1649-1667. Artist: Gabriel Metsu
A Woman seated Drawing, c1649-1667. The scene illustrates the early stage of an artists training when the pupil has to practice drawing after sculptures and prints, National Gallery, London

Background imageEasel Collection: Equestrian Portrait of a Nobleman as Protector of the Arts, c1699-1748. Artist: Ignaz Stern

Equestrian Portrait of a Nobleman as Protector of the Arts, c1699-1748. Artist: Ignaz Stern
Equestrian Portrait of a Nobleman. Small Full Length, Wearing Armour, as Protector of the Arts, 1679-1748

Background imageEasel Collection: Allegory, 1856-1923. Artist: Francois Flameng

Allegory, 1856-1923. Artist: Francois Flameng
Allegory, 1856-1923

Background imageEasel Collection: Neither more or less, 1799. Artist: Francisco Goya

Neither more or less, 1799. Artist: Francisco Goya
Neither more or less, 1799. Plate 41 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression

Background imageEasel Collection: The Workshop of Corot, Young Woman with Red Blouse, 1865-1870. Artist: Jean-Baptiste-Camille Corot

The Workshop of Corot, Young Woman with Red Blouse, 1865-1870. Artist: Jean-Baptiste-Camille Corot
The Workshop of Corot, Young Woman with Red Blouse, 1865-1870. From the collection of the Musee d Orsay, Paris

Background imageEasel Collection: In the Studio, Anna Ancher, the Artists Wife Painting, late 19th-early 20th century

In the Studio, Anna Ancher, the Artists Wife Painting, late 19th-early 20th century. Artist: Michael Peter Ancher
In the Studio, Anna Ancher, the Artists Wife Painting, late 19th-early 20th century. From a private collection

Background imageEasel Collection: Artist working at an easel, 1828. Artist: JMW Turner

Artist working at an easel, 1828. Artist: JMW Turner
Artist working at an easel, 1828. From the Tate Gallery, London

Background imageEasel Collection: Portrait of Thomas Faed in his Studio, 19th century. Artist: John Ballantyne

Portrait of Thomas Faed in his Studio, 19th century. Artist: John Ballantyne
Portrait of Thomas Faed in his Studio, 19th century. From a private collection

Background imageEasel Collection: Portrait of Sir Francis Grant in his Studio, 1866. Artist: John Ballantyne

Portrait of Sir Francis Grant in his Studio, 1866. Artist: John Ballantyne
Portrait of Sir Francis Grant in his Studio, 1866. From a private collection

Background imageEasel Collection: Artist studio scene, (1680-1720?). Artist: Gerard Thomas

Artist studio scene, (1680-1720?). Artist: Gerard Thomas
Artist studio scene, (1680-1720?). Private collection

Background imageEasel Collection: The Artist, c1845. Artist: Benjamin Waterhouse Hawkins

The Artist, c1845. Artist: Benjamin Waterhouse Hawkins
The Artist, c1845. An artist is shown at his easel. He is surrounded by other works of art and a bust on its pedestal. From Graphic Illustrations of Animals Showing Their Utility to Man, (London)

Background imageEasel Collection: Vacation Amusements No 4, 1840. Artist: John Doyle

Vacation Amusements No 4, 1840. Artist: John Doyle
Vacation Amusements No 4, 1840. A young Queen Victoria and Prince Albert join the Duke of Wellington for some holiday sketching and painting

Background imageEasel Collection: Self-Portrait with Bandaged Ear, 1889. Artist: Vincent van Gogh

Self-Portrait with Bandaged Ear, 1889. Artist: Vincent van Gogh
Self-Portrait with Bandaged Ear, 1889. Vincent van Gogh (1853-1890) painted this self-portrait after a quarrel with fellow artist Paul Gauguin (1848-1903)

Background imageEasel Collection: Studio Interior, 1845. Artist: Octave Tassaert

Studio Interior, 1845. Artist: Octave Tassaert
Studio Interior, 1845. From the collection of the Musee du Louvre, Paris, France

Background imageEasel Collection: Female School of Art, 1874. Artist: Joseph Swain

Female School of Art, 1874. Artist: Joseph Swain
Female School of Art, 1874. An elegant young man with time on his hands poses for a roomful of young women in a straight reversal of the usual roles

Background imageEasel Collection: The Mother of Invention, 1866. Artist: George du Maurier

The Mother of Invention, 1866. Artist: George du Maurier
The Mother of Invention, 1866. A statuesque wife poses for her artist husband, with a duster and brush in each hand. Their son, little Freddy, sits on his Papas shoulders

Background imageEasel Collection: English Assassin Painted by France, 1864. Artist: John Tenniel

English Assassin Painted by France, 1864. Artist: John Tenniel
English Assassin Painted by France, 1864. The distance between France and Britain at this time is illustrated by the comment made by M Le Verrier

Background imageEasel Collection: A bohemian artist in his studio, (1859?)

A bohemian artist in his studio, (1859?). A suitably bohemian artist stands in his attic with the tools of his craft all about

Background imageEasel Collection: The Artist in the Country (Appletons Journal, Vol. I), June 19, 1869

The Artist in the Country (Appletons Journal, Vol. I), June 19, 1869

Background imageEasel Collection: Portrait of J. Savile Lumley, Madrid, 1859. Creator: Gustave Penabert

Portrait of J. Savile Lumley, Madrid, 1859. Creator: Gustave Penabert
Portrait of J. Savile Lumley, Madrid, 1859



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