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Le Coup de Lance, 1620. Artist: Peter Paul RubensLe Coup de Lance, 1620. At the Crucifixion the soldier pierces Christs side to make sure he is dead. At bottom right, the Virgin Mary and St John the Apostle turn aside in despair
The Laying in the Tomb ( The Deposition / The Entombment ), 1602-1604. Mary of Clopas with her arms raised; Mary Magdalene with bowed head; Nicodemus grasps the legs of the dead Christ
Cognoscenti in a Room hung with Pictures, c1620. In the left foreground men round a table under an open casement window with leaded lights examine books, prints and scientific instruments
The Cholmondeley Sisters, 1600-1610. Double portrait of the sisters sitting in bed, each holding a baby. From the Tate Gallery, London
Mirror of Holiness (Mir at al-quds) of Father Jerome Xavier, 1602-1604. Creator: UnknownMirror of Holiness (Mir at al-quds) of Father Jerome Xavier, 1602-1604
Zulaykha in her palace and as an old woman with Joseph, from a Panj Ganj (Five Treasures) of Abd al- Rahman Jami (Persian, 1414-1492), 1603-1607
The Prediction of Ahijah, 1604
The Annunciation, from a Mir at al-quds of Father Jerome Xavier (Spanish, 1549-1617), 1602-1604
Preparation for the Crucifixion, early 1600s. Creator: UnknownPreparation for the Crucifixion, early 1600s. Despite the religious subject, the scale and intricate detail indicate that this painting was not for a church setting
Su Shi (So Shoku) and Pan Lang (Han Ro), early 1600s
Su Shi (So Shoku), early 1600s. Creator: Unkoku T?gan (Japanese, 1547-1618)Su Shi (So Shoku), early 1600s. This pair of screens depicts episodes from the stories of famed Song-dynasty poets Su Shi of the 1000s and Zhou-dynasty official Pan Lang of the 900s
Peasants Cottage (recto), c. 1600. Creator: Abraham Bloemaert (Dutch, 1564-1651)Peasants Cottage (recto), c. 1600. Abraham Bloemaert, active in Utrecht, was a painter, prolific draftsman, print designer, and important teacher
Peasants Cottage (recto); Bridge and Gate (verso), c. 1600. Abraham Bloemaert, active in Utrecht, was a painter, prolific draftsman, print designer, and important teacher
Portrait of Suraj Singh Rathor, Raja of Marwar and Maternal Uncle of Shah Jahan: A Page from the Prince Khurram Album, c. 1600
Landscape with Travelers, 1605. Creator: Jan Brueghel (Flemish, 1568-1625)Landscape with Travelers, 1605
Page from a Panj Ganj of Abd al-Rahman Jami (Persian, 1414-1492)... 1603-1607. CreatorPage from a Panj Ganj of Abd al-Rahman Jami (Persian, 1414-1492), with two Persian masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari, 1603-1607
Page from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414-1492), with two Persian masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Subhat al-abrar (Rosary of the Righteous)
Isfandiyar slays Arjasp, the king of Turan, from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934-1020), 1600-1605
Folios A and B from the Five Treasures (Panj Ganj) of Jami, 1520-1607Folios A and B from the " Five Treasures" (Panj Ganj) of Jami, 1520-1607
Folio B: Folio from the Five Treasures (Panj Ganj) of Jami (recto), 1520-1607Folio B: Folio from the " Five Treasures" (Panj Ganj) of Jami (recto), 1520-1607
Floral Embroidery, early 1600s. Creator: UnknownFloral Embroidery, early 1600s. Contrasting with previous English work, naturalism and brilliantly coloured silk thread enliven this early 17th-century embroidery that was most likely from a curtain
Grotesque Dancers Performing, c. 1600. Creator: UnknownGrotesque Dancers Performing, c.1600. This scene from an unidentified manuscript depicts entertainers at the Mughal court
Sleeping Youth (verso), Illustration from a Single Page Manuscript, early 1600s. CreatorSleeping Youth (verso), Illustration from a Single Page Manuscript, early 1600s
The Holy Family, c. 1620s. Creator: UnknownThe Holy Family, c. 1620s. This painting of Joseph, the Virgin Mary, and the infant Jesus is based on European sources, but it also contains several details that are specifically Indian
A Man Dips His Hand into a Cauldron as Ladies of the Harem Stand in Amazement... cA Man Dips His Hand into a Cauldron as Ladies of the Harem Stand in Amazement: A Page from a Manuscript of Religious History, c. 1600
Bridge and Gate (verso), c. 1600. Creator: Abraham Bloemaert (Dutch, 1564-1651)Bridge and Gate (verso), c. 1600
Madonna with the Bowl, 1606. Creator: Annibale Carracci (Italian, c. 1560-1609)Madonna with the Bowl, 1606
Pan Lang (Han Ro), early 1600s. Creator: Unkoku T?gan (Japanese, 1547-1618)Pan Lang (Han Ro), early 1600s. This is one of the pair of screens depicts episodes from the stories of famed Song-dynasty poets Su Shi of the 1000s and Zhou-dynasty official Pan Lang of the 900s
Bellona Leading the Armies of the Emperor against the Turks, 1600. The central, striding figure, Bellona (the Roman goddess of war), is said to be either the sister or the wife of Mars, god of war
Jahangir, early 1600s. Creator: UnknownJahangir, early 1600s. Emperor Jahangir had tiny portraits of himself made to give as gifts to his friends, family, and courtiers as a sign of royal favor
Akbar and Jahangir Examine a Ghir Falcon while Prince Khusrau Stands Behind, c. 1602-1604
Ahijah and Jeroboam, 1604. Creator: Jan Saenredam (Dutch, 1565-1607); Jan Saenredam (DutchAhijah and Jeroboam, 1604. These four prints were likely meant as two pairs of engravings depicting scenes of the lives of the prophets Ahijah and Elijah
Elijah in the Wilderness Fed by Ravens, 1604
Elisha and Elijahs Chariot of Fire, 1604
Cupid and Psyche, c. 1600. Creator: Jan Muller (Dutch, 1571-1628)Cupid and Psyche, c. 1600. Muller adopted Goltziuss engraving style of a dense network of swelling and tapering lines
A Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Sword, c. 1605-1610. According to Akbars court historian, the emperor ordered likenesses to be taken of the grandees of his realm
An Illuminated Folio from the Royal Manuscript of the Farhang-i Jahangiri (recto), 1607-1608
The Three Maries ( The Dead Christ Mourned ), c1604. Artist: Annibale CarracciThe Three Maries ( The Dead Christ Mourned ), c1604. The Virgin Mary, lamenting, holds the body of the dead Christ in her lap
Christ Appearing to Saint Peter on the Appian Way, 1601-1602. Artist: Annibale CarracciChrist Appearing to Saint Peter on the Appian Way, 1601-1602. The legend is that during Neros persecution of the Christians St Peter fled from Rome
The Environs of London from Greenwich, c1620-1630. From the Museum of London
Terra ( Land ), c1600. From the German National Museum, Nuremburg
Air, c1600. From the German National Museum, Nuremburg
Pines and Peacocks, Japanese Edo period, early 17th century
River landscape with rope ferry, early 17th century. Artist: Hendrick AvercampRiver landscape with rope ferry, early 17th century. From the Museum of Fine Arts, Budapest
Winter Scene with Ice Skaters, c1608. Artist: Hendrick AvercampWinter Scene with Ice Skaters, c1608. Busy frozen winter townscape. From the Rijksmuseum, Amsterdam