Early 15th Century Collection

Saints Paraskeve, Gregory the Theologian, John Chrysostom and Basil the Great, early 15th century. From the Tretyakov Gallery, Moscow, Russia

Saint Michael and the Dragon, ca. 1405. Creator: Spanish (Valencian) Painter (active in Italy)
Saint Michael and the Dragon, ca. 1405

A Contest between the Shepherds Alcesto and Acaten, ca. 1410. Creator: Master of 1416 (Italian)
A Contest between the Shepherds Alcesto and Acaten, ca. 1410

Ametos Discovery of the Nymphs, ca. 1410. Creator: Master of 1416 (Italian, Florentine
Ametos Discovery of the Nymphs, ca. 1410

Virgin and Child with Angels, 1405. Creator: Spinello Aretino (Italian, 1350 / 52-1410)
Virgin and Child with Angels, 1405. This central panel from an altarpiece shows the Madonna seated on a throne with the infant Christ, surrounded by kneeling angels and six-winged seraphim

The Story of Hushang (recto), Illustration and text (Persian Prose)... early 1400s
The Story of Hushang (recto), Illustration and text (Persian Prose) from Majmac al-Tavarikh (A Compendium of Histories) of Hafiz-i Abru; Text Page, Persian Prose, (verso)

Text Page, Persian Verses (verso) Bahram Gur Visits the Princess of India... c. 1400-1410
Text Page, Persian Verses (verso) Bahram Gur Visits the Princess of India: from a manuscript of the Khamsa of Nizami, Haft Paykar [Seven Portraits], c. 1400-1410

Text Page, Persian Prose, (verso), from Majmac al-Tavarikh... c. 1425. Creator: Unknown
Text Page, Persian Prose, (verso), from Majmac al-Tavarikh (A Compendium of Histories) of Hafiz-i Abru, c. 1425. These two pages are from a manuscript that evidently was written

Iconographic Drawing of Tantric Enlightened Beings (verso), c. 1500. Creator: Unknown
Iconographic Drawing of Tantric Enlightened Beings (verso), c. 1500. These rare surviving pages of a practice book have drawings of prominent tantric figures

Iconographic Drawing: Vaishravana, Yama, Vsnisavijaya, Tara…(recto)... Enlightened Beings
Iconographic Drawing: Vaishravana, Yama, Vsnisavijaya, Tara and Buddha (recto); Iconographic Drawing of Tantric Enlightened Beings (verso), c. 1500

The Coronation of the Virgin with the Trinity, c. 1400. Creator: Master of Rubielos de Mora
The Coronation of the Virgin with the Trinity, c. 1400. The Coronation of the Virgin celebrates the culminating scene in the narrative cycle of the life of the Virgin

Pair of Doors, early 1400s. Creator: Unknown
Pair of Doors, early 1400s. Typical of Muslim-inspired ornamentation, these doors reflect a love of geometric decoration stemming from a non-realistic artistic tradition

Bahram Gur Visits the Princess of India in the Black Pavilion, Illustration and Text, Persian Verses (recto); Bahram Gur Visits the Princess of India, Text Page, Persian Verses (verso), c. 1400-1410

Leaf from a Jain Manuscript: Kalpa-sutra: Text (recto), c. 1400. Creator: Unknown
Leaf from a Jain Manuscript: Kalpa-sutra: Text (recto), c. 1400

Death of the Virgin, c. 1400. Creator: Master of Heiligenkreuz (Austrian)
Death of the Virgin, c. 1400. Christs apostles visit the Virgin upon her deathbed. Saint Peter, wearing white robes and the papal tiara, performs funerary rites

A Bishop Saint with a Donor (Saint Louis of Toulouse?), early 1400s. Creator: Unknown
A Bishop Saint with a Donor (Saint Louis of Toulouse?), early 1400s. The style of this painting suggests that it comes from Catalonia in northeastern Spain

The Judgement of Death, early 15th century. Artist: Master of the Rohan Hours
The Judgement of Death, early 15th century. A dead man comes face to face with his God. St Michael the Archangel is expelling Lucifer from Heaven (top left). From the Rohan Hours

Processional banner, c1395-1400. Artist: Spinello Aretino
Processional banner, c1395-1400. From the Metropolitan Museum of Art, New York, USA

Medallion of Alfonso V Aragon, King of Naples and Sicily, 15th century. Artist: Pisanello
Medallion of Alfonso V Aragon, King of Naples and Sicily, 15th century. The inscription reads Venator intrepidus (The intrepid hunter)

Scene from a story of chivalry, c1400. An armoured knight converses with a blind man standing between two soldiers. On the right the knights groom or page holds a cloak and sword and a dog on a lead

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