Drunkenness Collection (page 9)

The Merry Family, 1668. Artist: Steen, Jan Havicksz (1626-1679)
The Merry Family, 1668. Found in the collection of the Rijksmuseum, Amsterdam

The Merry Drinker, 1625. Artist: Terbrugghen, Hendrick Jansz (1588-1629)
The Merry Drinker, 1625. Found in the collection of the Centraal Museum, Utrecht

Pulling of the Pretzel, Between 1630 and 1640. Artist: Bijlert (Bylert), Jan, van (1598-1671)
Pulling of the Pretzel, Between 1630 and 1640. Found in the collection of the Centraal Museum, Utrecht

Young Couple in a Tavern, 1661. Artist: Bega, Cornelis Pietersz. (1631 / 2-1664)
Young Couple in a Tavern, 1661. Found in the collection of the Hallwylska Museet, Stockholm

Six Princes (Feast), 1905-1907. Artist: Pirosmani, Niko (1862-1918)
Six Princes (Feast), 1905-1907. Found in the collection of the State Oriental Art Museum, Moscow

A Bacchanalian Revel before a Herm, 1632. Artist: Poussin, Nicolas (1594-1665)
A Bacchanalian Revel before a Herm, 1632. Found in the collection of the National Gallery, London

The Infancy of Bacchus, c. 1630. Artist: Poussin, Nicolas (1594-1665)
The Infancy of Bacchus, c.1630. Found in the collection of the Musee Conde, Chantilly

Bacchic scene, 1626-1628. Artist: Poussin, Nicolas (1594-1665)
Bacchic scene, 1626-1628. Found in the collection of the Museo del Prado, Madrid

Bacchanal, 1625-1626. Artist: Poussin, Nicolas (1594-1665)
Bacchanal, 1625-1626. Found in the collection of the Museo del Prado, Madrid

Bacchanalia, 1719. Artist: Houasse, Michel-Ange (1680-1730)
Bacchanalia, 1719. Found in the collection of the Museo del Prado, Madrid

The Offering to Bacchus, 1720. Artist: Houasse, Michel-Ange (1680-1730)
The Offering to Bacchus, 1720. Found in the collection of the Museo del Prado, Madrid

Peasants making Music in an Inn, c. 1635. Artist: Teniers, David, the Younger (1610-1690)
Peasants making Music in an Inn, c. 1635. Found in the collection of the National Gallery, London

Tavern Scene, c. 1635. Artist: Brouwer, Adriaen (c. 1605-1638)
Tavern Scene, c. 1635. Found in the collection of the National Gallery, London

The Opening Dance, 1863. Artist: Waldmuller, Ferdinand Georg (1793-1865)
The Opening Dance, 1863. From a private collection

Before a Tavern. Artist: Vladimirov, Ivan Alexeyevich (1869-1947)
Before a Tavern. Found in the collection of the State Tretyakov Gallery, Moscow

A group of drunk men in Siberia, 1860s-1870s
A group of drunk men in Siberia

The Idlers, c1660. Artist: Jan Steen
The Idlers, c1660. Found in the collection of the State Hermitage, St Petersburg

Bacchante and Satyrs, c1713. Artist: Sebastiano Ricci
Bacchante and Satyrs, c1713. Found in the collection of the State Hermitage, St Petersburg

Midas Feast in Honour of Bacchus and Silenus. c. 16th century. Artist: Lucas van Valckenborch
Midas Feast in Honour of Bacchus and Silenus. Valckenborch, Gillis, van (1570-1622). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Bacchanalia, c1615. Artist: Peter Paul Rubens
Bacchanalia, c1615. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Charles I in the guard room, (1860). Artist: W Hulland
Charles I in the guard room, (1860). Charles I, (1600-1649), King of England, Scotland, and Ireland, from 1625 until his execution in 1649

Comus, 1615. Artist: Leonard Gaultier
Comus, 1615. In Greek mythology, Comus or Komus is the god of festivity, revels and nocturnal dalliance. Depicted as a young man on the point of unconsciousness from drink with a wreath of flowers

Midas, 1615. Artist: Leonard Gaultier
Midas, 1615. A plate from Les Images Ou Tableaux De Platte Peinture Des Deux Philostrates Sophistes Grecs, by Blaise de Vigenere, Paris, 1615. Found in the collection of Jean Claude Carriere

The Drunkard Pushed into the Pigsty, 1564-1638. Artist: Pieter Brueghel the Younger
The Drunkard Pushed into the Pigsty, 1564-1638. From a private collection

The Effects of Intemperance, 1663-1665. Artist: Jan Steen
The Effects of Intemperance, 1663-1665. Found in the collection of the National Gallery, London

Absinthe / Victor Hugo, c1895-1900. Artist: Guillaume Apollinaire
Absinthe/Victor Hugo, c1895-1900. Sketch and text for a Guignol puppet scene. From a private collection

Mars and Venus, late 16th-early 17th century. Artist: Joachim Anthonisz Wtewael
Mars and Venus, late 16th-early 17th century. In the Roman pantheon Mars was the god of War, and Venus the goddess of beauty and love. Her husband, Vulcan, was god of fire and metal working

Marriage A-la-Mode: 2. The Tete a Tete, 1743. Artist: William Hogarth
Marriage A-la-Mode: 2. The Tete a Tete, 1743. The young nobleman comes home from a night of revelry at 1.20 am and ignores his wife who has been holding a card party. The steward walks out in disgust

The Triumph of Bacchus or The Drunkards, 17th Century. Artist: Diego Velazquez
The Triumph of Bacchus or The Drunkards, 17th Century. Velazquez, one of the few Spanish painters to depict mythological scenes

Drunken Silenus, 1747. Artist: Carle Vanloo
Drunken Silenus, 1747. In classical myth, Silenus is the teacher and friend of Bacchus, god of wine. In Renaissance art he is depicted as fat, drunk and naked, a bloated lord of the revels

The Drunken Silenus, 17th century. Artist: Moses van Uyttenbroeck
The Drunken Silenus, 17th century. In classical myth, Silenus is the teacher and friend of Bacchus, god of wine. In Renaissance art he is depicted as fat, drunk and naked

Japanese Netsuke of Two Shojo, Drunkards, Edo Period, 18th century. Artist: Gyoku-un
Japanese Netsuke of Two Shojo, Drunkards, Edo Period, 18th century. Signed Gyoku-Un

Company of Peasants in a Tavern, ca 1675. Artist: Ostade, Adriaen Jansz, van (1610-1685)
Company of Peasants in a Tavern, ca 1675. Found in the collection of the Albertina, Vienna

Malle Babbe, c. 1633. Artist: Hals, Frans I (1581-1666)
Malle Babbe, c. 1633. Found in the collection of the Staatliche Museen, Berlin

Roman stucco of Dionysiac rites, 1st century BC
Roman stucco of Dionysiac rites from the Villa Farnese, Rome. On the left is the half-drunken Silenus, a woman before an altar, and a youth playing double-pipes, 1st century BC

A Musician, 1876. Artist: Nikolai Petrovich Petrov
A Musician, 1876. Found in the collection of the Regional A Deineka Art Gallery, Kursk, Russia

Japanese Netsuke of a No dancer as a Shojo. Artist: Masahira
Japanese Netsuke of a No dancer as a Shojo or drunken sprite, signed Masahira. from the V&As collection

Japanese Netsuke of two drunkards, 18th century. Artist: Gyoku-un
Japanese Netsuke of two Shujo (drunkards), signed Gyoku-un, 18th century

Metope of a Centaur and Lapith from the Parthenon
Metope of a Centaur and Lapith from the south side of the Parthenon, from the British Museums collection

Relief of a centaur and Lapith fighting, The Bassai Sculptures, Temple of Apollo, Bassae, Greece
Marble relief of a centaur and Lapith fighting, The Bassai Sculptures / The Phigaleian Frieze, Temple of Apollo, Bassae, Greece, 420BC-400BC

Character, 1853. Artist: Henry Bonaventure Monnier
Character, 1853

Statuette of a drunken Hercules from the Roman town of Herculaneum
Statuette of a drunken Hercules from the House of the Stags in Herculaneum

Detail of late Roman period Greek sarcophagus, showing Dionysiac revels. In the National Museum in Athens

Tight and Needy, 1884. An illustration of a Spoonerism with an implicit moral judgment on the effects of alcohol. From Punch, or the London Charivari, November 15, 1884

The Great Self-Taxed, 1873. Artist: Joseph Swain
The Great Self-Taxed, 1873. The Liberal Chancellor of the Exchequer, Robert Lowe, makes off with a sack labelled Surplus £ 5, 000, 000

Defiant Definition, 1872. This cartoon illustrates a common difference of opinion on what exactly represents enough. From Punch, or the London Charivari, August 17, 1872

Nae That Fou!, 1870. Artist: Charles Samuel Keene
Nae That Fou!, 1870. This cartoon illustrates the growing difficulties that the middle-classes were experiencing in finding, and retaining, good servants

The Sunday Question, 1869. Artist: John Tenniel
The Sunday Question, 1869. The drinking habits of the working classes was always a cause for concern amongst their social superiors

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