Domenico Collection

The Parable of the Mote and the Beam, ca. 1619. Creator: Domenico Fetti
The Parable of the Mote and the Beam, ca. 1619

Christ Carrying the Cross, ca. 1577-87. Creator: El Greco
Christ Carrying the Cross, ca. 1577-87

The Banquet of Alexander, 1540-50. Creator: Domenico del Barbiere
The Banquet of Alexander, 1540-50

An old bearded man resting his head on his right hand and looking upwards to the left, after Reni, 1775

Group of naked men engaged in battle in a wooded landscape, some on horseback; a dog at lower left. 1517

Saint Cecilia with an angel holding a musical score, 1617-1618. Artist: Domenichino
Saint Cecilia with an angel holding a musical score, 1617-1618. Painting housed at the Louvre, Paris. From A History of Painting, Volume III by Haldane MacFall. [T. C. and E. C

Laocoon, c. 1610 / 1614. Creator: El Greco
Laocoon, c. 1610/1614

Battle between cavalry and infantry in a wood, 16th century. Creator: Hieronymus Hopfer
Battle between cavalry and infantry in a wood, 16th century. After Domenico Campagnola

Madonna of the Rose, she reaches for a rose held by the Christ child, who rests his left arm on a globe, 1560-75. After Parmigianino

Gothic Architecture in a Landscape, ca. 1807. Creator: Domenico Quaglio II
Gothic Architecture in a Landscape, ca. 1807

The Triubute Money: Christ at center right gesturing to man at his left with coins in his hand, other figures surrounding them; columns and drapery in the background, ca. 1564-89

The Massacre of the Innocents (Right side) with group of male figures attacking women and children; classical buildings in the background, 1517

Mary seated beneath trees with baby, flanked by Joseph at left and St. Jerome at right; St. John the Baptist seated in the foreground holding a cross; a man stooping to pick up a child at left; a

Landscape with family walking together in the foreground, at left two figures with herd of goats and sheep; a mill (?) and other buildings in the background, ca. 1535-40

Landscape with a woman seated next to a man playing a hurdy-gurdy, ca. 1540

Landscape with Saint Jerome at left looking towards lion and bear fighting at center; two figures with mule in the background, ca. 1530-35

The forger standing by an anvil pulling a man in chains, from the series The var... ca
The forger standing by an anvil pulling a man in chains, from the series The various operations of alchemy, ca. 1540-1550

Following Francesco I d Estes Example, His Troops Safely Pass Torrents During Extreme Weather, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...]

After a Few Days of Seige with the French Army, Francesco I d Este Takes Prossession of Mortara, The Last of his Great Victories, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este

After a Long Seige, Francesco I d Este, with the Aid of the French Army, Takes Valencia, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este, Suffering the Pain of his Injuries, Continues to Take Charge for the Successful Completion of the Military Campaign

Francesco I d Este and the French Army Besiege Valenza, which has Been Taken by the Spanish, and by Persisting with Intrepid Courage, Succeeds in the Endeavor

After a Long March, Francesco I d Este Passes with the River of Cassano with his Army, thus Causing Great Harm to the Spanish, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este

The Seige of Alessandria Begins, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

At the Head of a Swiss Army, Francesco I d Este, with Uncrushed Spirit, Confronts the Enemy under Bozzolo, who has Many Advantages, and Demands their Retreat

Francesco I d Este Freely Crosses the Po and Takes Up his Sword Against Troops in the Vinyard of the Opposite Bank where the Spanish had Settled to Impede his Crossing

Despite the Corageous Opposition of the Germans and the Spanish, Francesco I d Este, at the Head of his Armies, Arrives at the Piazza di Valeneza

Francesco I d Este Sets Out for the Seige of Cremona, Crosses the Trench Between Himself and the Spanish, and Takes the City with Great Force

Francesco I d Este, Wounded in Battle, Continues to Orchestrate the Seige of Pavia, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Protects the French in Casalmaggiore from the Seige of the Spanish, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Suffers the Mortal Blow of a Bullet While Under Pavia and Retreats into his Own Quarters, Having Been Left Without Wounds to His Head and His Heart, which Gave Him a Fever

Francesco I d Este Invites Foreign Scholars to Court, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este is Named the Deputy of the Catholilc King and is Sent to Catalogna, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Displays Great Faculty in his Studies, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Makes an Effort to Save his Crown by Allying Himself with the Barberini Prince and an Unidentified Cardinal, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este

Francesco I d Este Aids the Duke of Mantua After his Territories were Devastated by the German Armies, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este

Francesco I d Este Assists His Subjects with Great Generosity During the Great Famine of 1648 and 1649, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este

Francesco I d Este Secures the Fort and the Land to Protect from the German Troops, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Punishes a Soldier by Death who had Stolen a Chalice from the Holy Church, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...]

Francesco I d Este Sentences a Noble French Official to Death as an Example to Prevent Future Scandalous Excesses within the Church

Francesco I d Este Liberates the City of Turin and Leaves it in the Hands of the Duke of Savoy, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...]

Francesco I d Este Receiving the Affection of the People, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este, with his Gentle Manner, is Loved by All of the Noblemen in his Court, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este, Despite his Discomfort, Displays his Piety While Traveling in the Snow and Ice to Receive the Holy Sacrament, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este

Francesco I d Este Remains Dedicated to the Cause of the War, Having been Involved for Many Years, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este

Francesco I d Este Keeps his State Intact During the Descent of the Germans into Mantua, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Combines Forces with The Republic of Venice and Genoa Against the Ottoman Turks, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este

Soldiers Enlisting to Defend the Faith agains the Turks, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

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