Dobson Collection

A Rakes Progress - 2: The Levee, 1733. Artist: William Hogarth
A Rakes Progress - 2: The Levee, 1733. Tom holds a morning reception at his new palatial town lodgings. Vistors offer their services: a jockey, a dancing-master (with violin)

Geoffrey Dobson, 1935. Geoffrey Dobson (1826-1893), waterman and swimming instructor at Eton College. From The Eton Book of the River - With Some Account of the Thames and the Evolution Boat-Racing

Breakfast scene from The Five Days Peregrination, 1732. Artist: William Hogarth
Breakfast scene from The Five Days Peregrination, 1732. This series is an account of a tour of the Kent Coast made by William Hogarth and four friends in May 1732

A Rakes Progress - 8: The Mad House, 1733. Artist: William Hogarth
A Rakes Progress - 8: The Mad House, 1733. True to his nature Tom Rakewell has run through a vast fortune through indulgence in all the luxuries of modern living

Burns Grace, late 19th century. Artist: Henry John Dobson
Burns Grace, late 19th century. Grace thought by some to have been written by Robert Burns (1759-1796), but which was possibly already in use before his time: Some hae meat and canna eat

Portrait of William Dobson, 1645-49 (?). Creator: Josias English
Portrait of William Dobson, 1645-49 (?)

[William Charles Thomas Dobson], 1860s. Creator: John & Charles Watkins
[William Charles Thomas Dobson], 1860s

Dobson, (1611-1646), 1830. Creator: Unknown
Dobson, (1611-1646), 1830. William Dobson (1611-1646) English portraitist, said to have gained royal commission from King Charles I. From " Biographical Illustrations", by Alfred Howard

General John Desborough, (1820s). Creator: R Cooper
General John Desborough, (1820s). Portrait of English Parliamentarian army officer and politician John Desborough (or Disbrowe (1608-1680). [Charles & Henry Baldwin, London]

The Screen in the Lumber Room, 1886. Artist: Randolph Caldecott
The Screen in the Lumber Room, 1886. Poem written by Austin Dobson about an old-fashioned screen, decorated with hoarded scraps and snippets. From The Magazine of Art

Mr Dobson, a tradesman of Fleet Street, wearing a wig, coat and waistcoat, c1780

ERAs of Raymond Mays and Arthur Dobson racing at Crystal Palace, London, 1939. Artist: Bill Brunell
ERA 1980S cc. Event Entry No: 16. Driver: Mays, R. Twin rear wheels. Background: ERA Driver: Dobson, A.C. Twin rear wheels. Place: Crystal Palace Race Meeting. Date: 26.8.39

Riley of AD Whitworth and ERA of Arthur Dobson racing at Crystal Palace, London, 1939
Left: Riley 1987 cc. Driver: Whitworth, A.D. Offset-bodied single-seater. Right: ERA 1488S cc. Event Entry No: 12. Driver: Dobson, A.C. Place: Crystal Palace Race Meeting. Date: 1.7.39

ERA of Arthur Dobson racing at Crystal Palace, London, 1939. Artist: Bill Brunell
ERA 1488S cc. Event Entry No: 12. Driver: Dobson, A.C. Place: Crystal Palace Race Meeting. Date: 1.7.39

MG 18 / 80 of CF Dobson and Ford Model A of EAL Midgley at the MCC Sporting Trial, 1930
MG 18/80 2468 cc. Vehicle Reg. No. RX7207. Event Entry No: 47 Driver: Dobson, C.F. Centre: Ford A Saloon 3283 cc. Reg. No. UF6128. Event Entry No: 30 Driver: Midgely, E.A.L. M.C.C. Sporting Trial

MG 18 / 80 of CF Dobson competing in the MCC Sporting Trial, 1930. Artist: Bill Brunell
MG 18/80 2468 cc. Vehicle Reg. No. RX7207. Event Entry No: 47 Driver: Dobson, C.F. Award: Bronze. Place: M.C.C. Sporting Trial. Date: 25.10.30

MG M type of CF Dobson competing in the Brighton and Hove Motor Club Brighton-Beer Trial, 1930
MG M Standard 2-seater sports. 1930 847 cc. Vehicle Reg. No. RX6795. Event Entry No: 55 Driver: Dobson, C.F. Finisher Chassis No. 2M 1594. Place: B&HMC Brighton-Beer Trial. Date: 21/22.6.30

ERAs of Raymond Mays and AC Dobson, Imperial Trophy, Crystal Palace, 1939. Artist: Bill Brunell
ERA 1980S cc. Event Entry No: 16 Driver: Mays, R. ERA 1488S cc. Event Entry No: 17 Driver: Dobson, A.C. Place: Crystal Palace. Imperial Trophy. Date: 26.8.39

Riley of PW Maclure and ERAs of Raymond Mays and AC Dobson, Imperial Trophy, Crystal Palace, 1939
Left: Riley 1487S cc. Event No: 21 Driver: Maclure, P.W Right: ERA 1980S cc. Entry No: 16. Driver: Mays, R. Centre: ERA 1488S cc.t Entry No: 17. Driver: Dobson, A.C. Crystal Palace. Imperial Trophy

Raymond Mays ERA leading an MG and another ERA, Imperial Trophy, Crystal Palace, 1939
ERA 1980S cc. Event Entry No: 16 Driver: Mays, R. MG 1087S cc. Event Entry No: 12 Driver: Nickols, I.H. ERA 1488S cc. Event Entry No: 17 Driver: Dobson, A.C. Place: Crystal Palace. Imperial Trophy

Self Stripping Carding Engine, by Dobson and Barlow Bolton, 1874. Artist: GB Smith
Self Stripping Carding Engine, by Dobson and Barlow Bolton, 1874. A cotton spinning machine invented during the Industrial Revolution, the carding engine transformed raw cotton into cotton lap

William Augustus, Duke of Cumberland, 1732. Artist: William Hogarth
William Augustus, Duke of Cumberland, 1732. Portrait of the third and youngest son of King George II as boy. From William Hogarth, by Austin Dobson. [Hachette Et Cie, Paris, 1904]

Frances Arnold, 1738-1740. Artist: William Hogarth
Frances Arnold, 1738-1740. The original painting is said to have been painted when Hogarth was on a visit to Ashby Lodge, Northamptonshire. From William Hogarth, by Austin Dobson

Taste in High Life, 1798. Artist: Samuel Phillips
Taste in High Life, 1798. A satire on affected manners. A man holds a saucer and a woman daintily holds the teacup. Another woman tickles a black servant under the chin

A Rakes Progress - 6: The Gaming House, 1733. Artist: William Hogarth
A Rakes Progress - 6: The Gaming House, 1733. Tom Rakewell is in a gambling house in Covent Garden, London. Having just lost his wifes fortune, he falls to his knees

A Rakes Progress - 7: Fleet Prison, 1733. Artist: William Hogarth
A Rakes Progress - 7: Fleet Prison, 1733. Tom Rakewell is confined to Fleet Prison, London, for debt, and being harangued by his wife

A Rakes Progress - 5: He Marries, 1733. Artist: William Hogarth
A Rakes Progress - 5: He Marries, 1733. Tom Rakewell marries an old but rich woman, in order to retrieve his fortune. Meanwhile, in the background

Marriage A-la-Mode: 3. The Inspection, c1743. Artist: William Hogarth
Marriage A-la-Mode: 3. The Inspection, c1743. The nobleman is in the house of Dr Misaubin, no 96 St Martins Lane. He threatens the quack with his cane for having prescribed pills which proved

Portrait of a Man, 1741. Artist: William Hogarth
Portrait of a Man, 1741. From William Hogarth, by Austin Dobson. [Hachette Et Cie, Paris, 1904]

Sigismunda Mourning over the Heart of Guiscardo, 1759. Artist: William Hogarth
Sigismunda Mourning over the Heart of Guiscardo, 1759. Inspired by Boccaccios Decameron, written in the mid 14th century. From William Hogarth, by Austin Dobson. [Hachette Et Cie, Paris, 1904]

Chairing the Members, Plate IV from The Humours of an Election, 1757. Artist: William Hogarth
Chairing the Members, Plate IV from The Humours of an Election, 1757. This series of four plates depicts the Oxfordshire parliamentary election of 1754

The Polling, Plate III from The Humours of an Election, 1757. Artist: William Hogarth
The Polling, Plate III from The Humours of an Election, 1757. This series of four plates depicts the Oxfordshire parliamentary election of 1754

Canvassing for Votes, Plate II from The Humours of an Election, 1757. Artist: William Hogarth
Canvassing for Votes, Plate II from The Humours of an Election, 1757. This series of four plates depicts the Oxfordshire parliamentary election of 1754

Capitain Thomas Coram, 1740. Artist: William Hogarth
Capitain Thomas Coram, 1740. The philanthropist Thomas Coram (1668-1751) founded the Foundling Hospital after seeing the plight of children left abandoned in the streets

The Distrest Poet, 1740. Artist: William Hogarth
The Distrest Poet, 1740. A poor poet, at work in his garret, is interrupted by a milkmaid demanding payment. From William Hogarth, by Austin Dobson. [Hachette Et Cie, Paris, 1904]

Simon, Lord Lovat, 1746. Artist: William Hogarth
Simon, Lord Lovat, 1746. Simon Fraser, Lord Lovat (1667-1747), Scottish Jacobite, was the Chief of Clan Fraser. He was executed on Tower Hill for his part in the Jacobite Rebellion of 1745

Sketch for Industry and Idleness - Plate VI, 1747. Artist: William Hogarth
Sketch for Industry and Idleness - Plate VI, 1747. The industrious prentice out of his time and married to his masters daughter

Sketch for Industry and Idleness - Plate X, 1747. Artist: William Hogarth
Sketch for Industry and Idleness - Plate X, 1747. The industrious prentice alderman of London, the idle one brought before him and impeach d by his accomplice, plate X of Industry and Idleness

Sketch for Industry and Idleness - Plate VIII, 1747. Artist: William Hogarth
Sketch for Industry and Idleness - Plate VIII, 1747. The industrious prentice grown rich and sheriff of London. The scene is old Fishmongers Hall

Rejected sketch for Industry and Idleness, 1747. Artist: William Hogarth
Rejected sketch for Industry and Idleness, 1747. From William Hogarth, by Austin Dobson. [Hachette Et Cie, Paris, 1904]

The Times, 1762. Artist: William Hogarth
The Times, 1762. Satire on King George III and the Seven Years War. The burning city is an allegory for the state of Europe. William Pitt is depicted on stilts, fanning the flames of war

Sketch for Industry and Idleness - Plate III, 1747. Artist: William Hogarth
Sketch for Industry and Idleness - Plate III, 1747. The idle prentice at play in the church yard during divine service. The idle apprentice plays hustle-cap with some pickpockets

Sketch for plate XI of Industry and Idleness, 1747. Artist: William Hogarth
Sketch for plate XI of Industry and Idleness, 1747. The idle prentice executed at Tyburn. The crowds gather at Tyburn to watch Tom Idles execution

The Industrious Prentice Lord-Mayor of London - Plate 12 from Industry and Idleness, 1747. Artist: William Hogarth
The Industrious Prentice Lord-Mayor of London - Plate 12 from Industry and Idleness, 1747. The industrious apprentice is drawn along Cheapside in his coach watched by Frederick

Burlesque on Kents Altarpiece at St Clement Danes, c1725. Artist: William Hogarth
Burlesque on Kents Altarpiece at St Clement Danes, c1725. William Kent painted an altarpiece for St Clement Danes Church, London, commissioned by the parishioners

A Rakes Progress; scene I, 1735. Artist: William Hogarth
A Rakes Progress ; scene I, 1734. Tom Rakewell is taking possession of his miserly fathers effects. Kneeling beside him is a tailor measuring him up for a new set of clothes

Scene from the The Beggars Opera VI, 1731. Artist: William Hogarth
Scene from the The Beggars Opera VI, 1731. The Beggars Opera is a play by John Gay, first performed at the Lincolns Inn Theatre in London in 1728. From William Hogarth, by Austin Dobson

The Indian Emperor, 1732. Artist: William Hogarth
The Indian Emperor, 1732. A scene from John Drydens play The Indian Emperour or the Conquest of Mexico by the Spaniards as performed in the year 1731 at Mr Conduit s, Master of the Mint

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