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Disgust Collection

Background imageDisgust Collection: Beach, Mrs. portrait photograph, 1915 Dec. or 1916 Jan. Creator: Arnold Genthe

Beach, Mrs. portrait photograph, 1915 Dec. or 1916 Jan. Creator: Arnold Genthe
Beach, Mrs. portrait photograph, 1915 Dec. or 1916 Jan

Background imageDisgust Collection: A Rakes Progress, Plate 7, June 25, 1735. Creator: William Hogarth

A Rakes Progress, Plate 7, June 25, 1735. Creator: William Hogarth
A Rakes Progress, Plate 7, June 25, 1735

Background imageDisgust Collection: Burning the Rumps at Temple Bar (Twelve Large Illustrations for Samuel Butlers Hudibra

Burning the Rumps at Temple Bar (Twelve Large Illustrations for Samuel Butlers Hudibras, Plate 11), 1725-68

Background imageDisgust Collection: Burning the Rumps at Temple Bar (Plate 11: Illustrations to Samuel Butlers Hudibras)

Burning the Rumps at Temple Bar (Plate 11: Illustrations to Samuel Butlers Hudibras), 1725-30 (?)

Background imageDisgust Collection: Qualis vir Talis Oratio. n. d. Creator: Romeyn de Hooghe

Qualis vir Talis Oratio. n. d. Creator: Romeyn de Hooghe
Qualis vir Talis Oratio.n.d. King James lies in bed vomiting reptiles with crowns, the Lord Mayor of London holds his nose with Aldermen and Bishops

Background imageDisgust Collection: Figure 36: Scornful laughter and scornful disgust, 1854-56, printed 1862

Figure 36: Scornful laughter and scornful disgust, 1854-56, printed 1862

Background imageDisgust Collection: The Monkey Opens the Package and Removes the Rabbits Head to the Great Surprise of the

The Monkey Opens the Package and Removes the Rabbits Head to the Great Surprise of the Animals. From Hendrick van Alcmars Renard The Fox, 1650-75. Third state of four

Background imageDisgust Collection: A civic louse in the state bed!!!, or the Corporation conglomorated!!, 1824. Artist

A civic louse in the state bed!!!, or the Corporation conglomorated!!, 1824. Artist
A civic louse in the state bed!!!, or the Corporation conglomorated!!, 1824. The City aldermen and Lord Mayor John Garratt examining an enormous louse on the Mansion House state bed

Background imageDisgust Collection: Loyal Addresss & Radical Petitions... 1819. Artist

Loyal Addresss & Radical Petitions... 1819. Artist
Loyal Addresss & Radical Petitions, or the R-ts most gracious answer to both sides of the question at once, 1819. The Prince Regent standing on a dais

Background imageDisgust Collection: The scrutiny, or examination of the filth, 1784

The scrutiny, or examination of the filth, 1784. Five men, holding their noses and examining chamber pots, with devils in the background on either side. One man is vomiting

Background imageDisgust Collection: Coming out of church, London, c1815

Coming out of church, London, c1815; two church dignitaries, one on either side of a church door, hold an alms dish between them, preventing a rustic from leaving

Background imageDisgust Collection: Men bemoaning peace, Corn Exchange, London, 1815. Artist: Piercy Roberts

Men bemoaning peace, Corn Exchange, London, 1815. Artist: Piercy Roberts
Men bemoaning peace, London, 1815; four unhappy men at Smithfield and four unhappy men at the Corn Exchange bemoan the effect of peace, with the defeat of Napoleon, on their businesses

Background imageDisgust Collection: Monster soup commonly called Thames water... 1828. Artist: Thomas McLean

Monster soup commonly called Thames water... 1828. Artist: Thomas McLean
Monster soup commonly called Thames water, being a correct representation of that precious stuff doled out to us!!!, 1828; showing an ugly woman holding a spy glass which touches the circumference of

Background imageDisgust Collection: Marriage a la Mode, 1745; plate II. Artist: Bernard Baron

Marriage a la Mode, 1745; plate II. Artist: Bernard Baron
Marriage a la Mode, 1745; plate II. The young nobleman comes home from a night of revelry at 1.20 am and ignores his wife who has been holding a card party. The steward walks out in disgust

Background imageDisgust Collection: A Rakes Progress, 1735; plate VII of VIII. Artist: William Hogarth

A Rakes Progress, 1735; plate VII of VIII. Artist: William Hogarth
A Rakes Progress, 1735; plate VII of VIII. Tom Rakewell is confined to Fleet Prison, London, for debt, and being harangued by his wife

Background imageDisgust Collection: Burning the rumps at Temple Bar, London, 1726. Artist: William Hogarth

Burning the rumps at Temple Bar, London, 1726. Artist: William Hogarth
Burning the rumps at Temple Bar, London, 1726; the London populace, disgusted with the Rump Parliament which assembled after Oliver Cromwells death

Background imageDisgust Collection: Hyde Park Corner in 1822, c1870. Artist: George Cruikshank

Hyde Park Corner in 1822, c1870. Artist: George Cruikshank
Hyde Park Corner in 1822, c1870. Hyde Park Corner is an area of London, located around a major road junction at the southeastern corner of Hyde Park

Background imageDisgust Collection: A Rakes Progress - 7: Fleet Prison, 1733. Artist: William Hogarth

A Rakes Progress - 7: Fleet Prison, 1733. Artist: William Hogarth
A Rakes Progress - 7: Fleet Prison, 1733. Tom Rakewell is confined to Fleet Prison, London, for debt, and being harangued by his wife

Background imageDisgust Collection: Devils at Home - Breathing a Vein, c19th century

Devils at Home - Breathing a Vein, c19th century

Background imageDisgust Collection: Marriage A-la-Mode: 2. The Tete a Tete, 1743. Artist: William Hogarth

Marriage A-la-Mode: 2. The Tete a Tete, 1743. Artist: William Hogarth
Marriage A-la-Mode: 2. The Tete a Tete, 1743. The young nobleman comes home from a night of revelry at 1.20 am and ignores his wife who has been holding a card party. The steward walks out in disgust


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