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Discussing Collection (page 7)

Background imageDiscussing Collection: Good History, 1871. Artist: Oluf Simony Jensen

Good History, 1871. Artist: Oluf Simony Jensen
Good History, 1871

Background imageDiscussing Collection: Farm Owner, 1828. Artist: Marlet et Cie

Farm Owner, 1828. Artist: Marlet et Cie
Farm Owner, 1828. A lithograph from L Inde Francais, 1828. From the collection of Jean Claude Carriere

Background imageDiscussing Collection: Representatives of the Allied governments, Paris, World War I, 27-29 March 1916

Representatives of the Allied governments, Paris, World War I, 27-29 March 1916. Representatives from France, Britain, Russia, Italy, Japan, Belgium, Portugal

Background imageDiscussing Collection: The Colloquy of Poissy in 1561, c1855-1912. Artist: Tony Robert-Fleury

The Colloquy of Poissy in 1561, c1855-1912. Artist: Tony Robert-Fleury
The Colloquy of Poissy in 1561, c1855-1912

Background imageDiscussing Collection: Lads making ready, 1799. Artist: Francisco Goya

Lads making ready, 1799. Artist: Francisco Goya
Lads making ready, 1799. Plate 11 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain The series is evidence of the artists political

Background imageDiscussing Collection: St Andrew and St Francis, c1590-1595. Artist: El Greco

St Andrew and St Francis, c1590-1595. Artist: El Greco
St Andrew and St Francis, c1590-1595. From the collection of the Prado, Madrid, Spain

Background imageDiscussing Collection: Even thus he cannot make her out, 1799. Artist: Francisco Goya

Even thus he cannot make her out, 1799. Artist: Francisco Goya
Even thus he cannot make her out, 1799. Plate 7 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression

Background imageDiscussing Collection: Meeting the German Emperor, 25th August, 1791, 19th century

Meeting the German Emperor, 25th August, 1791, 19th century

Background imageDiscussing Collection: Ouvriers du Batiment ( Construction Workers ), c1911. Artist: Theophile Alexandre Steinlen

Ouvriers du Batiment ( Construction Workers ), c1911. Artist: Theophile Alexandre Steinlen
Ouvriers du Batiment ( Construction Workers ), c1911. From the Musee d Orsay, Paris

Background imageDiscussing Collection: The Lecture, 1903. Artist: Theo van Rysselberghe

The Lecture, 1903. Artist: Theo van Rysselberghe
The Lecture, 1903. Van Rysselberghe has reconstructed one of the meetings between a number of Belgian and French artists from different disciplines held in Paris at the house of the prominent poet

Background imageDiscussing Collection: The Seat of Justice in the Parlement of Paris, 1723. Artist: Nicolas Lancret

The Seat of Justice in the Parlement of Paris, 1723. Artist: Nicolas Lancret
The Seat of Justice in the Parlement of Paris, 1723. From the Musee du Louvre, Paris, France

Background imageDiscussing Collection: Paternal Admonition, 1654-1655. Artist: Gerard Terborch II

Paternal Admonition, 1654-1655. Artist: Gerard Terborch II
Paternal Admonition, 1654-1655. From a private collection

Background imageDiscussing Collection: Centre of the Thabor, stained glass, Chartres Cathedral, France, 1194-1260

Centre of the Thabor, stained glass, Chartres Cathedral, France, 1194-1260

Background imageDiscussing Collection: Commissaire de Police, Paris Commune, 1871

Commissaire de Police, Paris Commune, 1871. Cartoon from a series titled Types de la Commune. The Paris Commune was established when the citizens of Paris, many of them armed National Guards

Background imageDiscussing Collection: The Adventuress, c1717. Artist: Jean-Antoine Watteau

The Adventuress, c1717. Artist: Jean-Antoine Watteau
The Adventuress, c1717. From the collection of the Musee des Beaux-Arts, Troyes, France

Background imageDiscussing Collection: Garde Nationale Auxiliaire, Siege of Paris, Franco-Prussian War, 1870-1871

Garde Nationale Auxiliaire, Siege of Paris, Franco-Prussian War, 1870-1871. A woman shopper and a member of the National Guard (Garde Nationale)

Background imageDiscussing Collection: The Parable of the Labourers in the Vineyard, 1637. Artist: Rembrandt Harmensz van Rijn

The Parable of the Labourers in the Vineyard, 1637. Artist: Rembrandt Harmensz van Rijn
The Parable of the Labourers in the Vineyard, 1637. From the Hermitage Museum, St Petersburg, Russia

Background imageDiscussing Collection: William Harvey, English physician, in Windsor Park, 17th century (1870)

William Harvey, English physician, in Windsor Park, 17th century (1870). Harvey (1578-1657) explaining to Charles I the results of his investigations into reproduction

Background imageDiscussing Collection: Robert Boyle, Anglo-Irish chemist and physicist and Denis Papin, French physicist, 1870

Robert Boyle, Anglo-Irish chemist and physicist and Denis Papin, French physicist, 1870
Robert Boyle, 17th century Anglo-Irish chemist and physicist, in his laboratory with Denis Papin, French physicist, 1870. Papin (1647-1712) is pointing to Boyles (1627-1691) air pump

Background imageDiscussing Collection: Detail of a frieze on the Treasury of the Siphnians, 6th century BC

Detail of a frieze on the Treasury of the Siphnians, 6th century BC
Detail from the east frieze on the Treasury of the Siphnians at Delphi, showing the Council of the Gods. From left to right are Aphrodite, Artemis, and Apollo, 6th century BC

Background imageDiscussing Collection: Scenes from the Seventh Crusade, 1248-1254 (15th century)

Scenes from the Seventh Crusade, 1248-1254 (15th century). Top: Louis IX (1215-1270), King of France from 1226, called Saint Louis, being brought as a prisoner before the Sultan

Background imageDiscussing Collection: Christ among the Doctors, c1860

Christ among the Doctors, c1860. Jesus as a boy discussing religious law with the Doctors in the Temple of Jerusalem. From the Bible (Luke 2). (London, c1860)

Background imageDiscussing Collection: Scene at Covent Garden fruit and vegetable market, London, early 20th century

Scene at Covent Garden fruit and vegetable market, London, early 20th century. Market women discuss the merits of cauliflowers while in the left background a porter is carrying a stack of baskets or

Background imageDiscussing Collection: The surrender of Confederate forces in North Carolina, American Civil War, 1865

The surrender of Confederate forces in North Carolina, American Civil War, 1865. Artist: Currier and Ives
The surrender of Confederate forces in North Carolina, American Civil War, 1865. Union General William Tecumseh Sherman (1820-1891) (left)

Background imageDiscussing Collection: Generals Grant and Pemberton negotiating the surrender of Vicksburg, American Civil War, 1863

Generals Grant and Pemberton negotiating the surrender of Vicksburg, American Civil War, 1863. General Ulyssess Grant (left) (1822-1885)

Background imageDiscussing Collection: Headpiece from Thomas Mores Utopia, 1518

Headpiece from Thomas Mores Utopia, 1518. First published in 1516, Utopia was a work depicting an ideal state where reason ruled

Background imageDiscussing Collection: Meeting of Generals Grant (left) and Lee, American Civil War, 1865. Artist: Currier and Ives

Meeting of Generals Grant (left) and Lee, American Civil War, 1865. Artist: Currier and Ives
Meeting of Generals Grant (left) and Lee, American Civil War, 1865. Grant and Lee meeting on Palm Sunday 1865 to work out terms for the surrender of Lees Army of Northern Virginia

Background imageDiscussing Collection: Alexander I Russia and Napoleon I (Bonaparte) of France at Tilsit, 1807 (c1880)

Alexander I Russia and Napoleon I (Bonaparte) of France at Tilsit, 1807 (c1880)
Alexander I, Emperor of Russia and Napoleon I (Bonaparte) of France at Tilsit, 1807 (c1880). On 25 June 1807, Napoleon and Alexander met on a raft in the middle of the river Neman in Russia to

Background imageDiscussing Collection: Disturbances in Seoul, Korea, 1894. Artist: Frederic Lix

Disturbances in Seoul, Korea, 1894. Artist: Frederic Lix
Disturbances in Seoul, Korea, 1894. Unrest prior to the Sino-Japanese War of 1895-1896, in which the empires of China and Japan fought for control of the Korean peninsula

Background imageDiscussing Collection: Bernard de Fontenelle, 1728-1729. Artist: Bernard Picart

Bernard de Fontenelle, 1728-1729. Artist: Bernard Picart
Bernard de Fontenelle, 1728-1729. A print from Oeuvres Diverses, La Haye, Gosse & Neaulme, Volume I, 1728-1729. Found in the collection of Jean-Claude Carriere

Background imageDiscussing Collection: Dialogues of the Dead, 1728. Artist: Bernard Picart

Dialogues of the Dead, 1728. Artist: Bernard Picart
Dialogues of the Dead, 1728. A print from Oeuvres Diverses, La Haye, Gosse & Neaulme, Volume I, 1728-1729. Found in the collection of Jean-Claude Carriere

Background imageDiscussing Collection: Le Char de l Etat Navigue sur un Volcan, 1871. Artist: Henry Bonaventure Monnier

Le Char de l Etat Navigue sur un Volcan, 1871. Artist: Henry Bonaventure Monnier
Le Char de l Etat Navigue sur un Volcan, 1871

Background imageDiscussing Collection: Two Characters, c1825-1877. Artist: Henry Bonaventure Monnier

Two Characters, c1825-1877. Artist: Henry Bonaventure Monnier
Two Characters, c1825-1877

Background imageDiscussing Collection: The Four Evangelists, 1620-1625. Artist: Jacob Jordaens

The Four Evangelists, 1620-1625. Artist: Jacob Jordaens
The Four Evangelists, 1620-1625. Found in the collection of the Musee d Orsay, Paris, France

Background imageDiscussing Collection: The Mysteries of the Commune, 1871

The Mysteries of the Commune, 1871. Satirical cartoon depicting Bismarck and Wilhelm I of Germany at the time of the Paris Commune (1871). From a private collection

Background imageDiscussing Collection: Flower Sellers of Seville. Artist: Jose Rico Tejedo

Flower Sellers of Seville. Artist: Jose Rico Tejedo
Flower Sellers of Seville. From the Museum of Fine Arts of Seville, Spain

Background imageDiscussing Collection: Une Bonne Prise, 1870-1871

Une Bonne Prise, 1870-1871. Cartoon depicting a scene during the Prussian Siege of Paris in the Franco-Prussian War (1870-1871)

Background imageDiscussing Collection: Subject to Correction, 1912. Artist: Leonard Raven-Hill

Subject to Correction, 1912. Artist: Leonard Raven-Hill
Subject to Correction, 1912. Cartoon relating to the Peace Conference held in London in December 1912, to end the First Balkan War

Background imageDiscussing Collection: Library of the Royal Institution, Albermarle Street, London, 1808-1811. Artist: Thomas Rowlandson

Library of the Royal Institution, Albermarle Street, London, 1808-1811. Artist: Thomas Rowlandson
Library of the Royal Institution, Albermarle Street, London, 1808-1811. Interior view of the library showing gentlemen reading and engaged in discussion

Background imageDiscussing Collection: Giuseppe Garibaldi trying to persuade Pope Pius IX, 1860. Artist: John Tenniel

Giuseppe Garibaldi trying to persuade Pope Pius IX, 1860. Artist: John Tenniel
Giuseppe Garibaldi (1807-82) trying to persuade Pope Pius IX that the Cap of Liberty would be far more comfortable than the Papal crown, 1860

Background imageDiscussing Collection: Discussion over the future ruler of unified Italy, 1860

Discussion over the future ruler of unified Italy, 1860
Discussion over the future ruler of unified Italy, 1960. Garibaldi asking Victor Emmanuel II if he will carry on the game for Italy

Background imageDiscussing Collection: Samuel Johnson, English man of letters, talking to Oliver Goldsmith, English author, c1755-1774

Samuel Johnson, English man of letters, talking to Oliver Goldsmith, English author, c1755-1774
Samuel Johnson, English man of letters, talking to Oliver Goldsmith, English author, 1755-1774. A critic, lexicographer, essayist, biographer and poet

Background imageDiscussing Collection: Christmas Bills, 1872

Christmas Bills, 1872. A husband and wife take very different views of the benefits of striking. There had been many strikes in London, and throughout England, during 1872

Background imageDiscussing Collection: Gladstone Salve - For Tender Consciences, 1863. Artist: John Tenniel

Gladstone Salve - For Tender Consciences, 1863. Artist: John Tenniel
Gladstone Salve - For Tender Consciences, 1863. Mr Gladstones 1863 Budget began with the premise that there was a surplus of £ 3, 741, 000

Background imageDiscussing Collection: Group of Armed Men (copy). n. d. Creator: Jan Muller

Group of Armed Men (copy). n. d. Creator: Jan Muller
Group of Armed Men (copy).n.d. After Lucas van Leyden



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