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Da Vinci Collection (page 10)

Background imageDa Vinci Collection: Drawing of the head of a criminal, c1472-c1519 (1883). Artist: Leonardo da Vinci

Drawing of the head of a criminal, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of the head of a criminal, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Background imageDa Vinci Collection: Study for the head of Judas in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci

Study for the head of Judas in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the head of Judas in `The Last Supper`, c1494-c1499 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageDa Vinci Collection: Study for the arm of St Peter in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci

Study for the arm of St Peter in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the arm of St Peter in `The Last Supper`, c1494-c1499 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageDa Vinci Collection: Study for the head of St Philip in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci

Study for the head of St Philip in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the head of St Philip in `The Last Supper`, c1494-c1499 (1883). Drawn in black chalk. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageDa Vinci Collection: Study for the head of St Matthew in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci

Study for the head of St Matthew in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the head of St Matthew in `The Last Supper`, c1494-c1499 (1883). Drawn in red chalk. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageDa Vinci Collection: Preparatory sketch for the painting of `The Last Supper`, c1494-c1499 (1883)

Preparatory sketch for the painting of `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Preparatory sketch for the painting of `The Last Supper`, c1494-c1499 (1883). Drawn in red chalk. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageDa Vinci Collection: The wall painting of `The Last Supper`, at Milan, 1883

The wall painting of `The Last Supper`, at Milan, 1883. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Background imageDa Vinci Collection: Bust of a boy, c1472-c1519 (1883). Artist: Leonardo da Vinci

Bust of a boy, c1472-c1519 (1883). Artist: Leonardo da Vinci
Bust of a boy, c1472-c1519 (1883). A study, in red chalk, for the figure of the Infant Christ in the `Virgin of the Rocks`. From The Literary Works of Leonardo Da Vinci, Vol

Background imageDa Vinci Collection: Preparatory study of drapery for the Angel in the `Virgin of the Rocks`, 1472-c1519 (1883)

Preparatory study of drapery for the Angel in the `Virgin of the Rocks`, 1472-c1519 (1883). Artist: Leonardo da Vinci
Preparatory study of drapery for the Angel in the `Virgin of the Rocks`, 1472-c1519 (1883). Done with the brush and Indian ink on greenish paper, the lights heightened with white

Background imageDa Vinci Collection: A female head, c1472-c1519 (1883), Artist: Leonardo da Vinci

A female head, c1472-c1519 (1883), Artist: Leonardo da Vinci
A female head, c1472-c1519 (1883). A preparatory drawing in silverpoint on brown-toned paper for the Angel in the `Virgin of the Rocks`. From The Literary Works of Leonardo Da Vinci, Vol

Background imageDa Vinci Collection: Five drawings illustrating the theory of painting, c1472-c1519 (1883). Artist: Leonardo da Vinci

Five drawings illustrating the theory of painting, c1472-c1519 (1883). Artist: Leonardo da Vinci
Five drawings illustrating the theory of painting, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageDa Vinci Collection: Charcoal Drawing, representing a Deluge, from the Royal Library, Windsor Castle, 1883

Charcoal Drawing, representing a Deluge, from the Royal Library, Windsor Castle, 1883. Artist: Leonardo da Vinci
Charcoal drawing, representing a deluge, c1472-c1519 (1883) From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Background imageDa Vinci Collection: Three drawings, c1472-c1519 (1883). Artist: Leonardo da Vinci

Three drawings, c1472-c1519 (1883). Artist: Leonardo da Vinci
Three drawings, c1472-c1519 (1883). A representation of natural phenomena, and two sketches of a male figures. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageDa Vinci Collection: Representation of natural phenomena, c1472-c1519 (1883). Artist: Leonardo da Vinci

Representation of natural phenomena, c1472-c1519 (1883). Artist: Leonardo da Vinci
Representation of natural phenomena, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Background imageDa Vinci Collection: Representation of a tempest, c1472-c1519 (1883). Artist: Leonardo da Vinci

Representation of a tempest, c1472-c1519 (1883). Artist: Leonardo da Vinci
Representation of a tempest, drawn with the pen and partly washed with Indian ink, c1472-c1519 (1883). from the Royal Library, Windsor Castle, 1883. From The Literary Works of Leonardo Da Vinci, Vol

Background imageDa Vinci Collection: Study of female hands, c1472-c1519 (1883). Artist: Leonardo da Vinci

Study of female hands, c1472-c1519 (1883). Artist: Leonardo da Vinci
Study of female hands, drawn with the silverpoint on yellowish tinted paper, heightened with white, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH

Background imageDa Vinci Collection: Drawing of a male head, illustrating the practice of painting, c1472-c1519 (1883)

Drawing of a male head, illustrating the practice of painting, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of a male head, illustrating the practice of painting, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageDa Vinci Collection: Four drawings illustrating the practice of painting, c1472-c1519 (1883). Artist: Leonardo da Vinci

Four drawings illustrating the practice of painting, c1472-c1519 (1883). Artist: Leonardo da Vinci
Four drawings illustrating the practice of painting, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageDa Vinci Collection: Drawing of a bust and minor sketches, c1472-c1519 (1883). Artist: Leonardo da Vinci

Drawing of a bust and minor sketches, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of a bust and minor sketches, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Background imageDa Vinci Collection: Five drawings illustrating the elements of landscape painting, c1472-c1519 (1883)

Five drawings illustrating the elements of landscape painting, c1472-c1519 (1883). Artist: Leonardo da Vinci
Five drawings illustrating the elements of landscape painting, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageDa Vinci Collection: Charcoal drawing of a female figure, c1472-c1519 (1883). Artist: Leonardo da Vinci

Charcoal drawing of a female figure, c1472-c1519 (1883). Artist: Leonardo da Vinci
Charcoal drawing of a female figure, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Background imageDa Vinci Collection: Drawing illustrating the representation of hair falling down in curls, c1472-c1519 (1883)

Drawing illustrating the representation of hair falling down in curls, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing illustrating the representation of hair falling down in curls, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageDa Vinci Collection: Four drawings illustrating the theory of the movements of the human figure, c1472-c1519 (1883)

Four drawings illustrating the theory of the movements of the human figure, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageDa Vinci Collection: Drawings showing the movements of the human figure and warriors fighting, c1472-c1519 (1883)

Drawings showing the movements of the human figure and warriors fighting, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing in red chalk illustrating the theory of the movements of the human figure and sketch in pen and ink of warriors fighting, c1472-c1519 (1883)

Background imageDa Vinci Collection: Sketches illustrating the theory of the proportions of the human figure, c1472-c1519 (1883)

Sketches illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). Artist: Leonardo da Vinci
Sketches illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageDa Vinci Collection: Drawing illustrating the theory of the proportions of the human figure, c1472-c1519 (1883)

Drawing illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageDa Vinci Collection: Drawing illustrating the theory of the proportions of the human figure, c1472-c1519 (1883)

Drawing illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageDa Vinci Collection: Five drawings illustrating the theory of the proportions of the human figure, c1472-c1519 (1883)

Five drawings illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageDa Vinci Collection: Five diagrams illustrating the theory of light and shade, c1472-c1519 (1883)

Five diagrams illustrating the theory of light and shade, c1472-c1519 (1883). Artist: Leonardo da Vinci
Five diagrams illustrating the theory of light and shade, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageDa Vinci Collection: Study for the Sforza Monument, c1482-c1499 (1883). Artist: Leonardo da Vinci

Study for the Sforza Monument, c1482-c1499 (1883). Artist: Leonardo da Vinci
Study for the Sforza Monument, c1482-c1499 (1883). Silverpoint on bluish tinted paper. From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Background imageDa Vinci Collection: Two preparatory studies for the Sforza Monument, c1482-c1499 (1883). Artist: Leonardo da Vinci

Two preparatory studies for the Sforza Monument, c1482-c1499 (1883). Artist: Leonardo da Vinci
Two preparatory studies for the Sforza Monument, c1482-c1499 (1883). One drawn with a pen, the other in silverpoint on bluish tinted paper. From The Literary Works of Leonardo Da Vinci, Vol

Background imageDa Vinci Collection: Emblematic representation, c1472-c1519 (1883). Artist: Leonardo da Vinci

Emblematic representation, c1472-c1519 (1883). Artist: Leonardo da Vinci
Emblematic representation, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Background imageDa Vinci Collection: Studies of emblems, c1472-c1519 (1883). Artist: Leonardo da Vinci

Studies of emblems, c1472-c1519 (1883). Artist: Leonardo da Vinci
Studies of emblems, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Background imageDa Vinci Collection: Drawings of Bernardo di Bandino Baroncelli hanged, and emblems, c1472-c1519 (1883)

Drawings of Bernardo di Bandino Baroncelli hanged, and emblems, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawings of Bernardo di Bandino Baroncelli hanged, and emblems, c1472-c1519 (1883). Bernardo di Bandino Baroncelli was one of the Pazzi conspirators who tried to displace the de` Medicii family as

Background imageDa Vinci Collection: Allegorical composition, c1472-c1519 (1883). Artist: Leonardo da Vinci

Allegorical composition, c1472-c1519 (1883). Artist: Leonardo da Vinci
Allegorical composition, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Background imageDa Vinci Collection: Diagrams illustrating the theories of linear perspective and of light and shade, c1472-c1519 (1883)

Diagrams illustrating the theories of linear perspective and of light and shade, c1472-c1519 (1883)
Three diagrams illustrating the theories of linear perspective and of light and shade, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Background imageDa Vinci Collection: The Last Supper, 1494-1498. Artist: Leonardo da Vinci

The Last Supper, 1494-1498. Artist: Leonardo da Vinci
The Last Supper, 1494-1498. The mural painting was for the refectory of the Convent of Santa Maria delle Grazie, Milan and was commissioned as part of a scheme of renovations to the church

Background imageDa Vinci Collection: The Virgin and Child with St Anne, c1510 (1870). Artist: Franz Kellerhoven

The Virgin and Child with St Anne, c1510 (1870). Artist: Franz Kellerhoven
The Virgin and Child with St Anne, c1510 (1870). Found in the collection of the Musee du Louvre, Paris. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870

Background imageDa Vinci Collection: The Last Supper, 1498 (1870)

The Last Supper, 1498 (1870). After the painting by Leonardo da Vinci in the Convent of Santa Maria delle Grazie, Milan. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris

Background imageDa Vinci Collection: The Baptism of Christ, 1472-1475 (1870)

The Baptism of Christ, 1472-1475 (1870). The left hand angel and parts of the background landscape are believed to be the work of a young Leonardo da Vinci, who was in Verrocchios studio at the time

Background imageDa Vinci Collection: Design for hinged canal lockgates by Leonardo da Vinci, 15th century (1956)

Design for hinged canal lockgates by Leonardo da Vinci, 15th century (1956). A print from Things, a volume about the origin and early history of many things, common and less common

Background imageDa Vinci Collection: Floating female figure, late 15th or early 16th century (1954). Artist: Leonardo da Vinci

Floating female figure, late 15th or early 16th century (1954). Artist: Leonardo da Vinci
Floating female figure, late 15th or early 16th century (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor. A print from Leonardo da Vinci by Ludwig H Heydenreich

Background imageDa Vinci Collection: End of the World, c1514-1515 (1954). Artist: Leonardo da Vinci

End of the World, c1514-1515 (1954). Artist: Leonardo da Vinci
End of the World, c1514-1515 (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Background imageDa Vinci Collection: Sketch of the Last Judgement, late 15th or early 16th century (1954). Artist: Leonardo da Vinci

Sketch of the Last Judgement, late 15th or early 16th century (1954). Artist: Leonardo da Vinci
Sketch of the Last Judgement, late 15th or early 16th century (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor. A print from Leonardo da Vinci by Ludwig H Heydenreich

Background imageDa Vinci Collection: Description of the Great Flood, late 15th century or early 16th century (1954)

Description of the Great Flood, late 15th century or early 16th century (1954). Artist: Leonardo da Vinci
Description of the Great Flood, late 15th century or early 16th century (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor

Background imageDa Vinci Collection: Apocalyptic storm, late 15th or early 16th century (1954). Artist: Leonardo da Vinci

Apocalyptic storm, late 15th or early 16th century (1954). Artist: Leonardo da Vinci
Apocalyptic storm, late 15th or early 16th century (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Background imageDa Vinci Collection: Trajectories of thrown stones and drops, late 15th or early 16th century (1954)

Trajectories of thrown stones and drops, late 15th or early 16th century (1954). Artist: Leonardo da Vinci
Trajectories of thrown stones and drops, late 15th or early 16th century (1954). Codex Atlanticus, 79r-c. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Background imageDa Vinci Collection: Flow of eddies in a waterfall, 1509-1511 (1954). Artist: Leonardo da Vinci

Flow of eddies in a waterfall, 1509-1511 (1954). Artist: Leonardo da Vinci
Flow of eddies in a waterfall, 1509-1511 (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)



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