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Counter Collection (page 3)

Background imageCounter Collection: Douglas Stott & Co. advertisement, 1910

Douglas Stott & Co. advertisement, 1910. From The British Printer Vol. XXIII. [Raithby, Lawrence & Co. Ltd, London and Leicester, 1910]

Background imageCounter Collection: Bar and Grill Room - Hotel Florida - Havana - Cuba, c1910

Bar and Grill Room - Hotel Florida - Havana - Cuba, c1910. [Compania Litografica de La Habana, Havana, Cuba, c1910]

Background imageCounter Collection: A Bustling Woman, 1829. Artist: George Cruikshank

A Bustling Woman, 1829. Artist: George Cruikshank
A Bustling Woman, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]

Background imageCounter Collection: Interior of Grand Trunk Railways new London offices with tempera frieze by Frank Brangwyn, c1909

Interior of Grand Trunk Railways new London offices with tempera frieze by Frank Brangwyn, c1909. The Grand Trunk Railway London headquarters were at Cockspur Street

Background imageCounter Collection: Inside a big provision stores, Hammersmith, London, 1901 (1903)

Inside a big provision stores, Hammersmith, London, 1901 (1903). From Living London, Vol. II, by George R. Sims. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1903]

Background imageCounter Collection: Horatio Sparkins, c1900. Artist: George Cruikshank

Horatio Sparkins, c1900. Artist: George Cruikshank
Horatio Sparkins, c1900. An illustration for Sketches by Boz by Charles Dickens. From Hard Times and Sketches by Boz, Volume XI, by Charles Dickens. [Blackwood, Le Bas & Co. London, c1900]

Background imageCounter Collection: The Pawnbrokers Shop, c1900. Artist: George Cruikshank

The Pawnbrokers Shop, c1900. Artist: George Cruikshank
The Pawnbrokers Shop, c1900. An illustration for Sketches by Boz by Charles Dickens. From Hard Times and Sketches by Boz, Volume XI, by Charles. Dickens [Blackwood, Le Bas & Co. London, c1900]

Background imageCounter Collection: A Struggle for Supremacy, 1875 (1891). Artist: George du Maurier

A Struggle for Supremacy, 1875 (1891). Artist: George du Maurier
A Struggle for Supremacy, 1875 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Background imageCounter Collection: Femme Dansant Devant un Comptoir, 19th century, (1930). Artist: Constantin Guys

Femme Dansant Devant un Comptoir, 19th century, (1930). Artist: Constantin Guys
Femme Dansant Devant un Comptoir, 19th century, (1930). Woman dancing in front of a counter. Illustration from The Painter of Victorian Life

Background imageCounter Collection: Le Comptoir, 19th century, (1930). Artist: Constantin Guys

Le Comptoir, 19th century, (1930). Artist: Constantin Guys
Le Comptoir, 19th century, (1930). The Counter. Illustration from The Painter of Victorian Life, a study of Constantin Guys with an introduction

Background imageCounter Collection: Dammerung, c1887-1898, (1898). Artist: Robert Hermann Sterl

Dammerung, c1887-1898, (1898). Artist: Robert Hermann Sterl
Dammerung, c1898. After an Auto-Lithograph by Robert Hermann Sterl (1867-1932). From The Studio Volume Twelve by [London Offices of the Studio V, London, 1898]

Background imageCounter Collection: I never at saw sewing so small, c1900-1950

I never at saw sewing so small, c1900-1950

Background imageCounter Collection: The Rival Milliners, 1770

The Rival Milliners, 1770. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Background imageCounter Collection: A Milliners Shop; Mrs Monopolize, the butchers wife, purchasing a modern head dress, 1772

A Milliners Shop; Mrs Monopolize, the butchers wife, purchasing a modern head dress, 1772. Illustration from Social Caricature in the Eighteenth Century

Background imageCounter Collection: A Milliners Shop, 1787

A Milliners Shop, 1787
A Milliners Shop. 1787. From Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseud Emily Morse Symonds]. [London, 1905]

Background imageCounter Collection: Les Galeries de Bois during the reign of Louis XIII, 17th century, c1870-1950

Les Galeries de Bois during the reign of Louis XIII, 17th century, c1870-1950. Artist: Ferdinand Sigismund Bac
Les Galeries de Bois during the reign of Louis XIII, 17th century, c1870-1950. French shoppers in the Galeries de Bois shopping arcade next to the Palais-Royal in Paris

Background imageCounter Collection: Fabric Shop, (1885). Artist: Bonnardot

Fabric Shop, (1885). Artist: Bonnardot
Fabric Shop, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

Background imageCounter Collection: Pottery Shop, (1885)

Pottery Shop, (1885). Based on an original drawing by Christoph Kilian, taken from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, Paris, 1885

Background imageCounter Collection: Meat counter in a Soviet food store, USSR, 1960s

Meat counter in a Soviet food store, USSR, 1960s. From a private collection

Background imageCounter Collection: New auxiliary post offices, Paris, 1894

New auxiliary post offices, Paris, 1894. An illustration from Le Petit Journal, 14th May 1894

Background imageCounter Collection: French women enlisting for war work in Germany, 1940-1944

French women enlisting for war work in Germany, 1940-1944. Faced with a decline in the supply of forced labour from occupied Poland and Russia, the Nazis demanded that France send 250

Background imageCounter Collection: L Epicier, 1870-1871

L Epicier, 1870-1871. Cartoon depicting a scene during the Prussian Siege of Paris in the Franco-Prussian War (1870-1871)

Background imageCounter Collection: The apothecary using pestle and mortar to prepare drugs, 1823

The apothecary using pestle and mortar to prepare drugs, 1823. From The Book of English Trades. (London, 1823)

Background imageCounter Collection: Counters and counting system, 16th century

Counters and counting system, 16th century
Counters and counting system, from Munich, 16th century

Background imageCounter Collection: Roman food-shop in Herculaneum, 1st century

Roman food-shop in Herculaneum, 1st century
Roman food-shop in Herculaneum, a Roman town buried by the eruption of Vesuvius in 79 AD. Sunken holes in the counter were intended to hold food

Background imageCounter Collection: The Royal Game of Ur, from Ur, southern Iraq, c2600-c2400 BC

The Royal Game of Ur, from Ur, southern Iraq, c2600-c2400 BC. This game board is one of several with a similar layout found by Leonard Woolley in the Royal Cemetery at Ur

Background imageCounter Collection: A Roman snack-bar, Herculaneum, Italy, 1st century

A Roman snack-bar, Herculaneum, Italy, 1st century
Roman food shop with its thermopolium (marble counter with sunken terracotta storage jars called dolia to hold hot or cold food), Herculaneum, Italy, 1st century

Background imageCounter Collection: Roman relief of an Apothecary Shop

Roman relief of an Apothecary Shop

Background imageCounter Collection: Bakery in Pompeii, 1st century

Bakery in Pompeii, 1st century
Bakery in the Roman town of Pompeii, showing corn-mill, oven, and food counter, 1st century

Background imageCounter Collection: French druggist and grocer, 16th century

French druggist and grocer, 16th century. In the foreground a boy uses a pestle and mortar to grind ingredients. In the right background a balance for weighing goods hangs over the counter

Background imageCounter Collection: The Druggists Shop, 1568. Artist: Jost Amman

The Druggists Shop, 1568. Artist: Jost Amman
The Druggists Shop, 1568. The druggist is grinding down ingredients with a pestle and mortar. Illustration by Jost Amman for his The Book of Trades. (Frankfurt am Main, 1568)

Background imageCounter Collection: The Block System, 1882. Artist: Joseph Swain

The Block System, 1882. Artist: Joseph Swain
The Block System, 1882. Punch highlights the perils of being caught in the queue behind an elderly lady who has all the time in the world. From Punch, or the London Charivari, May 27, 1882

Background imageCounter Collection: Murder Made Easy, 1882. Artist: Joseph Swain

Murder Made Easy, 1882. Artist: Joseph Swain
Murder Made Easy, 1882. From Punch, or the London Charivari, January 14, 1882

Background imageCounter Collection: The Vatican Hatter, 1874. Artist: Joseph Swain

The Vatican Hatter, 1874. Artist: Joseph Swain
The Vatican Hatter, 1874 - who looks very like Pope Pius IX - shows the new Archbishop of Westminster a cardinals hat and apologises that he hasn t got one to fit Dr Manning

Background imageCounter Collection: Two men and a woman playing cards at a table, one man pressing his nose toward the

Two men and a woman playing cards at a table, one man pressing his nose toward the womans forehead, from a series of ten scenes of musicians and couples dancing, drinking, playing music



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