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Cotton Collection (page 19)

Background imageCotton Collection: Collar, Belgium, 1860s. Creator: Unknown

Collar, Belgium, 1860s. Creator: Unknown
Collar, Belgium, 1860s

Background imageCotton Collection: Flounce, Belgium, 1865 / 85. Creator: Unknown

Flounce, Belgium, 1865 / 85. Creator: Unknown
Flounce, Belgium, 1865/85

Background imageCotton Collection: Bertha, Belgium, 1895 / 1905. Creator: Unknown

Bertha, Belgium, 1895 / 1905. Creator: Unknown
Bertha, Belgium, 1895/1905

Background imageCotton Collection: Borders, Belgium, 1875 / 1900. Creator: Unknown

Borders, Belgium, 1875 / 1900. Creator: Unknown
Borders, Belgium, 1875/1900

Background imageCotton Collection: Flounce, Belgium, 1875 / 1900. Creator: Unknown

Flounce, Belgium, 1875 / 1900. Creator: Unknown
Flounce, Belgium, 1875/1900

Background imageCotton Collection: Border, Belgium, 1850 / 75. Creator: Unknown

Border, Belgium, 1850 / 75. Creator: Unknown
Border, Belgium, 1850/75

Background imageCotton Collection: Tunic, Peru, A. D. 1470/1532. Creator: Unknown

Tunic, Peru, A. D. 1470/1532. Creator: Unknown
Tunic, Peru, A.D. 1470/1532

Background imageCotton Collection: Bag, India, . Creator: Unknown

Bag, India, . Creator: Unknown
Bag, India

Background imageCotton Collection: Pocket, United States, c. 1799. Creator: Sally Standish

Pocket, United States, c. 1799. Creator: Sally Standish
Pocket, United States, c. 1799. During the 18th and early 19th centuries, womens clothing did not have sewn-in pockets. Separate pockets were tied around the waist and concealed beneath skirts

Background imageCotton Collection: Feathered Tunic, Peru, 1470/1532. Creator: Unknown

Feathered Tunic, Peru, 1470/1532. Creator: Unknown
Feathered Tunic, Peru, 1470/1532. Cat and bird motif embellished with rare and valuable feathers from macaws, parrots, toucans, cotingas and tanagers from the tropical forests of South America

Background imageCotton Collection: The Effect of Principle, Behold the Man (Handkerchief), United States, c. 1806

The Effect of Principle, Behold the Man (Handkerchief), United States, c. 1806. Portrait of George Washington, with his resignation speech from September 19, 1796, and a short biography

Background imageCotton Collection: Coverlet, United States, c. 1840. Creator: Mrs. Woodcock

Coverlet, United States, c. 1840. Creator: Mrs. Woodcock
Coverlet, United States, c. 1840. Attributed to Mrs. Woodcock

Background imageCotton Collection: Coverlet, United States, 1841. Creator: Charlotte Purchase Thornton

Coverlet, United States, 1841. Creator: Charlotte Purchase Thornton
Coverlet, United States, 1841. Attributed to Charlotte Purchase Thornton

Background imageCotton Collection: Coverlet, New York, 1850. Creator: Charlotte Purchase Thornton

Coverlet, New York, 1850. Creator: Charlotte Purchase Thornton
Coverlet, New York, 1850. Attributed to Charlotte Purchase Thornton

Background imageCotton Collection: Flounce, Belgium, 1850 / 75. Creator: Unknown

Flounce, Belgium, 1850 / 75. Creator: Unknown
Flounce, Belgium, 1850/75

Background imageCotton Collection: Bedcover (Feather-Edged Star Quilt), United States, 1845. Creator: Annie Maria Henkle

Bedcover (Feather-Edged Star Quilt), United States, 1845. Creator: Annie Maria Henkle
Bedcover (Feather-Edged Star Quilt), United States, 1845

Background imageCotton Collection: Loincloth Panel, Peru, 1250/1470. Creator: Unknown

Loincloth Panel, Peru, 1250/1470. Creator: Unknown
Loincloth Panel, Peru, 1250/1470. Human figure with headdress motif, with birds in border

Background imageCotton Collection: Parlor Throw, Illinois, c. 1890. Creator: Unknown

Parlor Throw, Illinois, c. 1890. Creator: Unknown
Parlor Throw, Illinois, c. 1890

Background imageCotton Collection: Loincloth Panel, Peru, A. D. 1000 / 1476. Creator: Unknown

Loincloth Panel, Peru, A. D. 1000 / 1476. Creator: Unknown
Loincloth Panel, Peru, A.D. 1000/1476

Background imageCotton Collection: The Travels of Doctor Syntax (Furnishing Fabric), Manchester, c. 1820. Creator: Unknown

The Travels of Doctor Syntax (Furnishing Fabric), Manchester, c. 1820. Creator: Unknown
The Travels of Doctor Syntax (Furnishing Fabric), Manchester, c. 1820. The doctor rides a horse, talks to a grave-digger, climbs a tree to escape a bull, and falls over outside a castle

Background imageCotton Collection: Fragment (Furnishing Fabric), England, After 1874. Creator: Unknown

Fragment (Furnishing Fabric), England, After 1874. Creator: Unknown
Fragment (Furnishing Fabric), England, After 1874. Floral print with vignette scenes from The Pickwick Papers by Charles Dickens. After works by Hablot Knight Brown ( Phiz )

Background imageCotton Collection: Le Char de l Aurore (The Chariot of Dawn) (Furnishing Fabric), Nantes, 1785 / 89

Le Char de l Aurore (The Chariot of Dawn) (Furnishing Fabric), Nantes, 1785 / 89
Le Char de l Aurore (The Chariot of Dawn) (Furnishing Fabric), Nantes, 1785/89. After works by Guido Reni and other artists, manufactured by Petitpierre et Cie

Background imageCotton Collection: Handkerchief, Pennsylvania, 19th century. Creator: Unknown

Handkerchief, Pennsylvania, 19th century. Creator: Unknown
Handkerchief, Pennsylvania, 19th century. Memorial Hall Art Gallery - Centennial 1776-1876. Art gallery in West Fairmount Park, Philadelphia, Pennsylvania, designed by Herman J

Background imageCotton Collection: Eight Fables of La Fontaine (Furnishing Fabric), Munster, c. 1810

Eight Fables of La Fontaine (Furnishing Fabric), Munster, c. 1810. Le Satire et le passant [The Satyr and the passer-by]; Le Cheval qui a casse sa bride, [The Horse that broke its bridle]; La Lionne

Background imageCotton Collection: America Presenting at the Altar of Liberty Medallions of Her Illustrious Sons... c. 1785

America Presenting at the Altar of Liberty Medallions of Her Illustrious Sons... c. 1785
America Presenting at the Altar of Liberty Medallions of her Illustrious Sons (Furnishing Fabric), England, c. 1785. George Washington (after a painting by John Trumbull), accompanied by Victory

Background imageCotton Collection: Panel (Furnishing Fabric), England, c. 1785. Creator: Sir Robert Peel and Co

Panel (Furnishing Fabric), England, c. 1785. Creator: Sir Robert Peel and Co
Panel (Furnishing Fabric), England, c. 1785. Lady and gentleman, turbanned groom with horses, riders and hunting dogs. After Daniel Mytens the elder, manufactured by Sir Robert Peel

Background imageCotton Collection: Lion with Palms (Rug), Ohio, 1890 / 1900. Creator: Unknown

Lion with Palms (Rug), Ohio, 1890 / 1900. Creator: Unknown
Lion with Palms (Rug), Ohio, 1890/1900. After a pattern designed by Ebenezer Ross

Background imageCotton Collection: Jeanne d'Arc (Joan of Arc), (Furnishing Fabric), France, 1839/40. Creator: Unknown

Jeanne d'Arc (Joan of Arc), (Furnishing Fabric), France, 1839/40. Creator: Unknown
Jeanne d'Arc (Joan of Arc), (Furnishing Fabric), France, 1839/40. After a sculpture by Marie Christine d'Orleans

Background imageCotton Collection: Declaration of Independance handkerchief, United States, c. 1876

Declaration of Independance handkerchief, United States, c. 1876. Declaration of Independance of the Untited States of America 4th July 1776, with list of attendees below

Background imageCotton Collection: Pomona (From Flora and Pomona), England, 1906. Creators: Walter Taylor, John Keich

Pomona (From Flora and Pomona), England, 1906. Creators: Walter Taylor, John Keich
Pomona (From Flora and Pomona), England, 1906. Figure design 1882, background design 1898. Woven by Walter Taylor and John Keich at the Merton Abbey Tapestry Works, London

Background imageCotton Collection: Gothic Arches (Furnishing Fabric), England, 1830 / 35. Creator: Unknown

Gothic Arches (Furnishing Fabric), England, 1830 / 35. Creator: Unknown
Gothic Arches (Furnishing Fabric), England, 1830/35. Pattern inspired by church architecture

Background imageCotton Collection: Commedia del Arte (Furnishing Fabric), England, after 1770. Creator: Unknown

Commedia del Arte (Furnishing Fabric), England, after 1770. Creator: Unknown
Commedia del Arte (Furnishing Fabric), England, after 1770. Characters and musicians including Pulcinella; peacocks, sheep and beehives; musicians; a garden with a fountain

Background imageCotton Collection: Panel (Furnishing Fabric), England, c. 1760. Creator: Unknown

Panel (Furnishing Fabric), England, c. 1760. Creator: Unknown
Panel (Furnishing Fabric), England, c. 1760. King George III with British heraldic symbols: harp, horse, lion, fleur de lis, crown

Background imageCotton Collection: The Gallant Decatur and His Brave Tars Capturing the Algerine Admiral (Furnishing Fabric)

The Gallant Decatur and His Brave Tars Capturing the Algerine Admiral (Furnishing Fabric), England, c. 1820. Scenes from the Second Barbary War

Background imageCotton Collection: Fragment (Furnishing Fabric), England, 1830 / 40. Creator: Unknown

Fragment (Furnishing Fabric), England, 1830 / 40. Creator: Unknown
Fragment (Furnishing Fabric), England, 1830/40. Floral print with gothic church motif

Background imageCotton Collection: Panel (Furnishing Fabric), England, 1800 / 50. Creator: Unknown

Panel (Furnishing Fabric), England, 1800 / 50. Creator: Unknown
Panel (Furnishing Fabric), England, 1800/50. Floral stripes with giraffe motif

Background imageCotton Collection: Panel (Furnishing Fabric), Middlesex, c. 1780. Creator: Bromley Hall

Panel (Furnishing Fabric), Middlesex, c. 1780. Creator: Bromley Hall
Panel (Furnishing Fabric), Middlesex, c. 1780. Floral print with birds and fruit, designed by Ollive and Talwin, manufactured at Bromley Hall

Background imageCotton Collection: La Marchande d Amour (The Merchant of Love) (Furnishing Fabric), France, 1815 / 17

La Marchande d Amour (The Merchant of Love) (Furnishing Fabric), France, 1815 / 17
La Marchande d Amour (The Merchant of Love) (Furnishing Fabric), France, 1815/17. Designed by Louis-Hippolyte LeBas, after Jacques Firmin Beauvarlet

Background imageCotton Collection: Mohnkopfe (Poppyheads) (Dress or Furnishing Fabric), Vienna, 1900

Mohnkopfe (Poppyheads) (Dress or Furnishing Fabric), Vienna, 1900. Creator: Johan Backhausen und Sohne
Mohnkopfe (Poppyheads) (Dress or Furnishing Fabric), Vienna, 1900. Designed by Koloman Moser, produced by Johan Backhausen und Sohne

Background imageCotton Collection: L'Amour Vainqueur (Love Triumphant) (Furnishing Fabric), France, c. 1804

L'Amour Vainqueur (Love Triumphant) (Furnishing Fabric), France, c. 1804. Creator: Christophe-Philippe Oberkampf
L'Amour Vainqueur (Love Triumphant) (Furnishing Fabric), France, c.1804. Neoclassical design with sheep, wolf, sphinxes, Venus and Cupid

Background imageCotton Collection: L'Hommage de l'Amerique a la France (America's Tribute to France) (Furnishing Fabric), c. 1790

L'Hommage de l'Amerique a la France (America's Tribute to France) (Furnishing Fabric), c. 1790
L'Hommage de l'Amerique a la France (America's Tribute to France) (Furnishing Fabric), France, c. 1790

Background imageCotton Collection: Amorini et Medallions (Cupid and Medallions) (Furnishing Fabric), France, c. 1810

Amorini et Medallions (Cupid and Medallions) (Furnishing Fabric), France, c. 1810. Designed by Jean Baptiste Huet, manufactured by Christophe Philippe Oberkampf

Background imageCotton Collection: Les Monuments d'Egypte (The Monuments of Egypt), furnishing fabric, France, c. 1800

Les Monuments d'Egypte (The Monuments of Egypt), furnishing fabric, France, c. 1800. Creator: Oberkampf Manufactory
Les Monuments d'Egypte (The Monuments of Egypt), furnishing fabric, France, c. 1800. Designed by Jean Baptiste Huet. Christophe Phillipe Oberkampf (producer), Louis Francois Cassas (painter)

Background imageCotton Collection: La Liberte Americaine (American Liberty) (Furnishing Fabric), France, 1783/89

La Liberte Americaine (American Liberty) (Furnishing Fabric), France, 1783/89. Creators: Unknown, Oberkampf Manufactory
La Liberte Americaine (American Liberty) (Furnishing Fabric), France, 1783/89. Designed by Jean Baptiste Huet after medallion designed by Augustin Dupre

Background imageCotton Collection: Le Couronnement de la Rosiere (The Crowning of the Rose Maiden) (Furnishing Fabric), c. 1780

Le Couronnement de la Rosiere (The Crowning of the Rose Maiden) (Furnishing Fabric), c. 1780
Le Couronnement de la Rosiere (The Crowning of the Rose Maiden) (Furnishing Fabric), France, c. 1780. Designed by Jean Baptiste Huet after Jean Baptiste Greuze, manufactured by Oberkampf Manufactory

Background imageCotton Collection: Le Romain (The Roman) (Furnishing Fabric), France, 1811. Creator: Unknown

Le Romain (The Roman) (Furnishing Fabric), France, 1811. Creator: Unknown
Le Romain (The Roman) (Furnishing Fabric), France, 1811. Designed by Jean Baptiste Huet, engraved by Jules Mallet, after Bartolomeo Pinelli

Background imageCotton Collection: Le Bal (The Costume Ball) (Furnishing Fabric), France, 1827 / 40. Creator: Unknown

Le Bal (The Costume Ball) (Furnishing Fabric), France, 1827 / 40. Creator: Unknown
Le Bal (The Costume Ball) (Furnishing Fabric), France, 1827/40. Designed by George Zipelius after Sulpice Guillaume Chevallier

Background imageCotton Collection: Le Romance du Cortes (The Song of Cortez) (Furnishing Fabric), Nantes, 1815

Le Romance du Cortes (The Song of Cortez) (Furnishing Fabric), Nantes, 1815. Cortez Recevoie une Esclave Sans Rancon, [Cortez Recieves a (female)



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