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Conifer Collection

Background imageConifer Collection: Ancient yew-tree at Palmerston, 1864. Creator: Unknown

Ancient yew-tree at Palmerston, 1864. Creator: Unknown
Ancient yew-tree at Palmerston, [Ireland]. 1864. Engraving from a sketch by Mr. Wakeman. 'Adjoining the church, a few yards to the south-eastward, stands a venerable yew-tree

Background imageConifer Collection: The Christmas Carol Singer - from a painting by Harrison Weir, 1858. Creator: Harrison Weir

The Christmas Carol Singer - from a painting by Harrison Weir, 1858. Creator: Harrison Weir
The Christmas Carol Singer - from a painting by Harrison Weir, 1858. British artist Harrison Weir was interested in all aspects of nature, and animals feature strongly in his prolific output

Background imageConifer Collection: Bartlemy's house, Esquimalt Harbor, between 1858 and 1861. Creator: Unknown

Bartlemy's house, Esquimalt Harbor, between 1858 and 1861. Creator: Unknown
Bartlemy's house, Esquimalt Harbor, between 1858 and 1861. Showing an exterior view of a house with two people standing near the entrance, near the harbor, Esquimalt, British Columbia

Background imageConifer Collection: No 2, log huts, winter quarters of the Br N Am Boundary Commission on... between 1858 and 1861

No 2, log huts, winter quarters of the Br N Am Boundary Commission on... between 1858 and 1861. Creator: Unknown
No 2, log huts, winter quarters of the Br N Am Boundary Commission on the banks of the Columbia two miles above the Hudson Bay Cos post at Colville, between 1858 and 1861

Background imageConifer Collection: Full Moon at Mochizuki, from 69 stations of Kisokaido, 1832

Full Moon at Mochizuki, from 69 stations of Kisokaido, 1832
solar system, moon, stream, time of day, evening, sky, night, water, arts, landscape, location, forest, exterior, geographical feature, hill, travel, luggage, animal, donkey, journey, Japan

Background imageConifer Collection: Yew, from The Park and the Forest, 1841. Creator: James Duffield Harding

Yew, from The Park and the Forest, 1841. Creator: James Duffield Harding
Yew, from The Park and the Forest, 1841

Background imageConifer Collection: Giant Arborvitae (Thuja plicata), 1923. Creator: Mary Vaux Walcott

Giant Arborvitae (Thuja plicata), 1923. Creator: Mary Vaux Walcott
Giant Arborvitae (Thuja plicata), 1923

Background imageConifer Collection: Mishima Pass in Kai Province (Koshu Mishima goe), from the series Thirty-six Views

Mishima Pass in Kai Province (Koshu Mishima goe), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), ca. 1830-32

Background imageConifer Collection: The Cryptomerias at Nikko, 1910. Creator: Herbert Ponting

The Cryptomerias at Nikko, 1910. Creator: Herbert Ponting
The Cryptomerias at Nikko, 1910. From " In Lotus-Land Japan", by Herbert G. Ponting, F.R.G.S. [Macmillan and Co. Limited, London, 1910]

Background imageConifer Collection: A Kauri Forest, 1923. Creator: Unknown

A Kauri Forest, 1923. Creator: Unknown
A Kauri Forest, 1923. From " Australia, New Zealand and Oceania in Pictures", by H. Clive Barnard, M.A. Blitt. [A. & C. Black, Limited, London, 1923]

Background imageConifer Collection: Forcing Garden in Winter, 1816. Artist: Humphry Repton

Forcing Garden in Winter, 1816. Artist: Humphry Repton
Forcing Garden in Winter, 1816. From Fragments on the Theory and Practice of Landscape Gardening by Humphry Repton, 1816

Background imageConifer Collection: View from Mirador de la Cumbre, Parque Nacional del Teide, Tenerife, Canary Islands, 2007

View from Mirador de la Cumbre, Parque Nacional del Teide, Tenerife, Canary Islands, 2007. Scenery in the national park that surrounds the volcano of Mount Teide

Background imageConifer Collection: Cuillin Hills from Glen Brittle, Isle of Skye, Highland, Scotland

Cuillin Hills from Glen Brittle, Isle of Skye, Highland, Scotland

Background imageConifer Collection: View across the Great Glen from Glen Garry, Highland, Scotland

View across the Great Glen from Glen Garry, Highland, Scotland

Background imageConifer Collection: Scotch Firs, 1805. Artist: David Cox the elder

Scotch Firs, 1805. Artist: David Cox the elder
Scotch Firs, 1805. Painting held at the Victoria And Albert Museum, London. From The Connoisseur Volume LXXXII. [The Connoisseur Ltd. London, 1928]

Background imageConifer Collection: Forest, Murree, India, late 19th or early 20th century

Forest, Murree, India, late 19th or early 20th century. Lantern slide

Background imageConifer Collection: Nevada Falls, Vernal Falls and Liberty Cap, Yosemite Valley, California, USA, 1902

Nevada Falls, Vernal Falls and Liberty Cap, Yosemite Valley, California, USA, 1902. Artist: Underwood & Underwood
Nevada Falls, Vernal Falls and Liberty Cap, Yosemite Valley, California, USA, 1902. View from Glacier Point, looking east by south-east. Detail from a stereoscopic card

Background imageConifer Collection: In a great pine forest, collecting turpentine, North Carolina, USA, late 19th or early 20th century

In a great pine forest, collecting turpentine, North Carolina, USA, late 19th or early 20th century. Harvesting pine resin. Detail from a stereoscopic card

Background imageConifer Collection: Log flume, Oregon, USA. Artist: Underwood & Underwood

Log flume, Oregon, USA. Artist: Underwood & Underwood
Log flume, Oregon, USA. Stereoscopic card detail

Background imageConifer Collection: Balmoral Castle, Aberdeenshire, Scotland, 1924-1926. Artist: FC Varley

Balmoral Castle, Aberdeenshire, Scotland, 1924-1926. Artist: FC Varley
Balmoral Castle, Aberdeenshire, Scotland, 1924-1926. Balmoral became the summer residence of the British Royal Family after Queen Victoria and Prince Albert stayed there in 1848

Background imageConifer Collection: The Menagerie in the Gatchina Palace Park, 1792. Artist: Johann Jakob Mettenleiter

The Menagerie in the Gatchina Palace Park, 1792. Artist: Johann Jakob Mettenleiter
The Menagerie in the Gatchina Palace Park, 1792. Gatchina Palace in St Petersburg was built between 1766 and 1781 for Count Grigori Grigoryevich Orlov, a favourite of Catherine the Great

Background imageConifer Collection: Troops on skis on alpine manoeuvres, Norway, 1902

Troops on skis on alpine manoeuvres, Norway, 1902. An illustration from Le Petit Journal, 16th February 1902

Background imageConifer Collection: Harmful insects: butterflies and moths that damage pine trees, 1897. Artist: A Clement

Harmful insects: butterflies and moths that damage pine trees, 1897. Artist: A Clement
Harmful insects: butterflies and moths that damage pine trees, 1897. An illustration from Le Petit Journal, 22nd August 1896

Background imageConifer Collection: Chateau and garden design, 1664. Artist: Georg Andreas Bockler

Chateau and garden design, 1664. Artist: Georg Andreas Bockler
Chateau and garden design, 1664. Elaborate designs for Baroque fountains in public squares and private country gardens in the French, German

Background imageConifer Collection: Ornamental fountain and garden design, 1664. Artist: Georg Andreas Bockler

Ornamental fountain and garden design, 1664. Artist: Georg Andreas Bockler
Ornamental fountain and garden design, 1664. Elaborate designs for Baroque fountains in public squares and private country gardens in the French, German

Background imageConifer Collection: Trees beside a Lake, 19th century

Trees beside a Lake, 19th century
water, coastline, geographical feature, lake, beach, arts, location, forest, Japan, Japanese, colour, oriental, Asia, Asian, wilderness, concept, peaceful, tranquil, shore, vertical, quiet

Background imageConifer Collection: Morning in a Pinewood, 1889. Artist: Ivan Shishkin

Morning in a Pinewood, 1889. Artist: Ivan Shishkin
Morning in a Pinewood, 1889. Found in the collection of the State Tretyakov Gallery, Moscow

Background imageConifer Collection: Saint Sergius the Builder, 1925. Artist: Nicholas Roerich

Saint Sergius the Builder, 1925. Artist: Nicholas Roerich
Saint Sergius the Builder, 1925. From a private collection

Background imageConifer Collection: Bear attack, Russia, 1892. Artist: Henri Meyer

Bear attack, Russia, 1892. Artist: Henri Meyer
Bear attack, Russia, 1892. A print from a supplement to the Le Petit Journal, 26th November 1892


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