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Clavecin Collection

Background imageClavecin Collection: Mozart performs for Empress Maria Theresia, 1 October 1762, (1936). Creator: Unknown

Mozart performs for Empress Maria Theresia, 1 October 1762, (1936). Creator: Unknown
Mozart performs for Empress Maria Theresia, 1 October 1762, (1936). Mozart Vor Kaiserin Maria Theresia, 1 Oktober 1762. The six-year-old Mozart plays for the Empress Maria Theresa of Austria at

Background imageClavecin Collection: Party Scene; Allegory of the Five Senses, 1605-1652. Creator: Bartholomeus van Bassen

Party Scene; Allegory of the Five Senses, 1605-1652. Creator: Bartholomeus van Bassen
Party Scene; Allegory of the Five Senses, 1605-1652

Background imageClavecin Collection: Recueil des modes de la cour de France, Des-habillé de Chambre, between c1682 and c1685

Recueil des modes de la cour de France, Des-habillé de Chambre, between c1682 and c1685. Creator: Nicolas Bonnart
Recueil des modes de la cour de France, Des-habille de Chambre, between c1682 and c1685

Background imageClavecin Collection: Mathilda Valeria Beatrix d´Orozco (1796-1863), composer, singer, early-mid 19th century

Mathilda Valeria Beatrix d´Orozco (1796-1863), composer, singer, early-mid 19th century. Creator: Axel Johan Fägerplan
Mathilda Valeria Beatrix d´Orozco (1796-1863), composer, singer, married to 1. Master of the Upper Court Bartolomeo Cenami, 2. Colonel Josias Montgomery-Cederhielm, 3

Background imageClavecin Collection: Jeune Fille au clavecin, 1872. Creator: Unknown

Jeune Fille au clavecin, 1872. Creator: Unknown
Jeune Fille au clavecin, 1872

Background imageClavecin Collection: Interior with musicians, 1723-1760. Creator: Nicolaas Aartman

Interior with musicians, 1723-1760. Creator: Nicolaas Aartman
Interior with musicians, 1723-1760

Background imageClavecin Collection: Woman Playing the Virginal, c.1637. Creator: Jan Miense Molenaer

Woman Playing the Virginal, c.1637. Creator: Jan Miense Molenaer
Woman Playing the Virginal, c.1637

Background imageClavecin Collection: Lid of a harpsichord, c.1625-c.1650. Creator: Gerard van der Horst

Lid of a harpsichord, c.1625-c.1650. Creator: Gerard van der Horst
Lid of a harpsichord, c.1625-c.1650. Other Title(s): Painting on a Harpsichord Lid with a Hilly Landscape and Travellers

Background imageClavecin Collection: Mother and daughter of the Moravian Church, 1803-c.1899. Creator: J. Enklaar

Mother and daughter of the Moravian Church, 1803-c.1899. Creator: J. Enklaar
Mother and daughter of the Moravian Church, 1803-c.1899. An unmarried young woman plays harpsichord while her mother is knitting next to her

Background imageClavecin Collection: Pair Making Music, 1650-1710. Creator: Unknown

Pair Making Music, 1650-1710. Creator: Unknown
Pair Making Music, 1650-1710

Background imageClavecin Collection: The New Song, 1740-1760. Creator: Jan Josef Horemans II

The New Song, 1740-1760. Creator: Jan Josef Horemans II
The New Song, 1740-1760

Background imageClavecin Collection: Amsterdam as the Centre of World Trade, c.1604-c.1607. Creator: Pieter Isaacsz

Amsterdam as the Centre of World Trade, c.1604-c.1607. Creator: Pieter Isaacsz
Amsterdam as the Centre of World Trade, c.1604-c.1607. Other Title(s): Painting on a harpsichord lid with an Allegory of Amsterdam as the center of world trade

Background imageClavecin Collection: Lid of a harpsichord, 1626. Creator: Philip Schey

Lid of a harpsichord, 1626. Creator: Philip Schey
Lid of a harpsichord, 1626. Other Title(s): Harpsichord Lid Decorated with a Merry Company near a Country Mansion

Background imageClavecin Collection: Painting on a harpsichord lid with Bacchus and Cybele, 1590-1675. Creator: Unknown

Painting on a harpsichord lid with Bacchus and Cybele, 1590-1675. Creator: Unknown
Painting on a harpsichord lid with Bacchus and Cybele, 1590-1675

Background imageClavecin Collection: Family Group near a Harpsichord, 1739. Creator: Cornelis Troost

Family Group near a Harpsichord, 1739. Creator: Cornelis Troost
Family Group near a Harpsichord, 1739. The child on the left is sitting in a wheeled chair

Background imageClavecin Collection: The Rocks, home of Mr. & Mrs. Pierre Gaillard - Living Room w / fireplace, between 1926 and 1950

The Rocks, home of Mr. & Mrs. Pierre Gaillard - Living Room w / fireplace, between 1926 and 1950. Photograph shows the living room at "The Rocks", the home of Mr. and Mrs

Background imageClavecin Collection: Le Concert, 1774. Creator: Antoine Jean Duclos

Le Concert, 1774. Creator: Antoine Jean Duclos
Le Concert, 1774. [The Concert]

Background imageClavecin Collection: The Gore Family with George, third Earl Cowper, c1775, (1942). Creator: Johan Zoffany

The Gore Family with George, third Earl Cowper, c1775, (1942). Creator: Johan Zoffany
The Gore Family with George, third Earl Cowper, c1775, (1942). Portrait of Englsih art collector and patron George Clavering-Cowper, 3rd Earl Cowper (1738-1789), with Emilie Gore, Elizabeth Gore

Background imageClavecin Collection: Jealousy, the Rival, 1803. Creator: Thomas Rowlandson

Jealousy, the Rival, 1803. Creator: Thomas Rowlandson
Jealousy, the Rival, 1803. Does not this drawing with its foreground arrangement of profoundly expressive figures become something greater than the subject might suggerst

Background imageClavecin Collection: E-12: English Drawing Room of the Georgian Period, c. 1800, United States, c. 1937

E-12: English Drawing Room of the Georgian Period, c. 1800, United States, c. 1937

Background imageClavecin Collection: A29: South Carolina Ballroom, 1775-1835, United States, c. 1940

A29: South Carolina Ballroom, 1775-1835, United States, c. 1940

Background imageClavecin Collection: Musical Party in the Open Air, late 16th-early 17th century. Creator: Cornelis Galle I

Musical Party in the Open Air, late 16th-early 17th century. Creator: Cornelis Galle I
Musical Party in the Open Air, late 16th-early 17th century

Background imageClavecin Collection: The Music Lesson, 1670-72. Creator: Jacob Ochtervelt

The Music Lesson, 1670-72. Creator: Jacob Ochtervelt
The Music Lesson, 1670-72

Background imageClavecin Collection: Concert Ticket - Marys Chappel, Five at Night, May 1, 1799. Creator: Jane Ireland

Concert Ticket - Marys Chappel, Five at Night, May 1, 1799. Creator: Jane Ireland
Concert Ticket - Marys Chappel, Five at Night, May 1, 1799. After William Hogarth

Background imageClavecin Collection: The Duennas Return, from 'Illustrated London News', May 19, 1860

The Duennas Return, from "Illustrated London News", May 19, 1860
The Duennas Return, from " Illustrated London News", May 19, 1860

Background imageClavecin Collection: Marcantonio Pasqualini (1614-1691) Crowned by Apollo, 1641. Creator: Andrea Sacchi

Marcantonio Pasqualini (1614-1691) Crowned by Apollo, 1641. Creator: Andrea Sacchi
Marcantonio Pasqualini (1614-1691) Crowned by Apollo, 1641

Background imageClavecin Collection: Mrs Paine and her Daughters, c1767, (1942). Creator: Sir Joshua Reynolds

Mrs Paine and her Daughters, c1767, (1942). Creator: Sir Joshua Reynolds
Mrs Paine and her Daughters, c1767, (1942). Portrait of Charlotte Beaumont, (died 1766), wife of architect James Paine, and her daughters Charlotte Paine (1751-1814), who married St John Charlton

Background imageClavecin Collection: Design for a harpsichord by Robert Adam, 1774, (1946). Creator: Unknown

Design for a harpsichord by Robert Adam, 1774, (1946). Creator: Unknown
Design for a harpsichord by Robert Adam, 1774, (1946). Executed in London with different coloured woods for the Empress of Russia, Catherine the Great

Background imageClavecin Collection: Jean-Marc Nattier and his family, 1730-1762, (1903). Creator: Unknown

Jean-Marc Nattier and his family, 1730-1762, (1903). Creator: Unknown
Jean-Marc Nattier and his family, 1730-1762, (1903). La Famille Du Peintre, self portrait with his wife and children, by French painter Jean-Marc Nattier (1685-1766)

Background imageClavecin Collection: Petit Courrier des Dames, 1850, 1943. Creator: Unknown

Petit Courrier des Dames, 1850, 1943. Creator: Unknown
Petit Courrier des Dames, 1850, 1943. Hand coloured engraving from Petit Courrier des Dames, a weekly French fashion magazine published in Paris

Background imageClavecin Collection: Le Lecon de Clavecin. Creator: Massard

Le Lecon de Clavecin. Creator: Massard
Le Lecon de Clavecin, late 18th century. The Harpsichord Lesson. Scene in a wealthy household; a richly-dressed lady sits at the instrument while the teacher turns the page of the sheet music

Background imageClavecin Collection: A Lady Standing at the Virginals, c1670-1672, (c1950). Creator: Jan Vermeer

A Lady Standing at the Virginals, c1670-1672, (c1950). Creator: Jan Vermeer
A Lady Standing at the Virginals, c1670-1672, (c1950). A Young Woman standing at a Virginal, painting in the National Gallery, London

Background imageClavecin Collection: Eighteenth century harpsichord, 1948

Eighteenth century harpsichord, 1948. From Musical Instruments Through the Ages, by Dr. Alexander Buchner. [Spring Books, London, 1948]

Background imageClavecin Collection: Playing the Virginal in Olden Times, c1934

Playing the Virginal in Olden Times, c1934. Illustration showing a woman playing the virginal, also known as the clavicymbal. The accompanying text describes the mechanism

Background imageClavecin Collection: How Handels Harpischord Worked, c1934

How Handels Harpischord Worked, c1934. Illustration showing the workings of a harpsichord such as George Frideric Handel (1685-1759) would have used

Background imageClavecin Collection: Clavecin, by Pascal Taskin, Paris, 1786, (1927). Artist: Pascal Taskin

Clavecin, by Pascal Taskin, Paris, 1786, (1927). Artist: Pascal Taskin
Clavecin, by Pascal Taskin, Paris, 1786, 1927. From Old Furniture, Volume I. edited by Lieut.-Col. E. F. Strange, C.B.E. [Old Furniture Ltd. London, 1927]

Background imageClavecin Collection: Harpsichord, by Andries Ruckers. Decorated with Vernis Martin in the 18th Century, (1927)

Harpsichord, by Andries Ruckers. Decorated with Vernis Martin in the 18th Century, (1927)
Harpsichord, by Andries Ruckers. Decorated with Vernis Martin in the 18th Century, 1927. From Old Furniture, Volume I. edited by Lieut.-Col. E. F. Strange, C.B.E. [Old Furniture Ltd. London, 1927]

Background imageClavecin Collection: The Rakes Progress - The Levee, 1720-1735, (1920). Artist: William Hogarth

The Rakes Progress - The Levee, 1720-1735, (1920). Artist: William Hogarth
The Rakes Progress - The Level, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]


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