Ariadne, Cupid and Bacchus, 1788. Creator: Francesco BartolozziAriadne, Cupid and Bacchus, 1788
Acis and Galatea, 1787. Creator: Francesco BartolozziAcis and Galatea, 1787
The Tempest, Act I: Ferdinand and Miranda, 1788. Creator: Samuel MiddimanThe Tempest, Act I: Ferdinand and Miranda, 1788
Ophelia: "Theres fennel for you, and columbines"(Shakespeare, Hamlet, Act 4Ophelia: " Theres fennel for you, and columbines" (Shakespeare, Hamlet, Act 4, Scene 5), 1787
Bacchus accompanied by a Bacchante and a faun, 1768. Creators: Carlo FaucciBacchus accompanied by a Bacchante and a faun, 1768
Canto 31, Stanza 70, from Orlando Furioso, 1774. 1774. Creator: Nicolas de LaunayCanto 31, Stanza 70, from Orlando Furioso, 1774. [Si che una sorte uguale ambi li getta / Nell acqua, e gran rimbombo al ciel ne riede]
Canto 14, Stanza 45, from Orlando Furioso, 1774. 1774. Creator: Nicolas de LaunayCanto 14, Stanza 45, from Orlando Furioso, 1774. [Scudi spezza, elmi schiaccia, e un colpo spesso / Spegne i cavalli a i cavalieri appresso]
Canto 26, Stanza 39, from Orlando Furioso, 1774. 1774. Creator: Nicolas de LaunayCanto 26, Stanza 39, from Orlando Furioso, 1774. [Sappiate che costor che qui scritto hanno nel marmo i nomi, al mondo mai non furo]
Ariadne Abandoned by Theseus, 1790-99. 1790-99. Creator: Thomas RowlandsonAriadne Abandoned by Theseus, 1790-99
Sleeping Venus Cuddling a Child, January 1, 1799. January 1, 1799Sleeping Venus Cuddling a Child, January 1, 1799
Ariadne on Naxos Approached by Bacchus, ca. 1790. ca. 1790. Creator: Thomas RowlandsonAriadne on Naxos Approached by Bacchus, ca. 1790
Sleeping Venus and Love, 1799. 1799. Creator: Thomas RowlandsonSleeping Venus and Love, 1799
La Fornarina, early 19th century. Creator: Samuele Levi PolaccoLa Fornarina, early 19th century. So-called portrait of Raphaels mistress, the Fornarina, (in fact after Sebastiano del Piombo)
Interior of the Great Room of Freemasons Tavern, Great Queen Street, Holborn, London, c1800Interior of the Great Room of the Freemasons Tavern, Great Queen Street, Holborn, London, c1800. View with allegorical figures and objects around a table
Interior view of the Marine Societys office over the Royal Exchange, City of London, 1758. In the foreground adults are directing poorly dressed children towards a basket of clothes
Small Mahogany Cabinet on Stand, c1680. Small Mahogany Cabinet on Stand, with painted decorations in the manner of Cipriani. The interior is similarly decorated and fitted with eleven drawings
Ceres, c1747-1815, (1915). Artist: Francesco BartolozziCeres. In ancient Roman religion Ceres was a goddess of agriculture, grain crops, fertility and motherly relationships. After J. B. Cipriani
Oliver Cromwell, his daughter and his chaplain, 17th century. Artist: A SuntachOliver Cromwell, his daughter and his chaplain, 17th century. Cromwell, Lord Protector from 1653, pictured with his youngest daughter, Frances, and his chaplain, Jeremy Withe
The Gold State Coach, 1762, (1937). The coach is gilded and features painted panels by Giovanni Cipriani and rich gilded sculpture including three cherubs on the roof and four tritons
Giovanni Ciprianis painted panels on the Gold State Coach, 1762, (1937). Detail of the coach which has been used at every British coronation since that of George IV
The Fine Arts, 18th century (1910). Artist: Marino BoviThe Fine Arts, 18th century (1910). A print from The Connoisseur, (London, 1910)
Trade Card for W. E. Vaughan, Printseller & Restorer, 18th centuryTrade Card for W.E. Vaughan, Printseller & Restorer, 18th century
The Graces Crowning the Bust of Raphael, July 28, 1788. Creator: Francesco BartolozziThe Graces Crowning the Bust of Raphael, July 28, 1788
