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Chromolithograph Gallery

Available as Prints and Gift Items

Choose from 900 pictures in our Chromolithograph collection for your Wall Art or Photo Gift. All professionally made for Quick Shipping.


Napoleon goes aboard the Northumberland for his journey to St Helena, 8 August 1815
Napoleon goes aboard the Northumberland for his journey to St Helena, 8 August 1815
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The New Jerusalem, c1900
The New Jerusalem, c1900
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The Santos Dumont Air-ship rounding the Eiffel Tower, on October 19th 1901, (c1910)
The Santos Dumont Air-ship rounding the Eiffel Tower, on October 19th 1901, (c1910)
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The Little Father, 1897. Creator: Jean Baptiste Guth
The Little Father, 1897. Creator: Jean Baptiste Guth
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Page from the Dresden Codex, Maya manuscript
Page from the Dresden Codex, Maya manuscript
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Dhumavati/ Matangi, 1885-90. Creator: Unknown
Dhumavati/ Matangi, 1885-90. Creator: Unknown
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Shri Sheshanarayana, Vishnu Narayana on Shesha, 1886. Creator: Unknown
Shri Sheshanarayana, Vishnu Narayana on Shesha, 1886. Creator: Unknown
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The Look Out, c1890-c1893.Artist: William Christian Symons
The Look Out, c1890-c1893.Artist: William Christian Symons
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Plausible, 1902.Artist: Spy
Plausible, 1902.Artist: Spy
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City Justice, 1880. Artist: Spy
City Justice, 1880. Artist: Spy
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Yorkshire Cricket, 1892. Artist: Spy
Yorkshire Cricket, 1892. Artist: Spy
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Lowering the Ensign at Sunset, c1890-c1893.Artist: William Christian Symons
Lowering the Ensign at Sunset, c1890-c1893.Artist: William Christian Symons
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Page from the Dresden Codex, Maya manuscript Featured Print

Page from the Dresden Codex, Maya manuscript

Page from the Dresden Codex, Maya manuscript. Chromolithograph of a page showing a section of a tonalamatl, a sacred season of 260 days. The god Quetalcoatl is depicted several times, including ferrying a woman (centre) and with an axe (bottom left). The original manuscript was probably produced in the first half of the 13th century, and contains tables predicting astronomical occurrences with great accuracy. It was sent to Europe after the Spanish conquest of Central America, and is today one of only four Mayan codices known to have survived

© Ann Ronan Picture Library / Heritage-Images

Bobby, 1902. Artist: Spy
Bobby, 1902. Artist: Spy
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12th Lancers, 1889
12th Lancers, 1889
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The British Navy, 1837-1897, (early 20th century).Artist: TS Crowther
The British Navy, 1837-1897, (early 20th century).Artist: TS Crowther
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Lithographic print of Hiram Revels, ca. 1870. Creator: Unknown
Lithographic print of Hiram Revels, ca. 1870. Creator: Unknown
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Medieval enamel and illuminated manuscripts, (1898). Creator: Unknown
Medieval enamel and illuminated manuscripts, (1898). Creator: Unknown
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Byzantine weaving and embroidery, (1898). Creator: Unknown
Byzantine weaving and embroidery, (1898). Creator: Unknown
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Indian marble inlay, (1898). Creator: Unknown
Indian marble inlay, (1898). Creator: Unknown
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Ancient Egyptian decoration, (1898). Creator: Unknown
Ancient Egyptian decoration, (1898). Creator: Unknown
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Assyrian decoration, (1898). Creator: Unknown
Assyrian decoration, (1898). Creator: Unknown
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Ancient Greek pottery, (1898). Creator: Unknown
Ancient Greek pottery, (1898). Creator: Unknown
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Chinese painting, (1898). Creator: Unknown
Chinese painting, (1898). Creator: Unknown
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Scene from Gullivers Travels by Jonathan Swift, 1911. Artist: AE Jackson
Scene from Gullivers Travels by Jonathan Swift, 1911. Artist: AE Jackson
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Medieval enamel and illuminated manuscripts, (1898). Creator: Unknown Featured Print

Medieval enamel and illuminated manuscripts, (1898). Creator: Unknown

Medieval enamel and illuminated manuscripts, (1898). Fig: 1: Initial from a German manuscript (Rhenish school), 11th-12th century, in the Library at Paris. Fig 2: Initial from a German manuscript of the 12th century, from a private collection at Cologne. Fig 3: Relic-cross from the first half of the 12th cent, in the Diocesan-Museum at Freising. Fig 4: Pilaster from the shrine of St. Heribertus in the Benedictine-Abbey at Deutz, mid 12th century. Figs 5 and 10: From the shrine of the great relics at Aachen, 12th century. Fig 6: From a collection at Bonn, 12th century. Fig 7: Decoration from the Anno-shrine in the former abbey at Siegburg, 11th century. Figs 8 and 9: From a reliquary in South-Kensington Museum at London, 12th century. Fig 11: From a little reliquary, 12th century. Figs 12 and 13: From the portable altar of St. Andrews in the cathedral at Treves, 10th century. Fig 14: Flat disk of gilt copper in private possession at Bamberg, 12th century. Fig 15: Half from a shrine in the former abbey at Siegburg, 11th century. Figs 16-19: Decorations on double crosses at Essen, 11th century. Fig 20: Half figure of an angel from the shrine of St, Heribertus, see Fig 4. Fig 21: From the shrine of Charlemagne at Aachen, 12th century. Figs 22 and 23: From the Mauritius-shrine at Siegburg, 11th century. Fig 24: From an altar-wall, 12th century...In the art of enamelling, which had been transferred from Byzantium to Germany, the German artists attained a high point of perfection'. Plate 35 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]

© The Print Collector/Heritage Images

Gobelins tapestry and lacework, France and Germany, early 19th century, (1898)
Gobelins tapestry and lacework, France and Germany, early 19th century, (1898)
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German Renaissance stained glass painting, (1898). Creator: Unknown
German Renaissance stained glass painting, (1898). Creator: Unknown
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Lace weaving and embroidery, France, 17th and 18th century, (1898). Creator: Unknown
Lace weaving and embroidery, France, 17th and 18th century, (1898). Creator: Unknown
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Embroidery, leather tapestry, goldsmiths work, 17th, 18th and 19th centuries, (1898)
Embroidery, leather tapestry, goldsmiths work, 17th, 18th and 19th centuries, (1898)
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Wall painting and ceiling decoration, Germany, early 19th century, (1898)
Wall painting and ceiling decoration, Germany, early 19th century, (1898)
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German Renaissance ceiling and wall painting, (1898). Creator: Unknown
German Renaissance ceiling and wall painting, (1898). Creator: Unknown
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German Renaissance painted plaster ornament, (1898). Creator: Unknown
German Renaissance painted plaster ornament, (1898). Creator: Unknown
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Medieval stone mosaic, (1898). Creator: Unknown
Medieval stone mosaic, (1898). Creator: Unknown
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Italian Renaissance ceiling painting, (1898). Creator: Unknown
Italian Renaissance ceiling painting, (1898). Creator: Unknown
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Russian architectural ornament and wood carving, (1898). Creator: Unknown
Russian architectural ornament and wood carving, (1898). Creator: Unknown
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Architectural decoration in the Alhambra, (1898). Creator: Unknown
Architectural decoration in the Alhambra, (1898). Creator: Unknown
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Russian manuscript painting, (1898). Creator: Unknown
Russian manuscript painting, (1898). Creator: Unknown
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Medieval stone mosaic, (1898). Creator: Unknown Featured Print

Medieval stone mosaic, (1898). Creator: Unknown

Medieval stone mosaic, (1898). Figs 1-8: Engraved stone-flags from the old cathedral at St. Omer, 13th century (ground brown, interior design of horse and horseman filled up with red). Figs 9 and 10: Mosaic floors of burnt clay, enamelled, from a collection at Dresden (black and red centres with white edging) 13th century. Figs 11 and 12: Mosaic floors of burnt clay, enamelled, from the cloister-church Colombe-les-Sens (red, black and yellow), 12th century. Figs 13 and 14: Mosaic floors of burnt clay, enamelled, from the abbey-church at St. Denis (red, black and yellow), 12th century. Figs 15 and 16: Mosaic floors of burnt clay, enamelled, from the old abbey-church at Pontigny, 12th century (yellow, red and black on green ground). Figs 17-23: Enamelled clay-tiles from St. Pierre-sur-Dive, 12th century (yellow and black-brown). Figs 24 and 25: Enamelled clay-tiles from the church at Bloxham, 13th century (red and yellow). Figs 26 and 27: Enamelled clay-tiles from Beddington-Church in Surrey, 15th century (red and yellow). Fig 28: Engraved clay-tiles from the town-hall at Ravensburg (natural colour without glazing), 14th century. Fig 29: Engraved clay-tiles from a patrician house ibid., 14th century. Fig 30: Clay-tiles with deepened ground, natural colour without glazing, 14th century, from the church at Gaildorf. Fig 31: Clay-tiles with deepened ground and relief-figures from the cloister at Alpirsbach, 12th century. Plate 38 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]

© The Print Collector/Heritage Images

Byzantine incrusted enamel, marble mosaic, glass mosaic, (1898). Creator: Unknown
Byzantine incrusted enamel, marble mosaic, glass mosaic, (1898). Creator: Unknown
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Celtic illuminated manuscripts, (1898). Creator: Unknown
Celtic illuminated manuscripts, (1898). Creator: Unknown
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Indian metal work, embroidery, weaving and painting, (1898). Creator: Unknown
Indian metal work, embroidery, weaving and painting, (1898). Creator: Unknown
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Medieval illuminated manuscripts, (1898). Creator: Unknown
Medieval illuminated manuscripts, (1898). Creator: Unknown
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Ancient Greek polychrome architecture, (1898). Creator: Unknown
Ancient Greek polychrome architecture, (1898). Creator: Unknown
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Medieval wall painting, (1898). Creator: Unknown
Medieval wall painting, (1898). Creator: Unknown
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Italian Renaissance embroidery and carpet-weaving, (1898). Creator: Unknown
Italian Renaissance embroidery and carpet-weaving, (1898). Creator: Unknown
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Mallard (Anas boschas), 1900, (1900). Artist: Charles Whymper
Mallard (Anas boschas), 1900, (1900). Artist: Charles Whymper
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Grey Plover (Squatarola helvetica), Golden Plover (Charadrius pluvialus), 1900, (1900)
Grey Plover (Squatarola helvetica), Golden Plover (Charadrius pluvialus), 1900, (1900)
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The Crowning of Charlemagne, 800 AD, (19th century)
The Crowning of Charlemagne, 800 AD, (19th century)
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Plato (c428-c348 BC), Ancient Greek philosopher
Plato (c428-c348 BC), Ancient Greek philosopher
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SS Great Eastern, IK Brunels great steam ship, 1858
SS Great Eastern, IK Brunels great steam ship, 1858
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