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Casting Collection (page 2)

Background imageCasting Collection: The Kitschelt iron foundry at the Skodagasse in Vienna, 1898

The Kitschelt iron foundry at the Skodagasse in Vienna, 1898. Private Collection

Background imageCasting Collection: At the Chusovoy Metallurgical Plants. Artist: Kasatkin, Nikolai Alexeyevich (1859-1930)

At the Chusovoy Metallurgical Plants. Artist: Kasatkin, Nikolai Alexeyevich (1859-1930)
At the Chusovoy Metallurgical Plants. Found in the collection of the State Museum of Revolution, Moscow

Background imageCasting Collection: The U. S. A. Government Printing Office also operates 126 Casting Machines, 1916

The U. S. A. Government Printing Office also operates 126 Casting Machines, 1916
The U.S.A. Government Printing Office also operates 126 Casting Machines, 1916. The U.S.A. Government Printing Offices establishment, Washington D.C. From The British Printer Vol. XXIX

Background imageCasting Collection: Study for the casting of the Sforza Monument, c1493 (1954). Artist: Leonardo da Vinci

Study for the casting of the Sforza Monument, c1493 (1954). Artist: Leonardo da Vinci
Study for the casting of the Sforza Monument, c1493 (1954). In the 1480s Ludovico Sforza, Duke of Milan, commissioned Leonardo da Vinci to produce a great bronze equestrian statue of his father

Background imageCasting Collection: Bell and cannon caster, 16th century (1849). Artist: Jost Amman

Bell and cannon caster, 16th century (1849). Artist: Jost Amman
Bell and cannon caster, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix

Background imageCasting Collection: Brook Trout Fishing, 1862. Artist: Currier and Ives

Brook Trout Fishing, 1862. Artist: Currier and Ives
Brook Trout Fishing, 1862

Background imageCasting Collection: Iron bell casting, 1751-1777

Iron bell casting, 1751-1777. A print from the Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers by Diderot & d Alembert, 1751-1777. Private Collection

Background imageCasting Collection: The Raising of Lazarus, mid 15th century. Artist: Albert van Ouwater

The Raising of Lazarus, mid 15th century. Artist: Albert van Ouwater
The Raising of Lazarus, mid 15th century. Jesus raised Lazarus, brother of Martha and Mary (left) from the tomb after four days. The scene is set inside a church

Background imageCasting Collection: The Sforza Monument, c1488-1493. Artist: Leonardo da Vinci

The Sforza Monument, c1488-1493. Artist: Leonardo da Vinci
The Sforza Monument, c1488-1493. Top: study, c1488-1490, from the collection of the Royal Library, Windsor Castle, Windsor, England; bottom right: Two Sketches of Moulds for Casting a Prancing Horse

Background imageCasting Collection: Tapping a blast furnace and casting iron into pigs, c1900

Tapping a blast furnace and casting iron into pigs, c1900. From The Marvels of Metals by FM Holmes. (London, c1900)

Background imageCasting Collection: Glass manufacturing, 1760

Glass manufacturing, 1760. Making crown glass by blowing (left) and plate glass by casting (right). Glass workers were susceptible to cataracts caused by the glare of the furnace

Background imageCasting Collection: Casting the cylinder of the Britannia Press at the Bank Quay Foundry, Warrington, 1851

Casting the cylinder of the Britannia Press at the Bank Quay Foundry, Warrington, 1851. Casting the cylinders for the hydraulic press (lift)

Background imageCasting Collection: Casting a mortar at Grissells Regents Canal Ironworks, City Road, London, 1855

Casting a mortar at Grissells Regents Canal Ironworks, City Road, London, 1855. A Nasmyth safety ladle (invented 1838) is being used. From The Illustrated London News, December 29 1855

Background imageCasting Collection: The foundry or cast house, Butterley Ironworks, Derbyshire, 1844

The foundry or cast house, Butterley Ironworks, Derbyshire, 1844. Tapping the furnace and casting iron into pigs. A manager in top hat and tail coat watches the procedure

Background imageCasting Collection: Casting the bell for the Westminster Clock Tower, 1856

Casting the bell for the Westminster Clock Tower, 1856. Tapping furnaces at Warner & Sons Barrett Furnaces, Stockton-on-Tees, England. From The Illustrated London News, August 23 1856

Background imageCasting Collection: Artists reconstruction of casting weapons in the Iron Age, 1889

Artists reconstruction of casting weapons in the Iron Age, 1889. In the left background metal is being heated in a furnace, while at the right molten metal is being poured into a mould

Background imageCasting Collection: Casting cannon, 1751-1780

Casting cannon, 1751-1780. Drying clay patterns which would be used to produce a mould into which molten metal would be run. From Denis Diderots Encyclopedie. (Paris, 1751-1780)



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