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Caryatid Collection

Background imageCaryatid Collection: Ancient Greek ornamental architecture and sculpture, (1898). Creator: Unknown

Ancient Greek ornamental architecture and sculpture, (1898). Creator: Unknown
Ancient Greek ornamental architecture and sculpture, (1898). Fig. I. Doric capital from Paestum (with painted ornaments). Fig 2

Background imageCaryatid Collection: Still Life with Quinces, Medlars and a Glass, 1669-1719. Creator: Martinus Nellius

Still Life with Quinces, Medlars and a Glass, 1669-1719. Creator: Martinus Nellius
Still Life with Quinces, Medlars and a Glass, 1669-1719

Background imageCaryatid Collection: Three sketches of sculptures in the Museum of Decorative Arts in Paris, 1872-1904

Three sketches of sculptures in the Museum of Decorative Arts in Paris, 1872-1904. Creator: Wilhelm Cornelis Bauer
Three sketches of sculptures in the Museum of Decorative Arts in Paris, 1872-1904

Background imageCaryatid Collection: Villa Farnese, Caprarola, Lazio, Italy, 1925. Creator: Frances Benjamin Johnston

Villa Farnese, Caprarola, Lazio, Italy, 1925. Creator: Frances Benjamin Johnston
Villa Farnese, Caprarola, Lazio, Italy, 1925. House Architecture: Giacomo (Jacopo) Barozzi de Vignola, seventeenth century

Background imageCaryatid Collection: Villa Farnese, Caprarola, Lazio, Italy, 1925. Creator: Frances Benjamin Johnston

Villa Farnese, Caprarola, Lazio, Italy, 1925. Creator: Frances Benjamin Johnston
Villa Farnese, Caprarola, Lazio, Italy, 1925. House Architecture: Giacomo (Jacopo) Barozzi de Vignola, seventeenth century

Background imageCaryatid Collection: Florence Noyes dancers, between 1915 and 1918. Creator: Arnold Genthe

Florence Noyes dancers, between 1915 and 1918. Creator: Arnold Genthe
Florence Noyes dancers, between 1915 and 1918

Background imageCaryatid Collection: Three Caryatids Supporting a Basket, n.d. Creators: Unknown, Philip Fruytiers, Jacob Jordaens

Three Caryatids Supporting a Basket, n.d. Creators: Unknown, Philip Fruytiers, Jacob Jordaens, Peter Paul Rubens
Three Caryatids Supporting a Basket, n.d

Background imageCaryatid Collection: Caryatid (r); Three Sketches: Two Caryatids, Pair of Putti Standing on Globe (v), 17th century

Caryatid (r); Three Sketches: Two Caryatids, Pair of Putti Standing on Globe (v), 17th century. Creator: Unknown
Caryatid (recto); Three Sketches: Two Caryatids, Pair of Putti Standing on Globe (verso), 17th century

Background imageCaryatid Collection: The International Exhibition: Mr. Harry Emanuel's Trophy, 1862. Creator: Unknown

The International Exhibition: Mr. Harry Emanuel's Trophy, 1862. Creator: Unknown
The International Exhibition: Mr. Harry Emanuel's Trophy, 1862....the trophy...was composed of wood stained to look like ebony, inlaid with marble and enriched with bronze

Background imageCaryatid Collection: The International Exhibition: Group of porcelain articles by Sir James Duke and Nephews, 1862

The International Exhibition: Group of porcelain articles by Sir James Duke and Nephews, 1862. Creator: Unknown
The International Exhibition: Group of porcelain articles by Sir James Duke and Nephews, 1862.... a dessert service, together with a plateau in imitation of the Italian majolica ware...The plateau

Background imageCaryatid Collection: The International Exhibition: articles in Parian by W. H. Goss, 1862. Creator: Unknown

The International Exhibition: articles in Parian by W. H. Goss, 1862. Creator: Unknown
The International Exhibition: articles in Parian by W. H. Goss, 1862. The Octagon Vase, Dessert-dish, Globe Vase. The dessert-dish consists of a tazza, supported by a group of caryatides

Background imageCaryatid Collection: The International Exhibition: chimneypiece by Jackson and Sons, 1862. Creator: Unknown

The International Exhibition: chimneypiece by Jackson and Sons, 1862. Creator: Unknown
The International Exhibition: chimneypiece by Jackson and Sons, 1862. Our engraving sets forth a chimneypiece by Messrs. George Jackson and Sons, of Rathbone-place, moulded in carton pierre

Background imageCaryatid Collection: The International Exhibition - marble chimneypiece, by Leclercq, in the Belgian Court... 1862

The International Exhibition - marble chimneypiece, by Leclercq, in the Belgian Court... 1862. Creator: Unknown
The International Exhibition - marble chimneypiece, by Leclercq, in the Belgian Court - from a photograph by the London Stereoscopic Company, 1862

Background imageCaryatid Collection: French Renaissance ornaments in stone and wood, (1898). Creator: Unknown

French Renaissance ornaments in stone and wood, (1898). Creator: Unknown
French Renaissance ornaments in stone and wood, (1898). Fig 1: Pilaster-capital from a chimney in the Hotel Lasbordes at Toulouse (Francois I), [16th century]

Background imageCaryatid Collection: Portico of the Carytides on the Erechtheum, Acropolis, Athenaai (Athens), Greece, c1930s

Portico of the Carytides on the Erechtheum, Acropolis, Athenaai (Athens), Greece, c1930s. Caryatids on the 5th century BC Erechtheum temple at the Acropolis of Athens in Greece

Background imageCaryatid Collection: Interior of John R. McLean House, 1500 I St. N.W. Washington, D.C. c1907

Interior of John R. McLean House, 1500 I St. N.W. Washington, D.C. c1907. Creator: Frances Benjamin Johnston
Interior of John R. McLean House, 1500 I St. N.W. Washington, D.C. - ballroom - detail of fireplace and tapestry, c1907

Background imageCaryatid Collection: Pompeii Relics, Italy. Creator: Viet Chu

Pompeii Relics, Italy. Creator: Viet Chu
Pompeii Relics, Italy

Background imageCaryatid Collection: Card Table, c. 1815. Creator: Charles-HonoreLannuier

Card Table, c. 1815. Creator: Charles-HonoreLannuier
Card Table, c. 1815. Mahogany with rosewood veneer, giltwood, brass and ebony inlay, winged caryatid central support

Background imageCaryatid Collection: The Fallen Caryatid Carrying Her Stone, Modeled 1881-82, cast 1902 / 24

The Fallen Caryatid Carrying Her Stone, Modeled 1881-82, cast 1902 / 24
The Fallen Caryatid Carrying Her Stone, Modeled 1881-82, cast 1902/24

Background imageCaryatid Collection: Various Roman Ionic capitals compared with Greek examples... mid-18th century

Various Roman Ionic capitals compared with Greek examples... mid-18th century
Various Roman Ionic capitals compared with Greek examples from Le Roy [S. Maria in Trastevere, S. Paolo fuori le Mura, S. Clemente, etc.], mid-18th century

Background imageCaryatid Collection: Caryatidum (... ) sive Athlantidum Multiformium (... ), ca. 1565

Caryatidum (... ) sive Athlantidum Multiformium (... ), ca. 1565
Caryatidum (...) sive Athlantidum Multiformium (...), ca. 1565. Carved pillars, from a work on architecture

Background imageCaryatid Collection: Six herms, four female and two male, with Hercules at far right, ca. 1565

Six herms, four female and two male, with Hercules at far right, ca. 1565. Plate 1, from Caryatidum [...] sive Athlantidum multiformium ad quemlibet Architecture ordinem Accommodatarum centuria prima

Background imageCaryatid Collection: Erechtheion, 1890. Creator: Themistocles von Eckenbrecher

Erechtheion, 1890. Creator: Themistocles von Eckenbrecher
Erechtheion, 1890

Background imageCaryatid Collection: The Seconda Macchina for the Chinea of 1771: A Pleasure Palace Dedicated to Bacchus, 1771

The Seconda Macchina for the Chinea of 1771: A Pleasure Palace Dedicated to Bacchus, 1771

Background imageCaryatid Collection: Caryatids of the Erectheum, 1857. Creator: James Robertson

Caryatids of the Erectheum, 1857. Creator: James Robertson
Caryatids of the Erectheum, 1857

Background imageCaryatid Collection: Chimneypiece in the Egyptian style: Mummy superimposed on a large caryatid above the

Chimneypiece in the Egyptian style: Mummy superimposed on a large caryatid above the lintel (Ch. a l egyptiennne surmontee d une grande cariatide contre laquelles applique une momie)

Background imageCaryatid Collection: The Vision of Ezekiel, 1554. Creator: Giorgio Ghisi

The Vision of Ezekiel, 1554. Creator: Giorgio Ghisi
The Vision of Ezekiel, 1554. After Giovanni Battista Bertano

Background imageCaryatid Collection: The Vision of Ezekiel, 1554 (republished 1595). Creator: Giorgio Ghisi

The Vision of Ezekiel, 1554 (republished 1595). Creator: Giorgio Ghisi
The Vision of Ezekiel, 1554 (republished 1595). After Giovanni Battista Bertano

Background imageCaryatid Collection: Emblem of Lucrezia Gonzaga, before 1566. Creator: Giorgio Ghisi

Emblem of Lucrezia Gonzaga, before 1566. Creator: Giorgio Ghisi
Emblem of Lucrezia Gonzaga, before 1566

Background imageCaryatid Collection: Caryatid, Erechtheion, Athens, 1842. Creator: Joseph Philibert Girault De Prangey

Caryatid, Erechtheion, Athens, 1842. Creator: Joseph Philibert Girault De Prangey
Caryatid, Erechtheion, Athens, 1842

Background imageCaryatid Collection: Sketch for a frieze with two cariatides, 1546-1554. Artist: Lelio Orsi

Sketch for a frieze with two cariatides, 1546-1554. Artist: Lelio Orsi
Sketch for a frieze with two cariatides, 1546-1554. Orsi da Novellara, Lelio (1511-1587). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Background imageCaryatid Collection: View of the Caryatid porch of the Erechtheion, 5th century BC

View of the Caryatid porch of the Erechtheion, 5th century BC
View of the Caryatid porch of the Erechtheion on the Acropolis in Athens, 5th century BC

Background imageCaryatid Collection: Caryatid porch, the Erectheum, Acropolis, Athens, 5th century BC. Artist: Mnesikles

Caryatid porch, the Erectheum, Acropolis, Athens, 5th century BC. Artist: Mnesikles
Caryatid porch, the Erectheum, Acropolis, Athens, 5th century BC. Designed by Mnesikles, the six columns of the porch are carved in the form of draped female figures (Caryatids)

Background imageCaryatid Collection: Caryatid

Caryatid. Roman, after a Greek model of the 5th century BC. Caryatids were carved female figures used to fulfil the role of a column or pillar in Ancient Greek architecture


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