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Caravaggio Gallery

Available as Prints and Gift Items

Choose from 95 pictures in our Caravaggio collection for your Wall Art or Photo Gift. All professionally made for Quick Shipping.


Medusa, 1596-1598. Artist: Caravaggio, Michelangelo (1571-1610)
Medusa, 1596-1598. Artist: Caravaggio, Michelangelo (1571-1610)
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Narcissus, 1598-1599. Artist: Caravaggio, Michelangelo (1571-1610)
Narcissus, 1598-1599. Artist: Caravaggio, Michelangelo (1571-1610)
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The Musicians, 1597. Creator: Michelangelo Caravaggio
The Musicians, 1597. Creator: Michelangelo Caravaggio
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The Incredulity of Saint Thomas, 1600-1601
The Incredulity of Saint Thomas, 1600-1601
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Saint Jerome, ca 1606
Saint Jerome, ca 1606
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David with the Head of Goliath
David with the Head of Goliath
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Saint Jerome in his Cell, ca 1608
Saint Jerome in his Cell, ca 1608
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The Laying in the Tomb ('The Deposition'/'The Entombment'), 1602-16044
The Laying in the Tomb ('The Deposition'/'The Entombment'), 1602-16044
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The Ecstasy of Saint Francis, 1601. Creator: Giovanni Baglione
The Ecstasy of Saint Francis, 1601. Creator: Giovanni Baglione
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The Denial of Saint Peter, 1610. Creator: Michelangelo Caravaggio
The Denial of Saint Peter, 1610. Creator: Michelangelo Caravaggio
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Saint Joseph at left and a bishop at right standing before the altar of the Virgin
Saint Joseph at left and a bishop at right standing before the altar of the Virgin
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Pluto; on verso sketches of a figure, four heads, and a column, 1592
Pluto; on verso sketches of a figure, four heads, and a column, 1592
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The Laying in the Tomb ('The Deposition'/'The Entombment'), 1602-16044. Artist: Michelangelo Caravaggio Featured Print

The Laying in the Tomb ('The Deposition'/'The Entombment'), 1602-16044. Artist: Michelangelo Caravaggio

The Laying in the Tomb ('The Deposition'/'The Entombment'), 1602-1604. Mary of Clopas with her arms raised; Mary Magdalene with bowed head; Nicodemus grasps the legs of the dead Christ. From the Pinacoteca, Vatican City, Rome

© Art Media / Heritage-Images

17th Century, Art, Art Media, Arts, Bible Scene, Biblical, Black Background, Body, Burial, Caravaggio, Caring, Century, Christ, Christian, Christianity, Color, Colour, Concept, Corpse, Country, Crucified, Crucifixion, Dead, Death, Deposition, Desperation, Devotion, Early 17th Century, Entombment, Female, Friend, Front View, Full Body, Gentle, Gesturing, Grasping, Grief, Group, Guy, Holding, Holy, Illustration And Painting, Italian, Italy, Jesus, Jesus Christ, Lady, Laying, Leg, Location, Lowering, Madonna, Magdal, Male, Man, Mary, Mary Cleopas, Mary Magdalene, Mary Of Cleophas, Mate, Mausoleum, Men, Men And Women, Michelangelo, Michelangelo Caravaggio, Michelangelo Merisi Da Caravaggio, Misery, Mother Of God, Mourning, New Testament, Oil, Painting, People, Praising, Prayer, Praying, Print Collector1, Reacting, Religion, Religious, Sad, Saint Mary, Seventeenth Century, Side View, Sorrow, Spirituality, St Mary, Standing, Stella Maris, The Body, The Laying In The Tomb, The Virgin Mary, The Wife Of Cleopas, Togetherness, Tomb, Tragedy, Vertical, Virgin, Virgin Mary, Virgin Mother, Woman, Women

Moses Telling the Israelites to Gather the Manna and Moses Striking the Rock
Moses Telling the Israelites to Gather the Manna and Moses Striking the Rock
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Two Roman Soldiers, 17th century. Creator: Giovanni Francesco Venturini
Two Roman Soldiers, 17th century. Creator: Giovanni Francesco Venturini
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Soldiers, one shown frontally and holding a sword, at right a soldier with his ba..., ca
Soldiers, one shown frontally and holding a sword, at right a soldier with his ba..., ca
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Plate 1: trophies of Roman arms from decorations above the windows on the second floor
Plate 1: trophies of Roman arms from decorations above the windows on the second floor
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Plate 4: trophies of Roman arms from decorations above the windows on the second floor
Plate 4: trophies of Roman arms from decorations above the windows on the second floor
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Plate 3: trophies of Roman arms from decorations above the windows on the second floor of
Plate 3: trophies of Roman arms from decorations above the windows on the second floor of
Full Range of Prints and Gifts in Stock
Plate 2: trophies of Roman arms from decorations above the windows on the second floor
Plate 2: trophies of Roman arms from decorations above the windows on the second floor
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Plate 5: trophies of Roman arms from decorations above the windows on the second floor of
Plate 5: trophies of Roman arms from decorations above the windows on the second floor of
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Titeplate to series of prints after Poloidoro, title on a shield supported by two putti
Titeplate to series of prints after Poloidoro, title on a shield supported by two putti
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Caius Marius in Prison, two Cimbrian soldiers entering his cell, 1560-69
Caius Marius in Prison, two Cimbrian soldiers entering his cell, 1560-69
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Jupiter, seated above two eagles and embracing Cupid, a round composition from a serie
Jupiter, seated above two eagles and embracing Cupid, a round composition from a serie
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Vessel with grotesque masks, griffins, and a frieze populated by a bull and men in
Vessel with grotesque masks, griffins, and a frieze populated by a bull and men in
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Soldiers, one shown frontally and holding a sword, at right a soldier with his ba..., ca Featured Print

Soldiers, one shown frontally and holding a sword, at right a soldier with his ba..., ca

Soldiers, one shown frontally and holding a sword, at right a soldier with his back turned and holding a cup, four soldiers standing behind them with standards and spears, after the lost frescoes by Polidoro da Caravaggio on the facade of the Milesi Palace in Via della Maschera d'Oro, Rome, ca. 1650-1700

© Heritage Art/Heritage Images

Winged female figure, draped and carrying a staff, striding behind a winged putto..., ca
Winged female figure, draped and carrying a staff, striding behind a winged putto..., ca
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Neptune rising from the sea and bearing a staff, accompanied by two horse-headed ..., ca
Neptune rising from the sea and bearing a staff, accompanied by two horse-headed ..., ca
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The Entombment, 1772-1824. Creator: Tommaso Piroli
The Entombment, 1772-1824. Creator: Tommaso Piroli
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Statue of Niobe and her Worshippers, with Apollo and Diana and other Figures, 1543-47
Statue of Niobe and her Worshippers, with Apollo and Diana and other Figures, 1543-47
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The Adoration of the Shepherds, 1569., 1569. Creator: Cornelis Cort
The Adoration of the Shepherds, 1569., 1569. Creator: Cornelis Cort
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The Adoration of the Shepherds, 1569. Creator: Cornelis Cort
The Adoration of the Shepherds, 1569. Creator: Cornelis Cort
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Design for a Decorative Vessel, 16th century. Creator: Anon
Design for a Decorative Vessel, 16th century. Creator: Anon
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Triumphal Scene, 1511-87. Creator: Lelio Orsi
Triumphal Scene, 1511-87. Creator: Lelio Orsi
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Battle Scene, 1511-87. Creator: Lelio Orsi
Battle Scene, 1511-87. Creator: Lelio Orsi
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The Crucifixion of Saint Andrew, 1606-7. Creator: Caravaggio (Italian, 1571-1610)
The Crucifixion of Saint Andrew, 1606-7. Creator: Caravaggio (Italian, 1571-1610)
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Narcissus, 1598-1599
Narcissus, 1598-1599
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Sleeping Cupid, 1608
Sleeping Cupid, 1608
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The Crucifixion of Saint Andrew, 1606-7. Creator: Caravaggio (Italian, 1571-1610) Featured Print

The Crucifixion of Saint Andrew, 1606-7. Creator: Caravaggio (Italian, 1571-1610)

The Crucifixion of Saint Andrew, 1606-7. Saint Andrew's efforts to introduce Christianity to Greece in the first century AD were met with hostility from local authorities. He was sentenced to die on the cross because he refused to acknowledge pagan gods. For two days, Andrew preached from his martyr's station to an increasingly sympathetic crowd. Bowing to public demand, Andrew's would-be executioners attempted to untie him, but their hands were mysteriously paralyzed. Andrew's desire for martyrdom was thus fulfilled and he died enveloped in divine light. Caravaggio's innovative interpretation involves the viewer more closely in the event by presenting the crucifixion as intimate and private, rather than as a gruesome public spectacle. Bold contrasts of light and dark suggest the presence of God. A masterpiece of Baroque painting, Caravaggio's Crucifixion of Saint Andrew is the only altarpiece by the artist in America

© Heritage Art/Heritage Images

The Repentant Mary Magdalene, 1605-1606
The Repentant Mary Magdalene, 1605-1606
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The Taking of Christ, 1602
The Taking of Christ, 1602
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The Annunciation, c1608-1610
The Annunciation, c1608-1610
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The Crucifixion of Saint Peter, 1601
The Crucifixion of Saint Peter, 1601
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The Resurrection of Lazarus, ca 1609
The Resurrection of Lazarus, ca 1609
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The Adoration of the Shepherds, ca 1609
The Adoration of the Shepherds, ca 1609
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Saint Matthew and the Angel, 1602
Saint Matthew and the Angel, 1602
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The Repentant Mary Magdalene, ca 1595
The Repentant Mary Magdalene, ca 1595
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Abraham Sacrificing Isaac, ca 1597-1599
Abraham Sacrificing Isaac, ca 1597-1599
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The Martyrdom of Saint Matthew, 1599-1600
The Martyrdom of Saint Matthew, 1599-1600
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Portrait of Maffeo Barberini, c1598
Portrait of Maffeo Barberini, c1598
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Christ at the Column, ca 1607
Christ at the Column, ca 1607
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