Bowl Collection (page 27)

Arabs Seated in a Cairo Market, c1854-1892. Artist: Leopold Carl Muller
Arabs Seated in a Cairo Market, c1854-1892

Vessels of japanned earthenware from Brazil, c1890. Engraving from The History of Mankind by Friedrich Ratzel, c1890

Phoenician bronze bowl from Nimrud, Assyria, 8th century BC. Originating from the area of modern Lebanon, the Phoenicians were notable traders in the Mediterranean in the 1st Millenium BC

Interior of a Printing Works, wetting room, 1751-1777. A print from the Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers by Diderot & d Alembert, 1751-1777

Abundance of Fruit, c1820. Artist: James Peale
Abundance of Fruit, c1820

Greek bronze of a banqueter, probably from Dodona, from the British Museums collection

Detail from a krater showing Pluto carrying off Persephone, 4th century BC. Artist: Iliupersis Painter
Detail from a red-figure volute krater showing Pluto carrying off Persephone, from the British Museums collection, 4th century BC

Pottery Tripod Bowl with three rattle-legs in the form of Alligators, Chiriqui, Panama. At Royal Scottish Museum, Edinburgh

Pottery Bowl of an alligator with human arms devouring snakes, Chiriqui, Panama. Royal Scottish Museum, Edinburgh

Comedy scene, Apollo cures Cheiron Krater, 380 BC
Comedy scene, Apollo cures Cheiron, Krater, 380 BC. Bell Krater, Attributed to The McDaniel Painter, Ancient Greece, 380 BC. Held at The British Museum

Detail from the Francois Vase, Ajax carrying the body of Achilles, c6th century BC. Artists: Ergotimos, Kleitias
Detail from the Francois Vase, Ajax carrying the body of Achilles, c6th century BC. Greek Vase signed by Clitias (painter) and Ergotimos (potter), c560 BC

Detail from the Francois Vase, Thetis, c6th century BC. Artists: Ergotimos, Kleitias
Detail from the Francois Vase, c6th century BC. Greek Vase signed by Clitias (painter) and Ergotimos (potter), c560 BC. Large Attic volute krater decorated in the black-figure style

Detail from the Francois Vase, c6th century BC. Artists: Ergotimos, Kleitias
Detail from the Francois Vase, c6th century BC. Greek Vase signed by Clitias (painter) and Ergotimos (potter), c560 BC. Large Attic volute krater decorated in the black-figure style

Detail from the Francois Vase, Satyr and Warrior fighting, c6th century BC. Artists: Ergotimos, Kleitias
Detail from the Francois Vase, Satyr and Warrior fighting, c6th century BC. Greek Vase signed by Clitias (painter) and Ergotimos (potter), c560 BC

Detail of Francois Vase, Hephaestus, on a mule, followed by Silenus, c6th century BC. Artists: Ergotimos, Kleitias
Detail of Francois Vase, Hephaestus, on a mule, followed by Silenus, c6th century BC. Greek Vase signed by Clitias (painter) and Ergotimos (potter), c560 BC

Greek red-figured volute krater with scene from the sack of Troy, 4th century BC. Artist: Illupersis Painter
Red-figured volute krater with scene from the sack of Troy, showing Cassandra clinging to the altar of Athena, with Ajax the lesser approaching from the right

Steatite bowl with mythological scenes ( Lord of the Animals ) from Khafalji, but possible of Elamite origin. The figure could be the goddess Inanna, later Ishtar

The Ormside Bowl, an Anglo-Saxon bronze-gilt bowl
The Ormside Bowl. This artifact was buried at Ormside Churchyard, Yorkshire. It is Anglo-Saxon in origin, and has a bronze-gilt inner bowl with a silver-gilt outer sleeve

Gundestrup Cauldron, Celtic ritual vessel, 2nd century BC. Silver partially gilded bowl. Inside on the right is Cernunnos, King of the animals. From the Danish National Museum, Copenhagen

Portrait of a Woman, c1518. Artist: Correggio
Portrait of a Woman, c1518. Found in the collection of The Hermitage, St Petersburg

Approaching Dissolution, 1875. Artist: Joseph Swain
Approaching Dissolution, 1875. Mrs Disraeli on the right runs a Baby Farm. Huddled in the corner behind her are all the Baby Bills

Tear em At The Tuileries, 1863. Artist: John Tenniel
Tear em At The Tuileries, 1863. Eugenie says: Ah, Mon Cher Louis! Pray Don t Cram The Poor Little Fellow Any More; It is Positively Cruel

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