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Moonlight over the Port of Boulogne, 1869. Artist: Edouard ManetMoonlight over the Port of Boulogne, 1869. Located in the collection at Musee d Orsay, Paris, France
Then took he him up in his arms, and blessed God, 19th century. Creator: J JenkinsThen took he him up in his arms, and blessed God, 19th century. Biblical scene, from Luke 2: 28: Then took he him up in his arms, and blessed God, and said, Lord
La Passerelle, Boulogne, 1902. Creator: Donald Shaw MacLaughlanLa Passerelle, Boulogne, 1902
Le Port de Boulogne-sur-Mer, 1902. Creator: Donald Shaw MacLaughlanLe Port de Boulogne-sur-Mer, 1902
The Departure Of The Fishing Fleet, Boulogne, 1891. Creator: Albert Chevallier TaylerThe Departure Of The Fishing Fleet, Boulogne, 1891
Femme de Boulogne, from Recueil de diverses fig. res etrangeres Inventees par FFemme de Boulogne, from Recueil de diverses fig.res etrangeres Inventees par F. Boucher P.tre du Roy et Gravees par F. Ravenet (Collection of Various Foreign Figures, Devised by F)
Figure 26: Expression of painful attention and attention, attentive gaze. 1854-56, printed 1862
Figure 53: Whimpering and false laughter, 1854-56, printed 1862
Figure 39: The attention attracted by an object that provokes lascivious ideas and desires. 1854-56, printed 1862
Figure 9: A study of m. frontalis in maximum contraction, 1854-56, printed 1862
Figure 15: Meditation, mental concentration, 1854-56, printed 1862
Figure 27: Expression proportionally more pained, 1854-56, printed 1862
Figure 81: Lady Macbeth, moderate expression of cruelty, 1854-56, printed 1862
Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and lewdness. 1854-56, printed 1862
Figure 10: Showing the expressive lines of m. frontalis in a young girl, 1854-56, printed 1862
Figure 55: Astonishment badly rendered by the subject: a ridiculous and inane expression. 1854-56, printed 1862
Figure 21: Painful recollection and recollection or calling something to mind, 1854-56, printed 1862
Figure 71: Same head as in Plate 70, 1854-56, printed 1862. Creators: Duchenne de Boulogne, Adrien Alban TournachonFigure 71: Same head as in Plate 70, 1854-56, printed 1862
Figure 57: Astonishment, stupefaction, amazement, 1854-56, printed 1862
Figure 73: Head of Niobe, 1854-56, printed 1862. Creators: Duchenne de BoulogneFigure 73: Head of Niobe, 1854-56, printed 1862
Figure 12: A study of the contraction of and the expression produced by the superior part of m. orbicularis oculi, 1854-56, printed 1862
Figure 47: A suggestion of this same weeping, 1854-56, printed 1862
Figure 56: Surprise, 1854-56, printed 1862. Creators: Duchenne de BoulogneFigure 56: Surprise, 1854-56, printed 1862
Figure 63: Expression of terror, 1854-56, printed 1862. Creators: Duchenne de BoulogneFigure 63: Expression of terror, 1854-56, printed 1862
Figure 34: Grimace, 1854-56, printed 1862. Creators: Duchenne de BoulogneFigure 34: Grimace, 1854-56, printed 1862
Figure 4: The face in repose of a young man, 1854-56, printed 1862
Figure 3: The face of an old man... photographed in repose. 1854-56, printed 1862
Figure 83: Lady Macbeth, ferocious cruelty, 1854-56, printed 1862
Figure 82: Lady Macbeth, strong expression of cruelty, 1854-56, printed 1862
Figure 8: Contraction of the right m. frontalis. 1854-56, printed 1862
Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze. 1854-56, printed 1862
Icono-photographique. Mecanisme de la Physionomie Humaine. Fig. 65, 1854-56, printed 1862
Figure 19: Suffering, 1854-56, printed 1862. Creators: Duchenne de BoulogneFigure 19: Suffering, 1854-56, printed 1862
Figure 48: Mild weeping, pity and feeble false laughter, 1854-56, printed 1862
Figure 25: Not an expression of pain, 1854-56, printed 1862
Faradisation du muscle frontal, 1854-56, printed 1862. Creators: Duchenne de BoulogneFaradisation du muscle frontal, 1854-56, printed 1862
Figure 52: Voluntary retraction of the lower lip, 1854-56, printed 1862
Figure 54: Voluntary lowering of the lower jaw, 1854-56, printed 1862
Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), 1854-56, printed 1862
Figure 22: No painful expression, 1854-56, printed 1862
Figure 49: Painful weeping and forward looking. 1854-56, printed 1862
Figure 18: Aggression, wickedness, 1854-56, printed 1862
Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention. 1854-56, printed 1862
Figure 60: Fright, 1854-56, printed 1862. Creators: Duchenne de BoulogneFigure 60: Fright, 1854-56, printed 1862
Figure 70: Head of the Laocoon of Rome, 1854-56, printed 1862. Creators: Duchenne de Boulogne, Adrien Alban TournachonFigure 70: Head of the Laocoon of Rome, 1854-56, printed 1862
Figure 45: Pain and despair. 1854-56, printed 1862. Creators: Duchenne de BoulogneFigure 45: Pain and despair. 1854-56, printed 1862
Figure 6: The grimace produced is similar to a tic of the face, 1854-56, printed 1862
Figure 75: Nun saying her prayers, 1854-56, printed 1862