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Bottom Collection (page 3)

Background imageBottom Collection: Descent from the Cross, 1600s. Creator: Anonymous

Descent from the Cross, 1600s. Creator: Anonymous
Descent from the Cross, 1600s

Background imageBottom Collection: Assyrian warriors and besieging and destroying a city, in the lower register, capturing prisoners

Assyrian warriors and besieging and destroying a city, in the lower register, capturing prisoners

Background imageBottom Collection: Altarpiece of Saint George. Central panel, the hand of God blesses the Saint protecting him

Altarpiece of Saint George. Central panel, the hand of God blesses the Saint protecting him, at the bottom the princess and the ram by Andreu Marzal de Sax

Background imageBottom Collection: Cockney Sportsmen, London, 1800. Artist: James Gillray

Cockney Sportsmen, London, 1800. Artist: James Gillray
Cockney Sportsmen, London, 1800. View of a young city gent advancing towards the carcass of a horse beset by many crows. His gun which is reversed, goes off peppering the posterior of his fat friend

Background imageBottom Collection: A high wind in St Pauls Churchyard, London, 1793. Artist: SW Fores

A high wind in St Pauls Churchyard, London, 1793. Artist: SW Fores
A high wind in St Pauls Churchyard, London, 1793; showing the effect of high wind on pedestrians in St Pauls Churchyard. Wigs and hats are flying off

Background imageBottom Collection: Sketch for an Al-bum, 1835. Artist: George Cruikshank

Sketch for an Al-bum, 1835. Artist: George Cruikshank
Sketch for an Al-bum, 1835. A high wind is blowing in the same direction as the riders and pedestrians, causing the buttocks of the persons in the picture to be accentuated either by the pressure of

Background imageBottom Collection: Sketch for an Al-bum, 1835

Sketch for an Al-bum, 1835
Sketch for an Al-bum, pub. 1835 (hand coloured engraving)

Background imageBottom Collection: Bottom in scene from William Shakespeares Midsummer Nights Dream, 1898

Bottom in scene from William Shakespeares Midsummer Nights Dream, 1898. Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

Background imageBottom Collection: Shakespeare sacrificed, or the offering to avarice, 1789. Artist: James Gillray

Shakespeare sacrificed, or the offering to avarice, 1789. Artist: James Gillray
Shakespeare sacrificed, or the offering to avarice, 1789. Publisher John Boydell commissioned paintings illustrating subjects from Shakespeares plays

Background imageBottom Collection: Such things are, That such things are we must allow, but such things never were till now, 1787

Such things are, That such things are we must allow, but such things never were till now, 1787. A satire on the unflattering fashions of the day

Background imageBottom Collection: Shepherds, I have lost my waist! Have you seen my body?... 1795. Artist: Richard Newton

Shepherds, I have lost my waist! Have you seen my body?... 1795. Artist: Richard Newton
Shepherds, I have lost my waist! Have you seen my body? Sacrificed to modern taste, I m quite a hoddy doddy!, 1795. A satire on the unflattering fashions of the day

Background imageBottom Collection: Parisian Ladies in their Full Winter Dress for 1800, 1799. Artist: James Gillray

Parisian Ladies in their Full Winter Dress for 1800, 1799. Artist: James Gillray
Parisian Ladies in their Full Winter Dress for 1800, 1799. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Background imageBottom Collection: With a spear our foe is done 1941 Artist: Kukryniksy

With a spear our foe is done 1941 Artist: Kukryniksy
With a spear our foe is done, then we did him with a gun, as before with steel we fought him, so we smash him where we spot him, 1941

Background imageBottom Collection: All will fall, 1799. Artist: Francisco Goya

All will fall, 1799. Artist: Francisco Goya
All will fall, 1799. Plate 19 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageBottom Collection: Yes, he broke the pot, 1799. Artist: Francisco Goya

Yes, he broke the pot, 1799. Artist: Francisco Goya
Yes, he broke the pot, 1799. Plate 25 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression

Background imageBottom Collection: Oscar Asche (1871-1936), Australian-born British actor

Oscar Asche (1871-1936), Australian-born British actor. Asche was a member of Frank Bensons Shakespeare company. He is depicted in costume for the role of Bottom in A Midsummer Nights Dream

Background imageBottom Collection: The Divided Skirt, 20th century. Artist: Francois Lafon

The Divided Skirt, 20th century. Artist: Francois Lafon
The Divided Skirt, 20th century

Background imageBottom Collection: Torso of Aphrodite, 2nd century

Torso of Aphrodite, 2nd century. Roman, after a Greek original of the third quarter of the 4th century BC. Aphrodite was the Greek Goddess of Beauty and Love. Her Roman equivalent was Venus

Background imageBottom Collection: Steels (Bolzenkasten), Probably Made for William IV, Duke of Bavaria German, 1539

Steels (Bolzenkasten), Probably Made for William IV, Duke of Bavaria German, 1539
Box For Crossbow Bolts (Bolzenkasten), Probably Made for William IV, Duke of Bavaria (r. 1508-50), German, Munich, dated 1539



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