Black And Collection (page 22)

Title page with a large wall of a classical ruin, with a figure seated at right pointing to the dedication, from Views (Vedute altre prese da i luoghi altre ideate da Antonio Canal), 1735-46

The Mocking of Ceres: a nocturnal scene with Ceres drinking from a jug of water given to her by Stellio at right, 1633

Plate 1: cross-section of the Hall of the Institute of Bologna, which served as the residence for the Clementine Academy, with fresco paintings by Pellegrino Tibaldi in the vault, 1756

A three-arched portico with an open lantern hanging at center, a triumphal arch and ruins of a classical temple in the background

Plate 7: the blinded Polyphemus, guarding the entrance of his cavern, with Ulysses and his companions escaping below by covering themselves with ram skins, 1756

Imaginary View of Padua, with a campanile and domed church at left, a column surmounted by a statue of a saint at center, and a cottage and water-mill at right in the foreground

Portrait of Sebastiano Fulli, 1634. Creator: Bernardino Capitelli
Portrait of Sebastiano Fulli, 1634

Plate 27: Dona Rodriguez, who is speaking at night with Don Quixote, is surprised by the ladies of the Duchess (La Dame Rodrigue, s entretenant de nuit avec Don Quichotte)

Plate 2: cross-section of the Hall of the Institute of Bologna, 1756

Portrait of Ventura Salimbeni, 1634. Creator: Bernardino Capitelli
Portrait of Ventura Salimbeni, 1634

The Goddess Liberty, from The Songs of Beranger, 1829

Portrait of Arcangelo Salimbeni, 1634. Creator: Bernardino Capitelli
Portrait of Arcangelo Salimbeni, 1634

Roman Alphabet letter T with Louis XIV decoration, 18th century. Creator: Bernard Picart
Roman Alphabet letter T with Louis XIV decoration, 18th century

Plate 22: two nude figures wearing veils, 1756. Creators: Bartolomeo Crivellari
Plate 22: two nude figures wearing veils, 1756

Chemin sous bois aPontoise, 1879. Creator: Camille Pissarro
Chemin sous bois a Pontoise, 1879

Roman Alphabet letter V with Louis XIV decoration, 18th century. Creator: Bernard Picart
Roman Alphabet letter V with Louis XIV decoration, 18th century

Plate 19: figure seen from behind with left hand raised, 1756

Woman at a Well, 1891. Creator: Camille Pissarro
Woman at a Well, 1891

Roman Alphabet letter P with Louis XIV decoration, 18th century. Creator: Bernard Picart
Roman Alphabet letter P with Louis XIV decoration, 18th century

Plate 18: two nude figures wearing veils, seen from behind, 1756

Portrait of Alessandro Casolani, 1634. Creator: Bernardino Capitelli
Portrait of Alessandro Casolani, 1634

Plate 17: two nude figures wearing veils, 1756. Creators: Bartolomeo Crivellari
Plate 17: two nude figures wearing veils, 1756

Roman Alphabet letter I with Louis XIV decoration, 18th century. Creator: Bernard Picart
Roman Alphabet letter I with Louis XIV decoration, 18th century

Plate 20: bearded figure, half clothed, 1756. Creators: Bartolomeo Crivellari
Plate 20: bearded figure, half clothed, 1756

Roman Alphabet letter N with Louis XIV decoration, 18th century. Creator: Bernard Picart
Roman Alphabet letter N with Louis XIV decoration, 18th century

Plate 15: mythological figure wearing a helmet and holding a shield, 1756

Plate 5: view of the ceiling with its ornaments and frescoed paintings, 1756

Plate 16: mythological figure holding a mirror, 1756. Creators: Bartolomeo Crivellari
Plate 16: mythological figure holding a mirror, 1756

Plate 10: Ulysses compelling Circe to restore his companions human shapes, which she had changed into monsters, 1756

Plate 8: Ulysses receiving the winds in a leather bag from Aeolus, 1756

Architecture, 1690. Creator: Benoit Audran I
Architecture, 1690

Allegory of a thesis, two women hold inscribed tablets, 1640

Plate 17: The exchange of the two princesses in Hendaye; allegorical scene with Anne of Austria and Elizabeth of Bourbon standing on a bridge holding hands from Recueil de la Galerie du Luxembourg

St. Gangulphus, 1650. Creator: Cornelis de Visscher
St. Gangulphus, 1650

Venus and Cupid, 1571-1650. Creator: Sadeler
Venus and Cupid, 1571-1650

St. Swithbert, 1650. Creator: Cornelis de Visscher
St. Swithbert, 1650

Plate 6: Saint Josephs dream, with the Virgin Mary at left and an angel above who points to the Holy Spirit, 1777

Moses at left with the Israelites who gather manna as it falls from the sky, two angels above, after Reni, 1776

Vignette for the first chant of Roland Furieux, 18th century. Segue Rinaldo il suo destrier Baiardo Ed Angelica incontra che fuggia

Saint Roch, 1535-73. Creator: Battista del Moro
Saint Roch, 1535-73

Une vente d esclaves, aRichmond (A Slave Auction at Richmond)
Une vente d esclaves, a Richmond (A Slave Auction at Richmond), from " Le Monde Illustre", March 23, 1861

Bust of a woman in profile facing left, set in an elaborate frame with figures in niches, ca. 1540-80. Formerly attributed to Andrea Schiavone

A young man offers his hand to a seated woman, another woman stands between them and a third blows a trumpet behind them, set within an elaborate frame, ca. 1540-80

Figure on horseback holding a sword and riding over a figure lying on the ground, set within an elaborate frame, ca. 1540-80. Formerly attributed to Andrea Schiavone

The Massacre of the Innocents, 1545. Creator: Augustin Hirschvogel
The Massacre of the Innocents, 1545

Violante, 1817-54. Creator: Antonio Viviani
Violante, 1817-54. [Violante, Daughter of Palma Vecchio]

Plate 17: Illustration to Canto XVII, from Torquato Tassos Gerusalemme liberata... ca
Plate 17: Illustration to Canto XVII, from Torquato Tassos Gerusalemme liberata III, ca. 1590-1630

Maximilian I, from Herberstain, Rerum Moscoviticarum Commentarii, 1546

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