Binding Collection

Greek vase painting of Achilles and Patroclus. Artist: Sosias
A Greek vase painting of Achilles and Patroclus, where Achilles is binding the wounds of Patroclus. Currently in the Berlin Greek and Roman Museum

North Native American stone tomahawk. The wooden haft and binding are modern

Wall Panel with yellow orchids, c.1892. Creator: Gerrit Willem Dijsselhof
Wall Panel with yellow orchids, c.1892. Design for a wall panel

Binding department, National Cash Register [Company], Dayton, Ohio, (1902?). Creator: Unknown
Binding department, National Cash Register [Company], Dayton, Ohio, (1902?)

Poets and Immortals after Du Jin ?? (active 1465–1505). Creator: Unknown
Poets and Immortals after Du Jin ?? (active 1465-1505)

Shaker Rug Binding Tapes, c. 1937. Creator: Helen Dana
Shaker Rug Binding Tapes, c. 1937

Binding. Creator: Unknown
Binding

The Blind Girl, 1856. Artist: John Everett Millais
The Blind Girl, 1856. Two beggar girls, the elder one blind and with a concertina rest by a wayside stream after rain. A double rainbow in background. Forget-me-nots bloom at bottom left

Greek Vase, Blinding of Polyphemus, late Archaic period, c530BC-c510BC

Shaker Rug Bindings, 1935 / 1942. Creator: Ingrid Selmer-Larsen
Shaker Rug Bindings, 1935/1942

Friar Pedro Binds El Maragato with a Rope, c. 1806. Creator: Francisco Goya
Friar Pedro Binds El Maragato with a Rope, c. 1806

The Sheaf Binder, 1853. Creator: Jacques-Adrien Lavieille
The Sheaf Binder, 1853

Mildness binding Cupids Wings, probably 18th century. Creator: P. J. Chaillou
Mildness binding Cupids Wings, probably 18th century

Benedictine Antiphonary, ca. 1467-70. Creator: Belbello da Pavia
Benedictine Antiphonary, ca. 1467-70

Book of Hours (Use of Utrecht): fol. 63r, Initial with Holy Trinity, c. 1460-1465. This manuscript is a collaborative effort of two talented illuminators with distinctive styles

Book of Hours (Use of Utrecht): fol. 62v, The Nativity, c. 1460-1465. This manuscript is a collaborative effort of two talented illuminators with distinctive styles

Book of Hours (Use of Utrecht): fol. 175r, Text, c. 1460-1465. This manuscript is a collaborative effort of two talented illuminators with distinctive styles

Book of Hours (Use of Utrecht): fol. 221v, Adoration of the Magi, c. 1460-1465. Creator
Book of Hours (Use of Utrecht): fol. 221v, Adoration of the Magi, c. 1460-1465. This manuscript is a collaborative effort of two talented illuminators with distinctive styles

Book of Hours (Use of Utrecht): fol. 174v, Text, c. 1460-1465. This manuscript is a collaborative effort of two talented illuminators with distinctive styles

Book of Hours (Use of Utrecht): fol. 158r, Text, c. 1460-1465. This manuscript is a collaborative effort of two talented illuminators with distinctive styles

Book of Hours (Use of Utrecht): fol. 157v, Text, c. 1460-1465. This manuscript is a collaborative effort of two talented illuminators with distinctive styles

Book of Hours (Use of Utrecht), c. 1460-1465. Creator: Master of Gijsbrecht van Brederode
Book of Hours (Use of Utrecht), c. 1460-1465. This manuscript is a collaborative effort of two talented illuminators with distinctive styles

Book of Hours (Use of Utrecht): fol. 222r, Initial with Three Kings, c. 1460-1465. This manuscript is a collaborative effort of two talented illuminators with distinctive styles

Book of Hours (Use of Utrecht): fol. 14r, Initial with The Nativity, c. 1460-1465. This manuscript is a collaborative effort of two talented illuminators with distinctive styles

Reaper & Binder Competition, Mount Blowhard, near Ballarat, 1901. Creator: Unknown
Reaper & Binder Competition, Mount Blowhard, near Ballarat, 1901. From " Federated Australia". [The Werner Company, London, 1901]

The Duke of Queensberry and Dover presenting the Act of Union to Queen Anne, 1773. James Douglas, (1662-1711) Scottish nobleman presenting the Acts of Union 1707 to Queen Anne

Cover of La Celestina by Fernando de Rojas, 1883 edition

Different machines and instruments used in the early 20th century for book binding, drawing in the Enciclopedia Ilustrada Segui

Binding room at the White Rose Press, Mexborough, South Yorkshire, 1968. Artist
Binding room at the White Rose Press, Mexborough, South Yorkshire, 1968. Female workers at the White Rose Press in Mexborough, South Yorkshire collate pages prior to sewing in the binding room

Book binding department of the White Rose Press, Mexborough, South Yorkshire, 1968. An employee counting pages before binding

The binding room at a printing company, Mexborough, South Yorkshire, 1959. Artist
The binding room at a printing company, Mexborough, South Yorkshire, 1959. Girls working on a brochure for Selmer Guitars

Producing brochures at the White Rose Press Co, Mexborough, South Yorkshire, 1959. Women working with the guillotines and making up brochures in the binding room of the the White Rose Press Company

The binding room at the White Rose Press printing Co, Mexborough, South Yorkshire, 1959. The White Rose Press Company was responsible for the printing of many publications

Mosaic binding signed by Le Monnier and bearing the monogram of Maria Josepha of Saxony, c1750 (19 Artist: Le Monnier)
Mosaic binding signed by Le Monnier and bearing the monogram of Maria Josepha of Saxony, c1750 (1947). From The Art of the French Book, edited by Andre Lejard. [Paul Elek, London, 1947]

Binding with arms of Henry III, c1585 (1947). From The Art of the French Book, edited by Andre Lejard. [Paul Elek, London, 1947]

Plaque binding (plaque de reliure), champleve enamel on copper, 12th century, (1931). Found in the collection of the Musee de Cluny. A print from the L Illustration, 1931

Bookbinder, 16th century (1849). Artist: Jost Amman
Bookbinder, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

The Martyrdom of St Sebastian, 16th century. Artist: Gregorio Lopez
The Martyrdom of St Sebastian, 16th century. Sebastian was born in Gaul and was a member of the Emperor Diocletians Praetorian Guard. As a Christian he was sentenced to be executed by archers

Crop rotation: harvesting corn, 1855. Reaping with a scythe, binding and stooking. Crop rotation is the practice of growing different crops alternately on the same patch of ground over a cycle of

Reaping with sickles and binding the sheaves, England, c1800

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