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Besant Collection

Background imageBesant Collection: Holy Trinity Church, Clapham, c1812, (1912)

Holy Trinity Church, Clapham, c1812, (1912). Holy Trinity Church, Clapham completed in 1775. From London - South of the Thames, by Sir Walter Besant. [Adam & Charles Black, London, 1912]

Background imageBesant Collection: Beer Street, 1751, (1925). Creator: William Hogarth

Beer Street, 1751, (1925). Creator: William Hogarth
Beer Street, 1751, (1925). Issued in 1751 by English artist William Hogarth. From " London in the Eighteenth Century", by Sir Walter Besant. [A. & C. Black, Ltd. London, 1925]

Background imageBesant Collection: A Country Inn Yard, 1747, (1925). Creator: William Hogarth

A Country Inn Yard, 1747, (1925). Creator: William Hogarth
A Country Inn Yard, 1747, (1925). Published soon after the 1747 election. The composition renders the Election marginal, suggesting the English are too preoccupied with their own day-to-day

Background imageBesant Collection: Gambling at Whites Club, 1734, (1925). Creator: William Radclyffe

Gambling at Whites Club, 1734, (1925). Creator: William Radclyffe
Gambling at Whites Club, 1734, (1925). Plate VI, the gaming house scene from Hogarths The Rakes Progress, engraved by W.Radclyffe

Background imageBesant Collection: Sport in the Eighteenth Century, c1720-1764, (1925). Creator: William Hogarth

Sport in the Eighteenth Century, c1720-1764, (1925). Creator: William Hogarth
Sport in the Eighteenth Century, c1720-1764, (1925). Wagerning bets on a Pocklington cockfight. From " London in the Eighteenth Century", by Sir Walter Besant. [A. & C. Black, Ltd

Background imageBesant Collection: Treatment of the Insane, 1733, (1925). Creator: William Hogarth

Treatment of the Insane, 1733, (1925). Creator: William Hogarth
Treatment of the Insane, 1733, (1925). " Bedlam" Bedlam from A Rakes Progress 1733 - engraving by William Hogarth (1697-1764)

Background imageBesant Collection: St. Jamess Street, 18th century, (1925). Creator: Unknown

St. Jamess Street, 18th century, (1925). Creator: Unknown
St. Jamess Street, 18th century, (1925). Engraving after Plate 4 of William Hogarths A Rakes Progress of 1735, Arrested for Debt

Background imageBesant Collection: Newgate, Inner Court, 18th century, (1925). Creator: Unknown

Newgate, Inner Court, 18th century, (1925). Creator: Unknown
Newgate, Inner Court, 18th century, (1925). The notorious Newgate Prison in London. From " London in the Eighteenth Century", by Sir Walter Besant. [A. & C. Black, Ltd. London, 1925]

Background imageBesant Collection: Jonathan Wilds House, 1813, (1925). Creator: Unknown

Jonathan Wilds House, 1813, (1925). Creator: Unknown
Jonathan Wilds House, 1813, (1925). View of the house which was once the residence of extortionist Jonathan Wild (1682-1725), in Old Bailey, London

Background imageBesant Collection: British Museum, c1753-1810, (1925). Creator: Unknown

British Museum, c1753-1810, (1925). Creator: Unknown
British Museum, c1753-1810, (1925). Montagu House in Bloomsbury site of the British museum with exhibits widely sourced during the era of the British Empire

Background imageBesant Collection: Frost Fair on the Thames, 1825, (1925). Creator: James Stow

Frost Fair on the Thames, 1825, (1925). Creator: James Stow
Frost Fair on the Thames, 1825, (1925). View of the Fair on the River Thames, During the Great Frost 1683-4 from an Original Drawing by Wyke, engraved by James Stow (c. 1770-1820)

Background imageBesant Collection: Flogging at the Old Bailey, 1809, (1925). Creator: Unknown

Flogging at the Old Bailey, 1809, (1925). Creator: Unknown
Flogging at the Old Bailey, 1809, (1925). From " London in the Eighteenth Century", by Sir Walter Besant. [A. & C. Black, Ltd. London, 1925]

Background imageBesant Collection: Meuxs Brewhouse (built about 1796), 1808, (1925). Creator: Unknown

Meuxs Brewhouse (built about 1796), 1808, (1925). Creator: Unknown
Meuxs Brewhouse (built about 1796), 1808, (1925). Brewery in Liquor-pond Street, Clerkenwell, London. From " London in the Eighteenth Century", by Sir Walter Besant. [A. & C. Black, Ltd

Background imageBesant Collection: Interior of a Weavers Workshop, 1747, (1925). Creator: William Hogarth

Interior of a Weavers Workshop, 1747, (1925). Creator: William Hogarth
Interior of a Weavers Workshop, 1747, (1925). Plate 8 of 12 plot-linked engravings created by William Hogarth in 1747 for series Industry and Idleness. Plate 1 The Fellow Prentices at their Looms

Background imageBesant Collection: Piazza in Covent Garden, 18th century, (1925). Creator: Unknown

Piazza in Covent Garden, 18th century, (1925). Creator: Unknown
Piazza in Covent Garden, 18th century, (1925). View of St Pauls Church, Covent Garden, Westminster, London, designed by Inigo Jones and completed in 1633

Background imageBesant Collection: Hackney-Coach, 1787, (1925). Creator: Unknown

Hackney-Coach, 1787, (1925). Creator: Unknown
Hackney-Coach, 1787, (1925). From " London in the Eighteenth Century", by Sir Walter Besant. [A. & C. Black, Ltd. London, 1925]

Background imageBesant Collection: Old St. Pancras Churchyard, c1780, (1925). Creator: Unknown

Old St. Pancras Churchyard, c1780, (1925). Creator: Unknown
Old St. Pancras Churchyard, c1780, (1925). St Pancras Old Church in central London, parts of which date back to the Norman period. Engraving published in " The New British Traveller

Background imageBesant Collection: Lord Mayor Beckford, (1709-1770), c1771, (1925). Creator: Unknown

Lord Mayor Beckford, (1709-1770), c1771, (1925). Creator: Unknown
Lord Mayor Beckford, (1709-1770), c1771, (1925). Political figure in 18th-century London, who twice held the office of Lord Mayor of London (1762 and 1769)

Background imageBesant Collection: The South Sea Bubble, 1720, (1925). Creator: Unknown

The South Sea Bubble, 1720, (1925). Creator: Unknown
The South Sea Bubble, 1925. From " London in the Eighteenth Century", by Sir Walter Besant. [A. & C. Black, Ltd. London, 1925]

Background imageBesant Collection: On The Road To Tyburn, 1747, (1925). Creator: William Hogarth

On The Road To Tyburn, 1747, (1925). Creator: William Hogarth
On The Road To Tyburn, 1747, (1925). The Idle Prentice Executed at Tyburn Plate 11 from Industry and Idleness - 12 plot-linked engravings created by William Hogarth, 1747

Background imageBesant Collection: Humphreys and Mendoza, 1790, (1925). Creator: Charles Reuben Ryley

Humphreys and Mendoza, 1790, (1925). Creator: Charles Reuben Ryley
Humphreys and Mendoza, 1790, (1925). From " London in the Eighteenth Century", by Sir Walter Besant. [A. & C. Black, Ltd. London, 1925]

Background imageBesant Collection: Leadenhall Street, 18th century, (1925). Creator: Unknown

Leadenhall Street, 18th century, (1925). Creator: Unknown
Leadenhall Street, 18th century, (1925). Situated in the City of London, the historic nucleus of modern London as well its primary financial district

Background imageBesant Collection: Covent Garden at Mid-Day, 1738, (1925). Creator: William Hogarth

Covent Garden at Mid-Day, 1738, (1925). Creator: William Hogarth
Covent Garden at Mid-Day, 1738, (1925). William Hogarths Noon (Four Times of The Day) sets the lives of the English working classes against the aristocracy

Background imageBesant Collection: East India House, c1730-1800, (1925). Creator: Unknown

East India House, c1730-1800, (1925). Creator: Unknown
East India House, 18th century, (1925). Building designed by merchant and amateur architect Theodore Jacobsen. The professional architect on site was John James

Background imageBesant Collection: City Feast, 1747, (1925). Creator: William Hogarth

City Feast, 1747, (1925). Creator: William Hogarth
City Feast, 1747, (1925). Plate 8 of 12 plot-linked engravings created by William Hogarth in 1747 for series Industry and Idleness. The Industrious Prentice grown rich, & Sheriff of London

Background imageBesant Collection: The Foundling Hospital, c1753, (1925). Creator: Unknown

The Foundling Hospital, c1753, (1925). Creator: Unknown
The Foundling Hospital, c1753, (1925). Founded in 1739 by the philanthropic sea captain Thomas Coram. It was a childrens home established for the education and maintenance of exposed

Background imageBesant Collection: St. Johns Gate, Clerkenwell, 1813, (1925). Creator: Unknown

St. Johns Gate, Clerkenwell, 1813, (1925). Creator: Unknown
St. Johns Gate, Clerkenwell, 1813, (1925). The gate was built in 1504 by Thomas Docwra, prior of the Priory of the Knights of Saint John. It served as the south entrance to the inner precinct

Background imageBesant Collection: Old Bell Inn, Holborn, 18th century, (1925). Creator: CH Walker

Old Bell Inn, Holborn, 18th century, (1925). Creator: CH Walker
Old Bell Inn, Holborn, 18th century, (1925). Courtyard of an inn in central London. From " London in the Eighteenth Century", by Sir Walter Besant. [A. & C. Black, Ltd. London, 1925]

Background imageBesant Collection: Cheapside on Lord Mayors Day, 1761, (1925). Creator: Unknown

Cheapside on Lord Mayors Day, 1761, (1925). Creator: Unknown
Cheapside on Lord Mayors Day, 1761, 1925. Procession of Sir Samuel Fludyer, with George III watching from balcony. From " London in the Eighteenth Century", by Sir Walter Besant. [A. & C

Background imageBesant Collection: Gateway of St. Saviours, Bermondsey, 1794, (1925). Creator: Unknown

Gateway of St. Saviours, Bermondsey, 1794, (1925). Creator: Unknown
Gateway of St. Saviour s, Bermondsey, 1794, (1925). View of King Johns Gate in the Abbey of St Saviour, Bermondsey, London. From " London in the Eighteenth Century", by Sir Walter Besant

Background imageBesant Collection: Fragment of London Wall at St. Giles, Cripplegate, 1812, (1925). Creator: John Thomas Smith

Fragment of London Wall at St. Giles, Cripplegate, 1812, (1925). Creator: John Thomas Smith
Fragment of London Wall at St. Giles, Cripplegate, 1812, (1925). Depiction of the wall as it stood in the churchyard of St Giles without Cripplegate in 1793

Background imageBesant Collection: Bank of England, c1781, (1925). Creator: Hare

Bank of England, c1781, (1925). Creator: Hare
Bank of England, c1781, (1925). View of the Bank of England in the City of London, and the churches of St Christopher-le-Stocks and St Bartholomew-by-the-Exchange

Background imageBesant Collection: Kings Mews, c1750, (1925). Creator: Unknown

Kings Mews, c1750, (1925). Creator: Unknown
Kings Mews, c1750, (1925). Part of the Kings Mews with the church of St Martin-in-the-Fields, Westminster, London. From " London in the Eighteenth Century", by Sir Walter Besant. [A. & C

Background imageBesant Collection: King Edward the Confessors Palace at Borstal (Brill), 1908

King Edward the Confessors Palace at Borstal (Brill), 1908. From Early London - Prehistoric, Roman, Saxon and Norman, by Sir Walter Besant. [Adam & Charles Black, London, 1908]

Background imageBesant Collection: Incidents in Venners Rising and the execution of the rebel leaders, 1661 (1903)

Incidents in Venners Rising and the execution of the rebel leaders, 1661 (1903). Thomas Venner (d1661) was a rebel who became the the last leader of the Fifth Monarchy Men

Background imageBesant Collection: Skin Market, Leadenhall, City of London, 1825 (1911). Artist: Thomas Dale

Skin Market, Leadenhall, City of London, 1825 (1911). Artist: Thomas Dale
Skin Market, Leadenhall, City of London, 1825 (1911). From London - The City, by Sir Walter Besant. [Adam & Charles Black, London, 1911]

Background imageBesant Collection: A map of Fulham in 1813 (1911)

A map of Fulham in 1813 (1911). From London - North of the Thames, by Sir Walter Besant. [Adam & Charles Black, London, 1911]

Background imageBesant Collection: The Causeway, Wandsworth, Showing the Pound, c1895, (1912)

The Causeway, Wandsworth, Showing the Pound, c1895, (1912). The causeway, connected the village square at the end of Wandsworth plain to the Thameside warehouses and strip fields

Background imageBesant Collection: Norman London, 1908

Norman London, 1908. From Early London - Prehistoric, Roman, Saxon and Norman, by Sir Walter Besant. [Adam & Charles Black, London, 1908]

Background imageBesant Collection: Gregory the Great, St. Benedict, and St. Cuthbert, 1908

Gregory the Great, St. Benedict, and St. Cuthbert, 1908. From Early London - Prehistoric, Roman, Saxon and Norman, by Sir Walter Besant. [Adam & Charles Black, London, 1908]

Background imageBesant Collection: Roman London, 1908

Roman London, 1908. From Early London - Prehistoric, Roman, Saxon and Norman, by Sir Walter Besant. [Adam & Charles Black, London, 1908]

Background imageBesant Collection: The Marshes of Early London, 1908

The Marshes of Early London, 1908. From Early London - Prehistoric, Roman, Saxon and Norman, by Sir Walter Besant. [Adam & Charles Black, London, 1908]

Background imageBesant Collection: The White Tower, 1908

The White Tower, 1908. From Early London - Prehistoric, Roman, Saxon and Norman, by Sir Walter Besant. [Adam & Charles Black, London, 1908]

Background imageBesant Collection: St. Johns Chapel, Tower of London, Norman Architecture, 1908

St. Johns Chapel, Tower of London, Norman Architecture, 1908. From Early London - Prehistoric, Roman, Saxon and Norman, by Sir Walter Besant. [Adam & Charles Black, London, 1908]

Background imageBesant Collection: Norman Soldiers, 1908

Norman Soldiers, 1908. From Early London - Prehistoric, Roman, Saxon and Norman, by Sir Walter Besant. [Adam & Charles Black, London, 1908]

Background imageBesant Collection: Anglo-Saxon Warriors Approaching a Fort, 1908

Anglo-Saxon Warriors Approaching a Fort, 1908. From Early London - Prehistoric, Roman, Saxon and Norman, by Sir Walter Besant. [Adam & Charles Black, London, 1908]

Background imageBesant Collection: The Temple Church, 1908

The Temple Church, 1908. From Early London - Prehistoric, Roman, Saxon and Norman, by Sir Walter Besant. [Adam & Charles Black, London, 1908]

Background imageBesant Collection: Norman Arch in the Cloisters, Westminster Abbey, 1908

Norman Arch in the Cloisters, Westminster Abbey, 1908. From Early London - Prehistoric, Roman, Saxon and Norman, by Sir Walter Besant. [Adam & Charles Black, London, 1908]

Background imageBesant Collection: The Situation of Westminster, 1908

The Situation of Westminster, 1908. From Early London - Prehistoric, Roman, Saxon and Norman, by Sir Walter Besant. [Adam & Charles Black, London, 1908]

Background imageBesant Collection: Roman Remains Found In A Bastion of London Wall, 1908

Roman Remains Found In A Bastion of London Wall, 1908. From Early London - Prehistoric, Roman, Saxon and Norman, by Sir Walter Besant. [Adam & Charles Black, London, 1908]

Background imageBesant Collection: Tomb of Valerius Amandinus (A Roman General), 1908

Tomb of Valerius Amandinus (A Roman General), 1908. From Early London - Prehistoric, Roman, Saxon and Norman, by Sir Walter Besant. [Adam & Charles Black, London, 1908]

Background imageBesant Collection: Geological Map of the Site of London, 1908

Geological Map of the Site of London, 1908. From Early London - Prehistoric, Roman, Saxon and Norman, by Sir Walter Besant. [Adam & Charles Black, London, 1908]

Background imageBesant Collection: Dr Johnsons House, City of London, c1900 (1911). Artist: Pictorial Agency

Dr Johnsons House, City of London, c1900 (1911). Artist: Pictorial Agency
Dr Johnsons House, City of London, c1900 (1911). Dr Johnsons House is a house museum in London, in the former home of the 18th century English writer Samuel Johnson (1709-1784)

Background imageBesant Collection: Mrs. Annie Besant, c1910, (1912). Artist: Frank Arthur Swaine

Mrs. Annie Besant, c1910, (1912). Artist: Frank Arthur Swaine
Mrs. Annie Besant, c1900, (1912). Annie Besant (1847-1933) a prominent British socialist, theosophist, womens rights activist, writer, orator and supporter of Irish and Indian self-rule

Background imageBesant Collection: London Bridge, City of London, 1911. Artist: Pictorial Agency

London Bridge, City of London, 1911. Artist: Pictorial Agency
London Bridge, City of London, 1911. In 1799, a competition for designs to replace the existing London Bridge was held. John Rennie (1761-1821)

Background imageBesant Collection: Plan of London and Westminster, 1749 (1903)

Plan of London and Westminster, 1749 (1903). A plan of London published in The Gentlemans Magazine in June 1749 showing the 1643 defences for the Civil War

Background imageBesant Collection: Martyrs at Smithfield, London, c1600 (1904)

Martyrs at Smithfield, London, c1600 (1904)
Martyrs at Smithfield, c1600, (1904). From London in the Time of Tudors, by Sir Walter Besant. [Adam & Charles Black, London, 1904]. (Colorised black and white print)

Background imageBesant Collection: Old Pye Street and the Ragged School, c1897. Artist: William Patten

Old Pye Street and the Ragged School, c1897. Artist: William Patten
Old Pye Street and the Ragged School, c1897. Ragged schools were charitable organisations dedicated to the free education of destitute children in 19th-century Britain

Background imageBesant Collection: Miltons House in Petty France, c1897. Artist: William Patten

Miltons House in Petty France, c1897. Artist: William Patten
Miltons House in Petty France, c1897. The home of John Milton (1608-1674), English poet, at No. 19 York Street. Miltons most famous work is his epic Paradise Lost, first published in 1667

Background imageBesant Collection: The Entrance to Speakers Ward as it appeared before the fire, c1897. Artist: William Patten

The Entrance to Speakers Ward as it appeared before the fire, c1897. Artist: William Patten
The Entrance to Speakers Yard, from New Palace Yard, as it appeared before the fire, c1897. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

Background imageBesant Collection: The House of Commons at the Beginning of the Century, c1897. Artist: William Patten

The House of Commons at the Beginning of the Century, c1897. Artist: William Patten
The House of Commons at the Beginning of the Century, c1897. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

Background imageBesant Collection: The House of Lords at the Beginning of the Century, c1897. Artist: William Patten

The House of Lords at the Beginning of the Century, c1897. Artist: William Patten
The House of Lords at the Beginning of the Century, c1897. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

Background imageBesant Collection: A Reduced Copy of Fishers Ground Plan of the Royal Palace of Whitehall

A Reduced Copy of Fishers Ground Plan of the Royal Palace of Whitehall, Taken in the Reign of Char Artist
A Reduced Copy of Fishers Ground Plan of the Royal Palace of Whitehall, Taken in the Reign of Charles II. 1680, c1897. Copied from a survey of 1680 by John Fisher. From Westminster, by Walter Besant

Background imageBesant Collection: The Water Gate, New Palace Yard, c1897. Artist: William Patten

The Water Gate, New Palace Yard, c1897. Artist: William Patten
The Water Gate, New Palace Yard, c1897. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

Background imageBesant Collection: The Waterside Elevation of Inigo Jones Proposed Palace, c1897. Artist: William Patten

The Waterside Elevation of Inigo Jones Proposed Palace, c1897. Artist: William Patten
The Waterside Elevation of Inigo Jones Proposed Palace, c1897. The Palace of Whitehall (or Palace of White Hall) was the main residence of the English monarchs in London from 1530 until 1698 when

Background imageBesant Collection: Facsimile of the Game and Playe of the Chesse, c1470

Facsimile of the Game and Playe of the Chesse, c1470. The Rook - An illustration from the Game and Playe of the Chesse: Book Two by William Caxton

Background imageBesant Collection: Broken Cross Within The Abbey Precincts, c1897. Artist: William Patten

Broken Cross Within The Abbey Precincts, c1897. Artist: William Patten
Broken Cross Within The Abbey Precincts, c1897. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

Background imageBesant Collection: The Boars Head Inn, King Street, c1897. Artist: William Patten

The Boars Head Inn, King Street, c1897. Artist: William Patten
The Boars Head Inn, King Street, c1897. The rebuilt Blue Boars Head at 34, Kings Street, Westminster. It was demolished, along with what was left of King Street, in 1899

Background imageBesant Collection: The King Street Gate, Westminster, Demolished 1723, c1897. Artist: William Patten

The King Street Gate, Westminster, Demolished 1723, c1897. Artist: William Patten
The King Street Gate, Westminster, Demolished 1723, c1897. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

Background imageBesant Collection: The Westminster Schoolroom, Formerly The Abbots Dormitory, c1897. Artist: William Patten

The Westminster Schoolroom, Formerly The Abbots Dormitory, c1897. Artist: William Patten
The Westminster Schoolroom, Formerly The Abbots Dormitory, c1897. The Great Hall of Westminster School. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

Background imageBesant Collection: Monk of the Order of St. Benedict, c1897. Artist: William Patten

Monk of the Order of St. Benedict, c1897. Artist: William Patten
Monk of the Order of St. Benedict, c1897. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

Background imageBesant Collection: Jerusalem Chamber. Abbots Residence, Westminster, c1897. Artist: William Patten

Jerusalem Chamber. Abbots Residence, Westminster, c1897. Artist: William Patten
Jerusalem Chamber. Abbots Residence, Westminster, c1897. Historic room in the Abbey where sections of the Authorised Version of the Bible were translated

Background imageBesant Collection: Door to the Chapel of Edward The Confessor; Now Pyx Office, c1897. Artist: William Patten

Door to the Chapel of Edward The Confessor; Now Pyx Office, c1897. Artist: William Patten
Door to the Chapel of Edward The Confessor; Now Pyx Office, c1897. The Pyx Office of Westminster Abbey. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

Background imageBesant Collection: Entrance to Chapter House, c1897. Artist: William Patten

Entrance to Chapter House, c1897. Artist: William Patten
Entrance to Chapter House, c1897. The entrance to the Chapter House of Westminster Abbey. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

Background imageBesant Collection: Plan of the Benedictine Abbey of Westminster, c1897. Artist: William Patten

Plan of the Benedictine Abbey of Westminster, c1897. Artist: William Patten
Plan of the Benedictine Abbey of Westminster, c1897. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

Background imageBesant Collection: The Star Chamber. Demolished in 1834, c1897. Artist: William Patten

The Star Chamber. Demolished in 1834, c1897. Artist: William Patten
The Star Chamber. Demolished in 1834, c1897. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

Background imageBesant Collection: East Front of St. Stephens Chapel as it appeared after the fire of 1834, c1897

East Front of St. Stephens Chapel as it appeared after the fire of 1834, c1897. Artist: William Patten
East Front of St. Stephens Chapel as it appeared after the fire of 1834, c1897. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

Background imageBesant Collection: Interior of the Crypt Called the Powder Plot Cellar beneath the Old Palace of Westminster

Interior of the Crypt Called the Powder Plot Cellar beneath the Old Palace of Westminster, c1883 Artist: William Patten
Interior of the Crypt Called the Powder Plot Cellar beneath the Old Palace of Westminster, c1883. The cellar was destroyed in the fire of 1834 that devastated the mediaeval Houses of Parliament

Background imageBesant Collection: The Monument, City of London, c1755 (1903). Artist: Thomas Bowles

The Monument, City of London, c1755 (1903). Artist: Thomas Bowles
The Monument, City of London, c1755 (1903). The Monument comprises a fluted Doric column built of Portland stone topped with a gilded urn of fire

Background imageBesant Collection: A perspective view of the Bank of England, 1743 (1903). Artist: Robert West

A perspective view of the Bank of England, 1743 (1903). Artist: Robert West
A perspective view of the Bank of England, 1743 (1903). From London in the Time of the Stuarts, by Sir Walter Besant. [Adam & Charles Black, London, 1903]

Background imageBesant Collection: Charles II touching a patient for the Kings evil, c1680 (1903)

Charles II touching a patient for the Kings evil, c1680 (1903). Artist: Frederick-Hendrik van den Hove
Charles II touching a patient for the Kings evil, c1680 (1903).The royal touch was a form of laying on of hands, whereby French and English monarchs would touch their subjects

Background imageBesant Collection: The execution of the Duke of Monmouth, Tower Hill, London, 15 July 1685 (1903)

The execution of the Duke of Monmouth, Tower Hill, London, 15 July 1685 (1903). James Scott, 1st Duke of Monmouth (1649-1685), an illegitimate son of Charles II (1630-1685)

Background imageBesant Collection: The Coronation of James II in Westminster Abbey, London, 1685 (1903). Artist: William Sherwin

The Coronation of James II in Westminster Abbey, London, 1685 (1903). Artist: William Sherwin
The Coronation of James II in Westminster Abbey, London, 1685 (1903). The coronation of James II (1633-1701) and his Queen Mary of Modena (1658-1718) took place on 23 April 1685

Background imageBesant Collection: The execution of the Earl of Strafford on Tower Hill, London, 12 May 1641 (1903)

The execution of the Earl of Strafford on Tower Hill, London, 12 May 1641 (1903). Thomas Wentworth, 1st Earl of Strafford (1593-1641) was Lord Deputy of Ireland from 1632 until 1639



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