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Officer, 2nd Regiment Life Guards (Waterloo Period), 1812-1815 (1909). Artist: Joseph Constantine StadlerOfficer, 2nd Regiment Life Guards (Waterloo Period), 1812-1815 (1909). After Charles Hamilton Smith (1776-1859). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]
Battle of Nivelle, November 10, 1813, 1815 (1909). Artist: Thomas SutherlandBattle of Nivelle, November 10, 1813, 1815 (1909). After William Heath (1794-1840). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]
The Battle of Waterloo, June 18, 1815, 1817 (1909). Artist: Richard Gibson ReeveThe Battle of Waterloo, June 18, 1815, 1817 (1909). After William Heath (1794-1840). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]
Tournai, c1820 (1915). Artist: Samuel ProutTournai, c1820 (1915). From Sketches by Samuel Prout, edited by Charles Holme. [The Studio Ltd, London, Paris, New York, 1915]
Liege, c1820 (1915). Artist: Samuel ProutLiege, c1820 (1915). From Sketches by Samuel Prout, edited by Charles Holme. [The Studio Ltd, London, Paris, New York, 1915]
Malines, c1820 (1915). Artist: Samuel ProutMalines, c1820 (1915). St. Rumbolds Gothic Cathedral, the Belgian metropolitan archiepiscopal cathedral in Mechelen. From Sketches by Samuel Prout, edited by Charles Holme
Louvain, c1820 (1915). Artist: Samuel ProutLouvain, c1820 (1915). From Sketches by Samuel Prout, edited by Charles Holme. [The Studio Ltd, London, Paris, New York, 1915]
Ghent, c1820 (1915). Artist: Samuel ProutGhent, c1820 (1915). From Sketches by Samuel Prout, edited by Charles Holme. [The Studio Ltd, London, Paris, New York, 1915]
Bruges, c1820 (1915). Artist: Samuel ProutBruges, c1820 (1915). From Sketches by Samuel Prout, edited by Charles Holme. [The Studio Ltd, London, Paris, New York, 1915]
Brussels, c1820 (1915). Artist: Samuel ProutBrussels, c1820 (1915). From Sketches by Samuel Prout, edited by Charles Holme. [The Studio Ltd, London, Paris, New York, 1915]
Antwerp, c1820 (1915). Artist: Samuel ProutAntwerp, c1820 (1915). From Sketches by Samuel Prout, edited by Charles Holme. [The Studio Ltd, London, Paris, New York, 1915]
End of the Tournament at Bruges, March 11, 1392, c15th century, (1937). Artist: Emile- Aurele Van MoeEnd of the Tournament at Bruges, March 11, 1392, c15th century, (1937). From Verve - Vol.1, No. 1, December 1937. [Verve, France, 1937]
View in Ghent, c1820 (1915). Artist: Samuel ProutView in Ghent, c1820 (1915). From Sketches by Samuel Prout, edited by Charles Holme. [The Studio Ltd, London, Paris, New York, 1915]
Ligy, garden suburb for working people, built at Ypres, Belgium, by the ORD, 1926. From The Architectural Forum Volume XLIV [Rogers and Manson, New York, 1926]
Spa, 1850. Artist: Shury & SonSpa, 1850. From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]
Namur, 1850. Artist: Shury & SonNamur, 1850. From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]
Namur. On the Sambre, 1850. Artist: R BriceNamur. On the Sambre, 1850. After George Shepherd (1784?1862). From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]
Theux, 1850. Artist: Shury & SonTheux, 1850. From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]
Marechale Gate, c1910. From Bruges. [Ern. THILL, Bruxelles]
Quay of the Menetriers, c1910. From Bruges. [Ern. THILL, Bruxelles]
Blind Donkey Street, c1910. From Bruges. [Ern. THILL, Bruxelles]
Beguins Convent, c1910. From Bruges. [Ern. THILL, Bruxelles]
Pictons Division Off To The Front, 1902. Artist: William Barnes WollenPictons Division Off To The Front, 1902. Lieutenant-General Sir Thomas Picton GCB (1758-1815) Division off to fight at the Battle of Waterloo. From Battles of the Nineteenth Century, Vol. I
Ostend, 1838. From A Display of the Naval Flags of All Nations. Collected from the Best Authorities. [Fisher, Son, & Co. London, 1838]
St. Martins Church, Liege, 1850. Artist: R BriceSt. Martins Church, Liege, 1850. From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]
Cathedral, Brussels, 1850. Artist: Shury & SonCathedral, Brussels, 1850. From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]
Brussels, near the Porte D Anderlecht, 1850. Artist: Shury & SonBrussels, near the Porte D Anderlecht, 1850. From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]
Town Hall, Brussels, 1850. Artist: Shury & SonTown Hall, Brussels, 1850. After George Shepherd (1784-1862). From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]
Brussels Gate, Mechlen, 1850. Artist: Shury & SonBrussels Gate, Mechlen, 1850. From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]
Town Hall, Antwerp, 1850. Artist: Shury & SonTown Hall, Antwerp, 1850. From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]
Verviers, 1850. Artist: H BondVerviers, 1850. From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]
Waterloo, 1850. Artist: Shury & SonWaterloo, 1850. From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]
Cathedral, Liege, 1850. Artist: Shury & SonCathedral, Liege, 1850. After George Shepherd (1784?1862). From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]
Place Royale Brussels, 1850. Artist: Archelaus CrusePlace Royale Brussels, 1850. From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]
House of Representatives, Brussels, 1850. Artist: William OwenHouse of Representatives, Brussels, 1850. From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]
View near Liege, 1850. From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]
Prince of Oranges Palace, Brussels, 1850. Artist: Shury & SonPrince of Oranges Palace, Brussels, 1850. From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]
Liege, 1850. Artist: Archelaus CruseLiege, 1850. From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]
Boulevard Et Porte De Laeken. Brussels, 1850. Artist: Archelaus CruseBoulevard Et Porte De Laeken. Brussels, 1850. From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]
Liege, 1850. Artist: R BriceLiege, 1850. From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]
The Park in Brussels, 1850. Artist: H BondThe Park in Brussels, 1850. From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]
View near Huy, 1850. Artist: Shury & SonView near Huy, 1850. From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]
Huy, 1850. Artist: Shury & SonHuy, 1850. From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]
View near Theux, 1850. Artist: Shury & SonView near Theux, 1850. From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]
Historic Entry into Brussels, 1918 (1937). The future King George VI (1895-1952) and Queen Elizabeth (1900-2002) with King Albert I of the Belgians (1875-1934) on 22 November 1918
British troops hold out in Louvain as refugees leave the city, 1940, (1940). 15th May 1940, British Expeditionary Forces evacuated Louvain, Belgium. British Official Photograph
Allies Go To Belgiums Aid, 1940, (1940). The arrival of British troops in Belgium, 10th May 1940. From The War in Pictures. [Odhams Press Limited, London, 1940]
The battered remains of Ypres after the last shell had done its worst, showing the ruins of the famous cloth hall, c1917, (1935)