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Assumption of the Virgin with Saint John the Baptist and Saint Catherine of Alexandria, c. 1516. Found in the collection of the Museo di Capodimonte, Naples
The Lamentation of Christ, 1841. Creator: Franz Anton Erich Moritz SteinlaThe Lamentation of Christ, 1841. After Fra Bartolomeo
Bergami Pears, or Choice Fruit, October 1820. Creator: UnknownBergami Pears, or Choice Fruit, October 1820. Caricature referring to Queen Caroline and Bertolommeo Bergami, her courier
Saint Paul of Thebes tempted by a demon, after Magnasco, ca. 1720-30
A group of elegantly dressed people playing the harp and a guitar, 1740-68
Plate 6: Ulysses driving a burning stake into Polyphemus eye, 1756
A group of elegantly dressed people playing cards, 1740-68
Plate 1: cross-section of the Hall of the Institute of Bologna, which served as the residence for the Clementine Academy, with fresco paintings by Pellegrino Tibaldi in the vault, 1756
Plate 7: the blinded Polyphemus, guarding the entrance of his cavern, with Ulysses and his companions escaping below by covering themselves with ram skins, 1756
Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his ship... 1756Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his shipwreck, 1756
Plate 2: cross-section of the Hall of the Institute of Bologna, 1756
Plate 26: Ulysses escaping on a raft with the aid of the sea deity Leucothea, 1756
Plate 24: Ulysses's companions stealing the oxen sacred to Apollo, 1756
Plate 22: two nude figures wearing veils, 1756. Creators: Bartolomeo CrivellariPlate 22: two nude figures wearing veils, 1756
Plate 19: figure seen from behind with left hand raised, 1756
Plate 18: two nude figures wearing veils, seen from behind, 1756
Plate 17: two nude figures wearing veils, 1756. Creators: Bartolomeo CrivellariPlate 17: two nude figures wearing veils, 1756
Plate 20: bearded figure, half clothed, 1756. Creators: Bartolomeo CrivellariPlate 20: bearded figure, half clothed, 1756
Plate 15: mythological figure wearing a helmet and holding a shield, 1756
Plate 5: view of the ceiling with its ornaments and frescoed paintings, 1756
Plate 16: mythological figure holding a mirror, 1756. Creators: Bartolomeo CrivellariPlate 16: mythological figure holding a mirror, 1756
Plate 10: Ulysses compelling Circe to restore his companions human shapes, which she had changed into monsters, 1756
Plate 8: Ulysses receiving the winds in a leather bag from Aeolus, 1756
Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at l... 1756Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left, 1756
Three bearded men, one wearing fur, 1756. Creators: Bartolomeo Crivellari, Gabriel SoderlingThree bearded men, one wearing fur, 1756
A standing man in a niche reaching forward with one arm, 1756. Creators: Bartolomeo Crivellari, Gabriel SoderlingA standing man in a niche reaching forward with one arm, 1756
Plate 40: the division of the elect from the reprobate, 1756. Creators: Bartolomeo Crivellari, Gabriel SoderlingPlate 40: the division of the elect from the reprobate, 1756
Minerva assisting Prometheus as he attempts to scale the heavens, 1756. Creators: Bartolomeo CrivellariMinerva assisting Prometheus as he attempts to scale the heavens, 1756
Plate 41: Saint John the Baptist preaching to a large crowd and baptizing children, 1756
Allegory of a thesis, two women hold inscribed tablets, 1640
A sleeping cupid, 1630-45. Creator: Bartolomeo CoriolanoA sleeping cupid, 1630-45
Design for a Lavish Headdress with Feathers, ca. 1620-56. Creator: Baccio del BiancoDesign for a Lavish Headdress with Feathers, ca. 1620-56
Design for a Lavish Headdress with Feathers on a Helmet (frontal view), ca. 1620-56
Design for a Lavish Headdress with Feathers on a Helmet, ca. 1620-56
Madonna and Child with the Young Saint John the Baptist, ca. 1497. Creator: Fra BartolomeoMadonna and Child with the Young Saint John the Baptist, ca. 1497
Portrait of a Man, shortly after 1497. Creator: Fra BartolomeoPortrait of a Man, shortly after 1497
Madonna and Child, before 1508. Creator: BramantinoMadonna and Child, before 1508
Madonna Adoring the Child. Creator: Bartolomeo MontagnaMadonna Adoring the Child
Saint Justina of Padua, 1490s. Creator: Bartolomeo MontagnaSaint Justina of Padua, 1490s
B. Bergami, c1820. Creator: Charles-Philibert de LasteyrieB. Bergami, c1820. Portrait of Bartolommeo Bergami (c1783-1842), Italian servant and companion of Queen Caroline (1768-1821, also known as Caroline of Brunswick, consort of King George IV)
Count Bergami, c1820. Creator: UnknownCount Bergami, c1820. Portrait of Bartolommeo Bergami (c1783-1842), Italian servant and companion of Queen Caroline (1768-1821, also known as Caroline of Brunswick, consort of King George IV)
St. John the Baptist with St. Benedict, 1874. Creator: Storch & KramerSt. John the Baptist with St. Benedict, 1874. Print of the watercolour by Edward Kaiser, after the painting by Bartolomeo Montagna (late 15th-early 16th century)
St. Nazarus with St. Celsus, 1874. Creator: Storch & KramerSt. Nazarus with St. Celsus, 1874. Print of the watercolour by Edward Kaiser, after the painting by Bartolomeo Montagna (late 15th-early 16th century), in the church of San Nazaro e Celso in Verona
Bat, Cat and Mat, how happy could I be with either, 1821. Queen Caroline, Bergami and Matthew Wood dance arm in arm on a road between Calais and St Omer
An old friend with a new face or the baron in disguise, 1821. A bison with the head of Bartolomeo Pergami is embraced by Queen Caroline
Stewards Court of the Manor of Torre Devon, 1820. ArtistStewards Court of the Manor of Torre Devon, 1820. Scene of the House of Lords as arranged for the Bill of Pains and Penalties intended to strip Queen Caroline of her tittles
Returning Justice lifts aloft her Scale, 1821. Caroline of Brunswick, between Bergami and Alderman Wood, falls from the tilting summit of a breaking pillar which rests on the word Adultery
A Wooden Substitute, or Any Port in a Storm, 1821. Alderman Wood takes Caroline of Brunswicks left arm, staring at her and grinning inanely; in the background Bergami stands with arms raised
