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Balzac Honore De Honore Balssa Collection

Background imageBalzac Honore De Honore Balssa Collection: Portrait of Balzac, modeled 1893 (cast 1926 / 33). Creator: Auguste Rodin

Portrait of Balzac, modeled 1893 (cast 1926 / 33). Creator: Auguste Rodin
Portrait of Balzac, modeled 1893 (cast 1926/33)

Background imageBalzac Honore De Honore Balssa Collection: More than once, while leaving the masked ball Mr. de *** was arrested by the patrol

More than once, while leaving the masked ball Mr. de *** was arrested by the patrol officers from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: I was ignominiously arrested from Scenes from the Private and Public Life of Animal

I was ignominiously arrested from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: Having said that, this poor invalid gives us a curtsy, and goes hobbling off from S

Having said that, this poor invalid gives us a curtsy, and goes hobbling off from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: Friends, the wise one places his glory in eating well from Scenes from the Private

Friends, the wise one places his glory in eating well from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: As soon as I set foot on the island... from Scenes from the Private and Public Life

As soon as I set foot on the island... from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: He tells us: don t cry, Act! from Scenes from the Private and Public Life of Animal

He tells us: don t cry, Act! from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: An Old Butterfly from Scenes from the Private and Public Life of Animals, ca. 1837-47

An Old Butterfly from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: All of the wolves are brothers from Scenes from the Private and Public Life of Anim

All of the wolves are brothers from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: After, in came the body of guards armed with terrible stings from Scenes from the P

After, in came the body of guards armed with terrible stings from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: After accepting a glass of sweet water, the illustrious orator descends from the pl

After accepting a glass of sweet water, the illustrious orator descends from the platform from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: A very well put insect and beautiful dancer from Scenes from the Private and Public

A very well put insect and beautiful dancer from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: What do you say about the butterfly hunt? from Scenes from the Private and Public L

What do you say about the butterfly hunt? from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: This protest was stifled by the noise of private conversations from Scenes from

This protest was stifled by the noise of private conversations from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: There are men who walk around begging on fertile ground from Scenes from the Privat

There are men who walk around begging on fertile ground from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: She responded to my protests and oaths with a tone of mockery so cold that I swore

She responded to my protests and oaths with a tone of mockery so cold that I swore to die from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: The Beautiful World of the Tuileries from Scenes from the Private and Public Life o

The Beautiful World of the Tuileries from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: The studies are painful, expensive; but the students are intrepid from Scenes

The studies are painful, expensive; but the students are intrepid from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: Head of Balzac, model 1897, cast probably early 20th century. Creator: Auguste Rodin

Head of Balzac, model 1897, cast probably early 20th century. Creator: Auguste Rodin
Head of Balzac, model 1897, cast probably early 20th century

Background imageBalzac Honore De Honore Balssa Collection: Head of Balzac, model 1897. Creator: Auguste Rodin

Head of Balzac, model 1897. Creator: Auguste Rodin
Head of Balzac, model 1897

Background imageBalzac Honore De Honore Balssa Collection: My new master from Scenes from the Private and Public Life of Animals, ca. 1837-47

My new master from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: I saw a wolf standing guard from Scenes from the Private and Public Life of Animals

I saw a wolf standing guard from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: I ordinarily opened the ball with the prettiest villager from Scenes from the Priva

I ordinarily opened the ball with the prettiest villager from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: I left as the Attorney-General of Moinraux in Paris from Scenes from the Private an

I left as the Attorney-General of Moinraux in Paris from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: Here is one who mends by nicely biting from Scenes from the Private and Public Life

Here is one who mends by nicely biting from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: A Stork was called to the presidency... from Scenes from the Private and Public Lif

A Stork was called to the presidency... from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: His son, who looked like him in every way... from Scenes from the Private and Publ

His son, who looked like him in every way... from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: He had only his beautiful colors... from Scenes from the Private and Public Life of

He had only his beautiful colors... from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: Private and Public Life of Animals; Scenes of Customs, ca. 1837-47

Private and Public Life of Animals; Scenes of Customs, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: We are going to incise the muscles, saw the bones, in a word, heal the sick from Sc

We are going to incise the muscles, saw the bones, in a word, heal the sick from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: Now, I understand the mother wolf of Rome from Scenes from the Private and Public L

Now, I understand the mother wolf of Rome from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: To pay the landlord, a very harsh man, whose name was M. Vautour from Scenes from t

To pay the landlord, a very harsh man, whose name was M. Vautour from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: The further we go, the less we penetrate the horrible mystery of which the unfortun

The further we go, the less we penetrate the horrible mystery of which the unfortunate toad was a victim from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: The first show that struck me was the wonderful activity of these people from Scene

The first show that struck me was the wonderful activity of these people from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: The favorite object of his studies is the collection of Idylles by Madame Deshouliè

The favorite object of his studies is the collection of Idylles by Madame Deshouliè
The favorite object of his studies is the collection of Idylles by Madame Deshoulieres from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: The author of this attack is a delicate little wolf from Scenes from the Private an

The author of this attack is a delicate little wolf from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: Only his belly was remarkable from Scenes from the Private and Public Life of Anima

Only his belly was remarkable from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: The Proprietor from Scenes from the Private and Public Life of Animals, ca. 1837-47

The Proprietor from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: We live between ourselves, we hate the nuisances and the visits from Scenes from th

We live between ourselves, we hate the nuisances and the visits from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageBalzac Honore De Honore Balssa Collection: The occupations of my contemplative life were very simple from Scenes from the Pri

The occupations of my contemplative life were very simple from Scenes from the Private and Public Life of Animals, ca. 1837-47


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