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J. Reynolds, Performing Acrobatic And Balancing Acts On High Cornice Above 9th Street, N.W. 1917J. Reynolds, Performing Acrobatic And Balancing Acts On High Cornice Above 9th Street, N.W. Washington DC, 1917. Human Fly Jammie Reynolds
Un divertissement qui ne passe jamais de mode, 19th century. Creator: Honore DaumierUn divertissement qui ne passe jamais de mode, 19th century. An amusement that never goes out of fashion
Picturesque Sketches of London - Street Sights, 1850. Creator: UnknownPicturesque Sketches of London - Street Sights, 1850. A...balancer...takes a ladder, high enough to reach a second-floor window, and up it goes on his chin
The Circus (Le Cirque), 1890-91. Artist: Georges-Pierre SeuratThe Circus (Le Cirque), 1890-91. Painting housed in Musee d Orsay, Paris. From The Studio Volume 127. [The Offices of the Studio, London & New York, 1944]
Outdoor posture exercises, (1899?). Creator: Frances Benjamin JohnstonOutdoor posture exercises, (1899?)
The "GiovediGrasso"Festival before the Ducal Palace in Venice, 1765 / 1766The " Giovedi Grasso" Festival before the Ducal Palace in Venice, 1765/1766
The Doge Attends the Giovedi Grasso Festival in the Piazzetta, 1763 / 1766The Doge Attends the Giovedi Grasso Festival in the Piazzetta, 1763/1766
Plate 77 from The Disasters of War (Los Desastres de la Guerra): May the cord break. (Que se rompe la cuerda.), after 1814-15 (published 1863)
Rope Walking, from the Gymnastic Exercises series (N77) for Duke brand cigarettes, 1887
The Rope Dance. Creator: Leonard DefranceThe Rope Dance
Acrobats, ca. 1800s. Creator: UnknownAcrobats, ca. 1800s. Edo period (1615-1868)
Schwierige Passage, mid-late 19th century, (c1924). Creator: Carl SpitzwegSchwierige Passage, mid-late 19th century, (c1924). A difficult crossing - man in top hat balancing on a narrow wooden bridge over a stream
The Balance of Power, 1897. Creator: John LeechThe Balance of Power, 1897. An elephant, possibly representing King Charles I of England, balances on a tightrope holding a spear
The Tight-Rope Dancer, 1919. Artist: Mabel Alington RoydsThe Tight-Rope Dancer, 1919. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd. London, Paris, New York, 1919]
Performance at Sadlers Wells Theatre, Finsbury, London, 1750. The curious & uncommon performances of a monkey as they will be introduc d every evening at Sadlers Wells
Astleys Amphitheatre, Westminster Bridge Road, Lambeth, London, c1825. ArtistAstleys Amphitheatre, Westminster Bridge Road, Lambeth, London, c1825. View showing an audience watching a man balancing on one leg on a moving horse
John Nash on the spire of All Souls Church, Langham Place, Westminster, London, 1824Nashional taste!!!; 1824; showing the architect John Nash spiked by the seat of his trousers on the spire of All Souls Church, Langham Place, St Marylebone, Westminster, London
A Covent Garden market porter, London, c1922. A print from Peoples of all Nations, Volume III, edited by JA Hammerton, The Fleetway House, London, c1922. (Colorised black and white print)
Valiant feat of Young Mithridates, 1852. Artist: John LeechValiant feat of Young Mithridates, 1852. From The Comic History of Rome, by Gilbert A A Beckett, illustrated by John Leech. [Bradbury, Agnew & Co, London, 1852]
Exercises of the Circus Horse, c1818-1836. Artist: Carle VernetExercises of the Circus Horse, 19th century
Telegraph construction camp during the American Civil War, 1861-1865
Theatre de la Gaite, Niagara Falls, 1892. Artist: Henri MeyerTheatre de la Gaite, Niagara Falls, 1892. A print from a supplement to the Le Petit Journal, 13th February 1892
Tom, Jerry and Logic at the Grand Carnival, 1821. Artist: George CruikshankTom, Jerry and Logic at the Grand Carnival, 1821. Illustration for Life in London by Pierce Egan, 1821
The Aristocratic Fate at Cremorne, 1858. Terrific Descent Amidst Showers of Water-Works. Here Punch pokes fun at the aristocratic ladies who had arranged a major fete in Cremorne Gardens
The Supporters of the Working Man, 1859. Disraeli introduced his Reform Bill to the House early in 1859. However, because it was seen as a blatant attempt to conjure up extra Conservative votes