Avalokitesvara Gallery

Imakumano in Kyoto, Yamashiro Province, No. 15 on the Saikoku Pilgrimage Route (Saikoku ju... 1859. Creator: Utagawa Kunisada)

Imakumano in Kyoto, Yamashiro Province, No. 15 on the Saikoku Pilgrimage Route (Saikoku junrei jugoban Yamashiro Kyo Imakumano), from the series "The Miracles of Kannon (Kannon reigenki)", 1859

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19th Century, Apparel, Art, Art Centre, Art Gallery, Art Institute Chicago, Art Institute Of Chicago, Artistic School, Arts, Arts Of Asia, Asia, Asian, Avalokiteshvara, Avalokitesvara, Block Printing, Blue, Bodhisattva, Buddhism, Buddhist, Buddhists, Calligraphy, Cartouche, Century, Clothes, Clothing, Clothing Dress, Color, Color Woodblock Print, Colour, Colourful, Concept, Continent, Costume, Country, Deity, Dress, Edo Period, Fashion Clothing, Female, Gallery, Gepparo, God, Goddess, Gototei, Green, Green Colour, Guan Yin, Guanyin, Guy, Heritage Art, Ichiyosai, Imakumano, Imakumano Kannonji, Japan, Japanese, Kannon, Kimono, Kinraisha, Kioto Japan, Kochoro, Kuan Yin, Kunisada, Kunisada Utagawa, Kunisada Utagawa I, Kyoto Kinki Japan, Location, Male, Man, Memory, Men, Miracle, Miracles Of Kannon, Miraculous, Nature, Night, Nineteenth Century, Oban, Orange, Orange Colour, Padmapani, People, Pilgrimage, Plant, Plants, Portrait, Printing, Province, Provincial, Religion, Religious, Route, Saikoku, Scenery, Scenic, Series, Shozo, Temple, Time Of Day, Tokugawa Period, Toyokuni Iii, Traditional Costume, Traditional Dress, Tree, Trees, Tsunda Shozo, Two People, Ukiyo E, Utagawa Kunisada, Utagawa Kunisada I, Utagawa Toyokuni Iii, View, Woman, Women, Woodblock, Woodblock Print, Woodblock Printing, Woodcut, Writing, Yamashiro Province, Yamashiroya

White-Robed Guanyin (Avalokiteshvara) in "Thrice-Bent" Pose

White-Robed Guanyin (Avalokiteshvara) in "Thrice-Bent" Pose (Tribhanga), Holding a Vase with Nectar of Immortality (Amrta), Sui dynasty (589-618), early 7th century

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7th Century, Amrta, Antique, Applied Arts, Applied Arts Of Asia, Art, Art Centre, Art Gallery, Art Institute Chicago, Art Institute Of Chicago, Artefact, Artifact, Arts, Arts Of Asia, Asia, Asian, Asian Collection, Avalokiteshvara, Avalokitesvara, Bodhisattva, Bosatsu, Bronze, Buddha, Buddhism, Buddhist, Buddhists, Century, China, Chinese, Collection, Color, Colour, Concept, Continent, Copper, Copper Alloy, Country, Craft, Crafts, Craftsmanship, Culture, Decoration, Decorative, Deity, Design, Dynasty, Exhibit, Exhibition, Female, Figure, Gallery, Gender, Gilded, Gilding, Gilt, Gilt Copper Alloy, Goddess, Gold, Guan Yin, Guanyin, Heritage Art, Historic, Historical, History, Holding, Immortal, Immortality, Kannon, Kuan Yin, Location, Metal, Metal Work, Metalwork, Nectar, Nectar Of Immortality, Padmapani, Pose, Religion, Religious, Sculpture, Statue, Statues, Statuette, Sui Dynasty, Thrice Bent, Tribhanga, Unknown, Vase

Front of Kwan-Yin Temple, Hong-Kong; A Mendicant Priest; A Street in Hong-Kong; Opium

Front of Kwan-Yin Temple, Hong-Kong; A Mendicant Priest; A Street in Hong-Kong; Opium-Smoking in a Restaurant, c. 1868. A work made of collotype, pl. ix from the album "illustrations of china and its people, volume i" (1873)

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