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Audience Collection (page 14)

Background imageAudience Collection: A Saturday winter football crowd, London, 1926-1927

A Saturday winter football crowd, London, 1926-1927. From Wonderful London, volume II, edited by Arthur St John Adcock, published by Amalgamated Press (London, 1926-1927)

Background imageAudience Collection: Sur la Scene, c1850-1910 (1924). Artist: Edgar Degas

Sur la Scene, c1850-1910 (1924). Artist: Edgar Degas
Sur la Scene, c1850-1910 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Background imageAudience Collection: Commemoration of the second council of Nice, 9th-10th century (1849)

Commemoration of the second council of Nice, 9th-10th century (1849). A 19th century version based on an original 9th-10th manuscript illustration in the Monologue Grec

Background imageAudience Collection: Fellows of the University of Paris haranguing the Emperor Charles IV (1316-1378) in 1377 (1849)

Fellows of the University of Paris haranguing the Emperor Charles IV (1316-1378) in 1377 (1849)
Fellows of the University of Paris haranguing the Emperor Charles IV (1316-1378) in 1377, 15th century (1849). A 19th century version of an original 15th century manuscript illustration in Chroniques

Background imageAudience Collection: Jousting in the time of Queen Isabeau, 15th century, (1849)

Jousting in the time of Queen Isabeau, 15th century, (1849)
Jousting in the time of Queen Isabeau, 15th century (1849). A 19th century version of an original 15th century manuscript illustration in Chroniques de Froissart, volume IV

Background imageAudience Collection: A fight to the death, 15th century (1849)

A fight to the death, 15th century (1849). A 19th century version of an original 15th century manuscript illustration held at the British Museum

Background imageAudience Collection: Augustine Preaching to Ethelbert and Bertha, 1925

Augustine Preaching to Ethelbert and Bertha, 1925. From Highroads of History, book II: Stories from British History, published by Thomas Nelson and Sons (London, Edinburgh, New York, 1925)

Background imageAudience Collection: Dramatic performance in the open air, 1847. Artist: B Clayton

Dramatic performance in the open air, 1847. Artist: B Clayton
Dramatic performance in the open air, 1847. People watching a show in China. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Background imageAudience Collection: The Derby tragedy of 1913, (1935)

The Derby tragedy of 1913, (1935). Emily Davison, a suffragette, threw herself in front of the Kings horse, Anmer, and was killed

Background imageAudience Collection: A womens final at the old Wimbledon, 1905

A womens final at the old Wimbledon, 1905. Miss Sutton challenging Miss D K Douglass. May Sutton became the first American woman to win the Wimbledon singles title

Background imageAudience Collection: St. Jamess Palace. Birthday. Drawing Room, c1841. Artist: Henry Melville

St. Jamess Palace. Birthday. Drawing Room, c1841. Artist: Henry Melville
St. Jamess Palace. Birthday. Drawing Room, c1841. Boys from Christs Hospital kneel before the young Queen Victoria with courtiers and ladies in waiting

Background imageAudience Collection: The Guildhall. Installation of the Lord Mayor on the 8th of November, c1841. Artist: Henry Melville

The Guildhall. Installation of the Lord Mayor on the 8th of November, c1841. Artist: Henry Melville
The Guildhall. Installation of the Lord Mayor on the 8th of November, c1841. From London Interiors with their Costumes & Ceremonies from Drawings made by permission of the Public Offices

Background imageAudience Collection: Exeter Hall. The great Anti-Slavery Meeting, 1841, c1841. Artist: Henry Melville

Exeter Hall. The great Anti-Slavery Meeting, 1841, c1841. Artist: Henry Melville
Exeter Hall. The great Anti-Slavery Meeting, 1841, c1841. From London Interiors with their Costumes & Ceremonies from Drawings made by permission of the Public Offices

Background imageAudience Collection: The Royal Closet. - St. James s. Her Majesty giving audience to an Ambassador, c1841

The Royal Closet. - St. James s. Her Majesty giving audience to an Ambassador, c1841. Artist: Henry Melville
The Royal Closet. - St. James s. Her Majesty giving audience to an Ambassador, c1841. From London Interiors with their Costumes & Ceremonies from Drawings made by permission of the Public Offices

Background imageAudience Collection: Ceremony of Laying the First Stone of the New Royal Exchange, c1842. Artist: Henry Melville

Ceremony of Laying the First Stone of the New Royal Exchange, c1842. Artist: Henry Melville
Ceremony of Laying the First Stone of the New Royal Exchange, c1842. By Prince Albert, Monday, Jan 17, 1842. From London Interiors with their Costumes & Ceremonies from Drawings made by permission of

Background imageAudience Collection: Plantus, Comoediae, c1511. Artist: Lazarus de Soardi

Plantus, Comoediae, c1511. Artist: Lazarus de Soardi
Plantus, Comoediae, c1511. PLAUTUS, originally from Titus Maccius (ca 254-184 B.C.). Comoediae. xx. Commentary by Bernardus Saracenus and Giovanni Pietro Valla. Venice: Lazarus Soardus, 1511

Background imageAudience Collection: Joan of Arc before Charles VII of France, c1429 (1905). Artist: HMP

Joan of Arc before Charles VII of France, c1429 (1905). Artist: HMP
Joan of Arc before Charles VII of France, c1429 (1905). From Cassells Illustrated History of England, Vol. I. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1905]

Background imageAudience Collection: La Loge (The Theatre Box), 1874, (1938). Artist: Pierre-Auguste Renoir

La Loge (The Theatre Box), 1874, (1938). Artist: Pierre-Auguste Renoir
La Loge (The Theatre Box), 1874. Painting housed in the Courtauld Institute of Art, London. From World-Famous Paintings edited by J. Greig Pirie [W. & G. Foyle, Ltd, London, 1938.]

Background imageAudience Collection: The Battle of Bosworth Field, a scene in the Great Drama of History, 1850. Artist: John Leech

The Battle of Bosworth Field, a scene in the Great Drama of History, 1850. Artist: John Leech
The Battle of Bosworth Field, a scene in the Great Drama of History, 1850. A backstage view of a scene from William Shakespeares Richard III. A satirical illustration on the Battle of Bosworth Field

Background imageAudience Collection: At the Theatre, 19th century, (1930). Artist: Constantin Guys

At the Theatre, 19th century, (1930). Artist: Constantin Guys
At the Theatre, 19th century, (1930). Illustration from The Painter of Victorian Life, a study of Constantin Guys with an introduction and a translation of Baudelaires Peintre de la Vie Moderne

Background imageAudience Collection: At The Theatre, c1876-1898, (1898). Artist: Charles Dana Gibson

At The Theatre, c1876-1898, (1898). Artist: Charles Dana Gibson
At The Theatre. After a drawing by Charles Dana Gibson (1867-1944). From The Studio, Volume Eight [London Offices of the Studio V, London, 1898]

Background imageAudience Collection: Snake charmer, Calcutta, India, c1900s(?). Artist: Underwood & Underwood

Snake charmer, Calcutta, India, c1900s(?). Artist: Underwood & Underwood
Snake charmer, Calcutta, India, c1900s(?)

Background imageAudience Collection: At a Concert, 19th century

At a Concert, 19th century

Background imageAudience Collection: Punch and Judy show in Putney, London, 1926-1927

Punch and Judy show in Putney, London, 1926-1927. Illustration from Wonderful London, edited by Arthur St John Adcock, Volume I, published by Amalgamated Press, (London, 1926-1927)

Background imageAudience Collection: Strongman juggling with weights, Paris, 1931. Artist: Ernest Flammarion

Strongman juggling with weights, Paris, 1931. Artist: Ernest Flammarion
Strongman juggling with weights, Paris, 1931. Illustration from the book Paris published by Ernest Flammarion, (1931)

Background imageAudience Collection: The National Assembly is in Permanence!, Paris, 15 May 1848. Artist: Victor Adam

The National Assembly is in Permanence!, Paris, 15 May 1848. Artist: Victor Adam
The National Assembly is in Permanence!, Paris, 15 May 1848

Background imageAudience Collection: George IV and the Duke of York, The Royal Stand, Ascot, early 19th century

George IV and the Duke of York, The Royal Stand, Ascot, early 19th century. King George IV (1762-1830) and his brother Prince Frederick, Duke of York and Albany, watching horse racing in Berkshire

Background imageAudience Collection: The Prospect before us, 1791. Artist: Thomas Rowlandson

The Prospect before us, 1791. Artist: Thomas Rowlandson
The Prospect before us, 1791. Respectfully dedicated to those singers, dancers and musical professors who are fortunately engaged with the proprietor of the Kings theatre at the pantheon

Background imageAudience Collection: Chaos is Come Again... 1791

Chaos is Come Again... 1791
Chaos is Come Again: Music hath charms to soothe the savage breast, to soften bricks and bend the knotted oak, 1791. A quote from The Mourning Bride by William Congreve

Background imageAudience Collection: Fitz-Giggo: A New English Uproar 1763. Artist: LP Boitard

Fitz-Giggo: A New English Uproar 1763. Artist: LP Boitard
Fitz-Giggo: A New English Uproar 1763. Some excited members of the audience are invading the stage. Illustration from Social Caricature in the Eighteenth Century

Background imageAudience Collection: The Optic Curls, 18th century

The Optic Curls, 18th century. Gentleman theatre goers use one of their female companions elaborate curls as opera glasses. Illustration from Social Caricature in the Eighteenth Century

Background imageAudience Collection: A Masquerade Scene at the Pantheon, 1773. Artist: Charles White

A Masquerade Scene at the Pantheon, 1773. Artist: Charles White
A Masquerade Scene at the Pantheon, 1773. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]

Background imageAudience Collection: The Interior of the Pantheon in Oxford Road, 1772. Artist: Richard Earlom

The Interior of the Pantheon in Oxford Road, 1772. Artist: Richard Earlom
The Interior of the Pantheon in Oxford Road, 1772. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse

Background imageAudience Collection: The coronation of King Charles X of France, Reims, 20 May 1825 (1900)

The coronation of King Charles X of France, Reims, 20 May 1825 (1900). The brother of Louis XVI and Louis XVIII, Charles (1757-1836) came to the throne in succession to the latter in 1824

Background imageAudience Collection: The coronation banquet of George IV at Westminster Hall, London, 19 July 1821 (1900)

The coronation banquet of George IV at Westminster Hall, London, 19 July 1821 (1900). George IV succeeded his father George III having previously ruled as Prince Regent

Background imageAudience Collection: The Consecration of the Emperor Napoleon and the Coronation of the Empress Josephine, 1804 (1900)

The Consecration of the Emperor Napoleon and the Coronation of the Empress Josephine, 1804 (1900)
The Consecration of the Emperor Napoleon and the Coronation of the Empress Josephine, 2nd December 1804, 1900. Davids depiction of the event was painted in 1806-1807

Background imageAudience Collection: The annual blindfold entertainment at the city chess club, 1876

The annual blindfold entertainment at the city chess club, 1876. An engraving from the Illustrated Sporting and Dramatic News, (London, 1876)

Background imageAudience Collection: A tournament, c1350s, (1470)

A tournament, c1350s, (1470). Jean de Saintre defeats his opponent in a joust, watched by the French King Jean le Bon. The two knights are in full armour, divided by a wooden barrier

Background imageAudience Collection: Opening of the Royal Albert Hall, London, 29 March 1871, (1900)

Opening of the Royal Albert Hall, London, 29 March 1871, (1900). Concert hall erected by Queen Victoria in memory of her husband, Prince Albert, who died at the age of 42

Background imageAudience Collection: Lord Campbells Audience of the Queen, 1900

Lord Campbells Audience of the Queen, 1900
Lord Campbells Audience with the Queen, 1900. Queen Victoria has a meeting with a politician. Illustration from The life and times of Queen Victoria by Robert Wilson, (1900)

Background imageAudience Collection: Mr Gladstone delivering his address as Lord Rector of Edinburgh University, 1859-1865

Mr Gladstone delivering his address as Lord Rector of Edinburgh University, 1859-1865. William Ewart Gladstone MP (1809-1898), British Liberal Prime Minister

Background imageAudience Collection: Presentation of the Freedom of the City to Mr Gladstone, 1877

Presentation of the Freedom of the City to Mr Gladstone, 1877. Gladstone in the Council Chambers, Dublin. William Ewart Gladstone MP (1809-1898), British Liberal Prime Minister

Background imageAudience Collection: Amateur boxing competition between Germany and Poland, 1936

Amateur boxing competition between Germany and Poland, 1936. A print from Olympia 1936, Die Olympischen Spiele 1936, Volume I, Cigaretten-Bilderdienst, Hamburg, 1936

Background imageAudience Collection: Louis XIVs audience to the Papal ambassador Sigismondo Chigi, 29 July 1664, (1903)

Louis XIVs audience to the Papal ambassador Sigismondo Chigi, 29 July 1664, (1903). Artist: Charles le Brun
Louis XIVs audience to the Papal ambassador Sigismondo Chigi, 29 July 1664, (1903). The meeting was held at Fontainebleau. From the Gobelin tapestry by Charles Lebrun

Background imageAudience Collection: The Exit of the Audience, 1925. Artist: Jean Louis Forain

The Exit of the Audience, 1925. Artist: Jean Louis Forain
The Exit of the Audience, 1925. An etching from Modern Masters of Etching, by JL Forain, (The Studio, London, 1925)

Background imageAudience Collection: Fireworks, Strasbourg, 1744, (1885)

Fireworks, Strasbourg, 1744, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

Background imageAudience Collection: A Variety Of Amusements, French Theatre, 1789, (1885)

A Variety Of Amusements, French Theatre, 1789, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

Background imageAudience Collection: Leaving The Opera, (1885). Artist: Moreau

Leaving The Opera, (1885). Artist: Moreau
Leaving The Opera, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)



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