Skip to main content

Attendant Collection (page 9)

Background imageAttendant Collection: Charles, Prince of Wales, Age 12, c1642, (1936). Artist: William Dobson

Charles, Prince of Wales, Age 12, c1642, (1936). Artist: William Dobson
Charles, Prince of Wales, Age 12, c1642. It is likely that King Charles I (1600-1649) commissioned this painting of the future King Charles II (1630-1685)

Background imageAttendant Collection: A tapestry featuring Henry VIII, Edward VI and Elizabeth I. Thought to be Elizabethan, (1914)

A tapestry featuring Henry VIII, Edward VI and Elizabeth I. Thought to be Elizabethan, (1914)
A tapestry featuring Henry VIII, Edward VI and Elizabeth I. Thought to be Elizabethan. From The Connoisseur Vol. XXXIX [Otto Limited, London, 1914.]

Background imageAttendant Collection: Interior of a Moorish Harem, 1907. Artist: Sir John Lavery

Interior of a Moorish Harem, 1907. Artist: Sir John Lavery
Interior of a Moorish Harem after an original painting by Sir John Lavery (1856-1941).From The Connoisseur 1907-8

Background imageAttendant Collection: People of Edo, Japan, c1800 (1904)

People of Edo, Japan, c1800 (1904). Edo is the former name of Tokyo. A print from Japan, its History, Arts and Literature, Volume V, by Captain F Brinkley, TC and EC Jack, 34 Henrietta Street

Background imageAttendant Collection: Founders Tomb, St Bartholomew the Great, early 20th century

Founders Tomb, St Bartholomew the Great, early 20th century

Background imageAttendant Collection: Nawab Sikandar, the Begum of Bhopal, 1863

Nawab Sikandar, the Begum of Bhopal, 1863. From The Illustrated London News (1863)

Background imageAttendant Collection: The death of Leo Tolstoy, Russian author and philosopher, 1910

The death of Leo Tolstoy, Russian author and philosopher, 1910. Tolstoy (1828-1910) is widely regarded as one of the greatest of all novelists

Background imageAttendant Collection: The Passing of Arthur, 1925

The Passing of Arthur, 1925. From Highroads of History, book II: Stories from British History, published by Thomas Nelson and Sons (London, Edinburgh, New York, 1925)

Background imageAttendant Collection: Interview between Queen Elizabeth and the Earl of Essex, 19th century. Artist: J Rogers

Interview between Queen Elizabeth and the Earl of Essex, 19th century. Artist: J Rogers
Interview between Queen Elizabeth and the Earl of Essex, 19th century. Elizabeth strikes Essex before the privy council and Elizabeth signing the warrant for the execution of Essex

Background imageAttendant Collection: The Choice Between a Female Slave or a Vase, 1902-1903

The Choice Between a Female Slave or a Vase, 1902-1903. From Penroses Pictorial Annual 1902-1903, An Illustrated Review of the Graphic Arts, volume 8

Background imageAttendant Collection: But This Course Did Not Please His Subjects. 1899, (1923). Artist: Byam Shaw

But This Course Did Not Please His Subjects. 1899, (1923). Artist: Byam Shaw
But This Course Did Not Please His Subjects. 1899, (1923). (Griselda) From Tales from Boccaccio (Joseph Jacobs). A woman whose husband tests her loyalty by convincing her that he killed their

Background imageAttendant Collection: Vaishravana travelling across the waves, from the Caves of the Thousand Buddhas, c900

Vaishravana travelling across the waves, from the Caves of the Thousand Buddhas, c900. The Caves of the Thousand Buddhas form a system of 492 temples southeast of the center of Dunhuang, China

Background imageAttendant Collection: Queen Anne (1665-1714) handing over the white staff to the Earl of Shrewsbury, c1714

Queen Anne (1665-1714) handing over the white staff to the Earl of Shrewsbury, c1714. Anne, Queen of Great Britain and Ireland from 1702 to 1714

Background imageAttendant Collection: Queen Elizabeth and Sir Walter Raleigh, 1850. Artist: John Leech

Queen Elizabeth and Sir Walter Raleigh, 1850. Artist: John Leech
Queen Elizabeth and Sir Walter Raleigh, 1850. A satirical illustration of Queen Elizabeth I and Sir Walter Raleigh. Walter Raleigh (1554-1618)

Background imageAttendant Collection: Georgy Porgy the First going out for a ride in his State Coachy Poachy, 1850. Artist: John Leech

Georgy Porgy the First going out for a ride in his State Coachy Poachy, 1850. Artist: John Leech
Georgy Porgy the First going out for a ride in his State Coachy Poachy, 1850. A satirical illustration of George IV (1762?1830). George VI was unpopular with his subjects

Background imageAttendant Collection: Coronation of Henry the Fourth (from the best authorities), 1850. Artist: John Leech

Coronation of Henry the Fourth (from the best authorities), 1850. Artist: John Leech
Coronation of Henry the Fourth (from the best authorities), 1850. A satirical illustration showing Henry IVs coronation. Henry IVs coronation took place on 13th October 1399

Background imageAttendant Collection: Edwards Arm in the hands of his Medical Advisers, 1850. Artist: John Leech

Edwards Arm in the hands of his Medical Advisers, 1850. Artist: John Leech
Edwards Arm in the hands of his Medical Advisers, 1850. Possibly a satire of Edward I (1239-1307) during the crusades. From The Comic History of England by Gilbert Abbott A

Background imageAttendant Collection: The Supper at Emmaus, (1654), 1903. Artist: Rembrandt Harmensz van Rijn

The Supper at Emmaus, (1654), 1903. Artist: Rembrandt Harmensz van Rijn
The Supper at Emmaus by Rembrandt, 1903. After an original work by Rembrandt Harmenszoon van Rijn (1606-1669). From The Connoisseur Vol. V by [Otto Limited, London, 1903]

Background imageAttendant Collection: An Irish chief and his attendants, 1581, (1893)

An Irish chief and his attendants, 1581, (1893). From The Image of Irelande by John Derrick, 1581. An illustration from A Short History of the English People, by John Richard Green

Background imageAttendant Collection: The Last Voyage, c1870-1900. Artist: Edwin Lord Weeks

The Last Voyage, c1870-1900. Artist: Edwin Lord Weeks
The Last Voyage, c1870-1900

Background imageAttendant Collection: Indian wedding procession, c19th century

Indian wedding procession, c19th century

Background imageAttendant Collection: Woman with servants, c1808. Artist: J Haafner

Woman with servants, c1808. Artist: J Haafner
Woman with servants, c1808

Background imageAttendant Collection: Druze Princess and Lady of the Lebanon, 1895

Druze Princess and Lady of the Lebanon, 1895. From The Universal Geography with Illustrations and Maps, division XVII, written by Elisee Reclus and published by Virtue & Co. Limited (London, 1895)

Background imageAttendant Collection: The King of Cochinchina riding on an elephant, c18th century

The King of Cochinchina riding on an elephant, c18th century. Cochinchina is a name used for various southern regions of Vietnam. The king is being attended by his nayos (or guards)

Background imageAttendant Collection: Dance by Torchlight, Augsburg, 1516, (1936). Artist: Albrecht Durer

Dance by Torchlight, Augsburg, 1516, (1936). Artist: Albrecht Durer
Dance by Torchlight, Augsburg, 1516, (1936). A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Background imageAttendant Collection: Triumphal Return of Maximilian I, 1512-1522, (1936). Artist: Albrecht Durer

Triumphal Return of Maximilian I, 1512-1522, (1936). Artist: Albrecht Durer
Triumphal Return of Maximilian I, 1512-1522, (1936). A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Background imageAttendant Collection: The Knight and the Landsknecht (Soldier Servant), 1497-1498, (1936). Artist: Albrecht Durer

The Knight and the Landsknecht (Soldier Servant), 1497-1498, (1936). Artist: Albrecht Durer
The Knight and the Landsknecht (Soldier Servant), 1497-1498, (1936). A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Background imageAttendant Collection: Venus of Urbino, c1538, (1937). Artist: Titian

Venus of Urbino, c1538, (1937). Artist: Titian
Venus of Urbino, c1538, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageAttendant Collection: John Brown, Queen Victorias personal attendant, 1900. Artist: GW Wilson and Company

John Brown, Queen Victorias personal attendant, 1900. Artist: GW Wilson and Company
John Brown, Queen Victorias personal attendant, 1900. John Brown (1826-1883) became the Queens personal servant after the death of Prince Albert in 1861

Background imageAttendant Collection: The Queens Last Moments

The Queens Last Moments

Background imageAttendant Collection: Memoirs of George III, by Robert Huish, 1821. Artist: Eldridge

Memoirs of George III, by Robert Huish, 1821. Artist: Eldridge
Memoirs of George III, by Robert Huish, 1821. The great seal of England. The king attended by the emblems of wisdom, strength, courage, justice, peace and plenty, and protected by the British lion

Background imageAttendant Collection: Before the Paradise, (Right part), 1885-1896. Artist: Viktor Mihajlovic Vasnecov

Before the Paradise, (Right part), 1885-1896. Artist: Viktor Mihajlovic Vasnecov
Before the Paradise, (Right part), 1885-1896. Vasnetsov, Viktor Mikhaylovich (1848-1926). Found in the collection of the State Tretyakov Gallery, Moscow

Background imageAttendant Collection: Christ with Symbols of Passions attended by seven Figures, early 16th century

Christ with Symbols of Passions attended by seven Figures, early 16th century. Artist: Baccio Bandinelli
Christ with Symbols of Passions attended by seven Figures, early 16th century. Bandinelli, Baccio (1493-1560). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Background imageAttendant Collection: The Tribal Chiefs Swearing Fidelity to the Sultan of Morocco, 1892. Artist: Henri Meyer

The Tribal Chiefs Swearing Fidelity to the Sultan of Morocco, 1892. Artist: Henri Meyer
The Tribal Chiefs Swearing Fidelity to the Sultan of Morocco, 1892. A print from the Le Petit Journal, 27th August 1892

Background imageAttendant Collection: Death of Queen Elizabeth, 1892

Death of Queen Elizabeth, 1892. A print from the Le Petit Journal, 6th July 1892

Background imageAttendant Collection: Behanzin, King of Dahomey, 1892. Artist: Henri Meyer

Behanzin, King of Dahomey, 1892. Artist: Henri Meyer
Behanzin, King of Dahomey, 1892. A print from the Le Petit Journal, 23rd April 1892

Background imageAttendant Collection: Raja, 1828. Artist: Marlet et Cie

Raja, 1828. Artist: Marlet et Cie
Raja, 1828. A lithograph from L Inde Francais, 1828. From the collection of Jean Claude Carriere

Background imageAttendant Collection: Wife of a Rajah, 1828. Artist: Marlet et Cie

Wife of a Rajah, 1828. Artist: Marlet et Cie
Wife of a Rajah, 1828. A lithograph from L Inde Francais, 1828. From the collection of Jean Claude Carriere

Background imageAttendant Collection: She prays for her, 1799. Artist: Francisco Goya

She prays for her, 1799. Artist: Francisco Goya
She prays for her, 1799. Plate 31 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain The series is evidence of the artists political

Background imageAttendant Collection: Attendant of Hsi Wang Mu and peaches of Immortal, Ivory Figure, Ming Dynasty

Attendant of Hsi Wang Mu and peaches of Immortal, Ivory Figure, Ming Dynasty. In Chinese mythology, Peaches of Immortality are consumed by the immortals due to their mystic virtue of conferring

Background imageAttendant Collection: Ceremony of Opening the Mouth of the Mummy before the Tomb, c1300BC

Ceremony of Opening the Mouth of the Mummy before the Tomb, c1300BC. Detail from the Papyrus of Hunefer, Ancient Egypt, Early XIX Dynasty. At British Museum

Background imageAttendant Collection: Egyptian relief, A Funerary banquet

Egyptian relief, A Funerary banquet. National Archaeological Museum: Florence

Background imageAttendant Collection: Assyrian Relief, Ashurnasirpal II with attendants, 9th century BC

Assyrian Relief, Ashurnasirpal II with attendants, 9th century BC. Above is the winged figure of the god Ashur, Ahura Mazda. British Museum

Background imageAttendant Collection: Banquet scene on funeral stele from Erdok, Turkey, Hellinistic period, c323 BC-31BC

Banquet scene on funeral stele from Erdok, Turkey, Hellinistic period, c323 BC-31BC

Background imageAttendant Collection: Roman wall painting, in Rome, 1st century

Roman wall painting, in Rome, 1st century. Fresco depicting an erotic scene, from the cubiculum of the villa of Marcus Vipsanius Agrippa. At National Museum, Rome

Background imageAttendant Collection: Timur hands his crown to Babur Mughal, c1630

Timur hands his crown to Babur Mughal, c1630. Timur (1336-1405), sits between the first two Mughal Emperors, Babur Timur (1336-1405), and Humayan (r.1530-1540 and 1544-1545)

Background imageAttendant Collection: Gautama Buddha, The Presentation of the Bowls, Gandhara School. 2nd-3rd century

Gautama Buddha, The Presentation of the Bowls, Gandhara School. 2nd-3rd century. The seated Buddha holds a bowl in his left hand while his right rests upon it, taking food. Relief carving

Background imageAttendant Collection: Detail from a Psalter, Suicide of Herod, probably illuminated at Canterbury c1140

Detail from a Psalter, Suicide of Herod, probably illuminated at Canterbury c1140



All Professionally Made to Order for Quick Shipping