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Art Institute Chicago Collection (page 10)

Background imageArt Institute Chicago Collection: Portrait of Senefelder, 1818. Creator: Lorenzo Quaglio II

Portrait of Senefelder, 1818. Creator: Lorenzo Quaglio II
Portrait of Senefelder, 1818

Background imageArt Institute Chicago Collection: Rudolph of Habsburg and the Priest, 1809. Creator: Karl Russ

Rudolph of Habsburg and the Priest, 1809. Creator: Karl Russ
Rudolph of Habsburg and the Priest, 1809

Background imageArt Institute Chicago Collection: Portrait of a Woman, n.d. Creator: Karl Koepping

Portrait of a Woman, n.d. Creator: Karl Koepping
Portrait of a Woman, n.d

Background imageArt Institute Chicago Collection: Gothic Cathedral Behind a Pond with Swans, 1810/15. Creator: Karl Friedrich Schinkel

Gothic Cathedral Behind a Pond with Swans, 1810/15. Creator: Karl Friedrich Schinkel
Gothic Cathedral Behind a Pond with Swans, 1810/15

Background imageArt Institute Chicago Collection: Gothic Church Behind an Oak Grove with Tombs, 1810. Creator: Karl Friedrich Schinkel

Gothic Church Behind an Oak Grove with Tombs, 1810. Creator: Karl Friedrich Schinkel
Gothic Church Behind an Oak Grove with Tombs, 1810

Background imageArt Institute Chicago Collection: Woodland Path with a Coach, 1857. Creator: Karl Friedrich Schinkel

Woodland Path with a Coach, 1857. Creator: Karl Friedrich Schinkel
Woodland Path with a Coach, 1857

Background imageArt Institute Chicago Collection: Self-Portrait, before 1780. Creator: Juste Chevillet

Self-Portrait, before 1780. Creator: Juste Chevillet
Self-Portrait, before 1780

Background imageArt Institute Chicago Collection: The Nibelungen's End - The Death of Kriemhild, 1845. Creator: Julius Schnorr von Carolsfeld

The Nibelungen's End - The Death of Kriemhild, 1845. Creator: Julius Schnorr von Carolsfeld
The Nibelungen's End - The Death of Kriemhild, 1845

Background imageArt Institute Chicago Collection: Defeat of Wittekind near Bürberg, 1835. Creator: Julius Schnorr von Carolsfeld

Defeat of Wittekind near Bürberg, 1835. Creator: Julius Schnorr von Carolsfeld
Defeat of Wittekind near Burberg, 1835

Background imageArt Institute Chicago Collection: Hagen Leaves Siegfried's Body to be Carried Home from the Forest, n.d

Hagen Leaves Siegfried's Body to be Carried Home from the Forest, n.d. Creator: Julius Schnorr von Carolsfeld
Hagen Leaves Siegfried's Body to be Carried Home from the Forest, n.d

Background imageArt Institute Chicago Collection: Portrait of a Woman, 1821. Creator: Julius Schnorr von Carolsfeld

Portrait of a Woman, 1821. Creator: Julius Schnorr von Carolsfeld
Portrait of a Woman, 1821

Background imageArt Institute Chicago Collection: Dogs Attacking a Bull, 1789. Creator: Joseph Georg Winter

Dogs Attacking a Bull, 1789. Creator: Joseph Georg Winter
Dogs Attacking a Bull, 1789

Background imageArt Institute Chicago Collection: Artist Seated at Easel, n.d. Creator: Nicholas Chevalier

Artist Seated at Easel, n.d. Creator: Nicholas Chevalier
Artist Seated at Easel, n.d

Background imageArt Institute Chicago Collection: Study, n.d. Creator: William Hamilton

Study, n.d. Creator: William Hamilton
Study, n.d. Scene from Shakespeare's Twelfth Night: Viola, dressed as a man, encounters Olivia, accompanied by Maria

Background imageArt Institute Chicago Collection: Olivia and Viola, n.d. Creator: William Hamilton

Olivia and Viola, n.d. Creator: William Hamilton
Olivia and Viola, n.d. Scene from Shakespeare's Twelfth Night: Viola, dressed as a man, encounters Olivia, accompanied by Maria

Background imageArt Institute Chicago Collection: Autumn Nutting, n.d. Creator: William Hamilton

Autumn Nutting, n.d. Creator: William Hamilton
Autumn Nutting, n.d

Background imageArt Institute Chicago Collection: Something to Look At, 1817. Creator: Unknown

Something to Look At, 1817. Creator: Unknown
Something to Look At, 1817....or The Return of the Embassy. "Il vaut mieux plier que rompre" [It's better to bend than to break], French proverb

Background imageArt Institute Chicago Collection: Young Violinist, 1794. Creator: Unknown

Young Violinist, 1794. Creator: Unknown
Young Violinist, 1794

Background imageArt Institute Chicago Collection: A Riding-House, published 1780. Creator: Unknown

A Riding-House, published 1780. Creator: Unknown
A Riding-House, published 1780. Men learning to ride horses. A short man on the right, about to mount his horse, has been identified as Captain Grose

Background imageArt Institute Chicago Collection: Man with Dog in Forest, n.d. Creator: Unknown

Man with Dog in Forest, n.d. Creator: Unknown
Man with Dog in Forest, n.d

Background imageArt Institute Chicago Collection: Untitled Valentine (Flowers), 1840/50. Creator: Unknown

Untitled Valentine (Flowers), 1840/50. Creator: Unknown
Untitled Valentine (Flowers), 1840/50

Background imageArt Institute Chicago Collection: Untitled Valentine (Flowers), 1840/50. Creator: Unknown

Untitled Valentine (Flowers), 1840/50. Creator: Unknown
Untitled Valentine (Flowers), 1840/50

Background imageArt Institute Chicago Collection: Two Travelers under Tree with Village and Bridge in Distance, 1707. Creator: Unknown

Two Travelers under Tree with Village and Bridge in Distance, 1707. Creator: Unknown
Two Travelers under Tree with Village and Bridge in Distance, 1707

Background imageArt Institute Chicago Collection: John Bull Learning a New Movement, published March 21, 1799. Creator: Unknown

John Bull Learning a New Movement, published March 21, 1799. Creator: Unknown
John Bull Learning a New Movement, published March 21, 1799....against the next Campaign'. John Bull: Lord love ye my good Masters - do give us something new - I be tired of all the old Jigs - I

Background imageArt Institute Chicago Collection: John Bull at His Studies, published March 13, 1799. Creator: Unknown

John Bull at His Studies, published March 13, 1799. Creator: Unknown
John Bull at His Studies, published March 13, 1799....attended by his Guardian Angell (British prime minister William Pitt: "Cease rude Boreas blustering railer)

Background imageArt Institute Chicago Collection: A Lock'd Jaw for John Bull, published November 23, 1795. Creator: Unknown

A Lock'd Jaw for John Bull, published November 23, 1795. Creator: Unknown
A Lock'd Jaw for John Bull, published November 23, 1795. British prime minister William Pitt: Don't be alarmed Johnny

Background imageArt Institute Chicago Collection: A Modern Hercules, published November 17, 1795. Creator: Unknown

A Modern Hercules, published November 17, 1795. Creator: Unknown
A Modern Hercules, published November 17, 1795....Or, a Finishing Blow for Poor John Bull'. British prime minister William Pitt, brandishing a club inscribed Convention Bill

Background imageArt Institute Chicago Collection: New London Cries or all the talents making themselves useful!, published May 1807. Creator: Unknown

New London Cries or all the talents making themselves useful!, published May 1807. Creator: Unknown
New London Cries or all the talents making themselves useful!, published May 1807. Intended as a Frontispiece to the Satirical Poem of all the Talents'

Background imageArt Institute Chicago Collection: Going to Open the Budget, 1796. Creator: Unknown

Going to Open the Budget, 1796. Creator: Unknown
Going to Open the Budget, 1796. British prime minister William Pitt, having descended from his coach, walks towards the door of the House of Commons, a small empty bag in his right hand

Background imageArt Institute Chicago Collection: Map of the World, 1566, reprinted 1889. Creator: Unknown

Map of the World, 1566, reprinted 1889. Creator: Unknown
Map of the World, 1566, reprinted 1889. Heart-shaped world map with the North Pole in the centre. After John Paul Cimerlin

Background imageArt Institute Chicago Collection: Let Sordid Mortals Search for Wealth (valentine), c. 1842. Creator: Unknown

Let Sordid Mortals Search for Wealth (valentine), c. 1842. Creator: Unknown
Let Sordid Mortals Search for Wealth (valentine), c. 1842....This never shall my prayer employ. / Give me but competence and health. / I envy not their short lived joy

Background imageArt Institute Chicago Collection: Happy the State (valentine), c. 1842. Creator: Unknown

Happy the State (valentine), c. 1842. Creator: Unknown
Happy the State (valentine), c. 1842....when souls congenial burn / With mutual fires, and love for love return. / When each new day Love's growing charms beholds

Background imageArt Institute Chicago Collection: Orontius Finaeus, 1531, reprinted 1889. Creator: Unknown

Orontius Finaeus, 1531, reprinted 1889. Creator: Unknown
Orontius Finaeus, 1531, reprinted 1889. Top: Terra Australis on the left. Europe, Russia, the North Pole, China and northern Africa on the right

Background imageArt Institute Chicago Collection: Landscape with Two Men Walking, 1580/1631. Creator: Tobias Verhaecht

Landscape with Two Men Walking, 1580/1631. Creator: Tobias Verhaecht
Landscape with Two Men Walking, 1580/1631

Background imageArt Institute Chicago Collection: Two Poplars and Seated Figure Beside Stream, n.d. Creator: Unknown

Two Poplars and Seated Figure Beside Stream, n.d. Creator: Unknown
Two Poplars and Seated Figure Beside Stream, n.d. Style of William Alfred Delamotte

Background imageArt Institute Chicago Collection: Woman in a Rustic Interior, n.d. Creator: Unknown

Woman in a Rustic Interior, n.d. Creator: Unknown
Woman in a Rustic Interior, n.d. Style of William Alexander

Background imageArt Institute Chicago Collection: Tournon, 1735-1868. Creator: Unknown

Tournon, 1735-1868. Creator: Unknown
Tournon, 1735-1868. Collegiale Saint Julien in Tournon-sur-Rhone, southern France. Style of Samuel Prout

Background imageArt Institute Chicago Collection: Two Women Conversing Near House, 1790. Creator: Unknown

Two Women Conversing Near House, 1790. Creator: Unknown
Two Women Conversing Near House, 1790. Style of Richard Westall or John Renton

Background imageArt Institute Chicago Collection: Hilly Landscape at Sunset, c. 1830. Creator: Unknown

Hilly Landscape at Sunset, c. 1830. Creator: Unknown
Hilly Landscape at Sunset, c. 1830. Style of John Varley

Background imageArt Institute Chicago Collection: Pope Embraced by Devil, n.d. Creator: Unknown

Pope Embraced by Devil, n.d. Creator: Unknown
Pope Embraced by Devil, n.d. Style of John Hamilton Mortimer

Background imageArt Institute Chicago Collection: Highland Boy and Dogs, n.d. Creator: Unknown

Highland Boy and Dogs, n.d. Creator: Unknown
Highland Boy and Dogs, n.d. Style of John Frederick Herring I

Background imageArt Institute Chicago Collection: Going Along a Slapping Pace, plate one from Indispensable Accomplishments, published June 24, 1811

Going Along a Slapping Pace, plate one from Indispensable Accomplishments, published June 24, 1811

Background imageArt Institute Chicago Collection: The Mail Coach in a Flood, 1827. Creator: F Rosenbourg

The Mail Coach in a Flood, 1827. Creator: F Rosenbourg
The Mail Coach in a Flood, 1827. A female passenger lifts her skirts out of the water as a dog swims alongside

Background imageArt Institute Chicago Collection: Hamlet, Horatio, Marcellus and the Ghost, 1796. Creator: Robert Thew

Hamlet, Horatio, Marcellus and the Ghost, 1796. Creator: Robert Thew
Hamlet, Horatio, Marcellus and the Ghost, 1796. Scene from Shakespeare's Hamlet, Prince of Denmark, Act I, Scene IV, The Platform before the Palace of Elsineur: Hamlet

Background imageArt Institute Chicago Collection: Sir William Beechey, R.A. June 11, 1814. Creator: R. Cooper

Sir William Beechey, R.A. June 11, 1814. Creator: R. Cooper
Sir William Beechey, R.A. June 11, 1814. After a self portrait

Background imageArt Institute Chicago Collection: Sketches from Life, 1810. Creator: Unknown

Sketches from Life, 1810. Creator: Unknown
Sketches from Life, 1810

Background imageArt Institute Chicago Collection: The Comet of 1811, 1811. Creator: Unknown

The Comet of 1811, 1811. Creator: Unknown
The Comet of 1811, 1811. The Prince Regent's head, set in a star which is the head of the comet. In the comet's tail: Francis Rawdon-Hastings

Background imageArt Institute Chicago Collection: African Aloe, plate 47 from Phtanthoza Iconographia, 1736

African Aloe, plate 47 from Phtanthoza Iconographia, 1736



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