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Arial View Collection (page 22)

Background imageArial View Collection: The Principality of Monaco, c1910, (1912). Artist: Walter Frederick Roofe Tyndale

The Principality of Monaco, c1910, (1912). Artist: Walter Frederick Roofe Tyndale
The Principality of Monaco, c1910, (1912). From An Artist in the Riviera by Walter Tyndale, R.I. [Hutchinson & Co, London, 1912]

Background imageArial View Collection: La Rocca, San Remo, c1910, (1912). Artist: Walter Frederick Roofe Tyndale

La Rocca, San Remo, c1910, (1912). Artist: Walter Frederick Roofe Tyndale
La Rocca, San Remo, c1910, (1912). From An Artist in the Riviera by Walter Tyndale, R.I. [Hutchinson & Co, London, 1912]

Background imageArial View Collection: Piazza Mazzini, S. Margherita, c1910, (1912). Artist: Walter Frederick Roofe Tyndale

Piazza Mazzini, S. Margherita, c1910, (1912). Artist: Walter Frederick Roofe Tyndale
Piazza Mazzini, S. Margherita, c1910, (1912). From An Artist in the Riviera by Walter Tyndale, R.I. [Hutchinson & Co, London, 1912]

Background imageArial View Collection: The Taj from the Fort, Agra, c1880 (1905). Artist: Alexander Henry Hallam Murray

The Taj from the Fort, Agra, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Taj from the Fort, Agra, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Background imageArial View Collection: The Venice of Japan, c1887, (1901). Artist: Mortimer L Menpes

The Venice of Japan, c1887, (1901). Artist: Mortimer L Menpes
The Venice of Japan, c1887, (1901). From Japan - A Record in Colour, by Mortimer Menpes. [Adam & Charles Black, London, 1901]

Background imageArial View Collection: On the Great Canal, Osaka, c1887, (1901). Artist: Mortimer L Menpes

On the Great Canal, Osaka, c1887, (1901). Artist: Mortimer L Menpes
On the Great Canal, Osaka, c1887, (1901). From Japan - A Record in Colour, by Mortimer Menpes. [Adam & Charles Black, London, 1901]

Background imageArial View Collection: On the Road to Hakgalla. Hakgalla Rock in the Distance, c1890, (1910)

On the Road to Hakgalla. Hakgalla Rock in the Distance, c1890, (1910). Artist: Alfred William Amandus Plate
On the Road to Hakgalla. Hakgalla Rock in the Distance, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageArial View Collection: Hakgalla Gardens from the Lotus Pond, Nuwara Eliya, c1890, (1910)

Hakgalla Gardens from the Lotus Pond, Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate
Hakgalla Gardens from the Lotus Pond, Nuwara Eliya, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageArial View Collection: A Corner of Nuwara Eliya Lake, c1890, (1910). Artist: Alfred William Amandus Plate

A Corner of Nuwara Eliya Lake, c1890, (1910). Artist: Alfred William Amandus Plate
A Corner of Nuwara Eliya Lake, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageArial View Collection: The Rock Garden, Hakgalla Gardens, Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate

The Rock Garden, Hakgalla Gardens, Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate
The Rock Garden, Hakgalla Gardens, Nuwara Eliya, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageArial View Collection: General View of Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate

General View of Nuwara Eliya, c1890, (1910). Artist: Alfred William Amandus Plate
General View of Nuwara Eliya, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageArial View Collection: View of Maskeliya showing Adams Peak, c1890, (1910). Artist: Alfred William Amandus Plate

View of Maskeliya showing Adams Peak, c1890, (1910). Artist: Alfred William Amandus Plate
View of Maskeliya showing Adams Peak, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageArial View Collection: The Temple of the Holy Tooth and Dagoba, Kandy, Ceylon, c1890, (1910)

The Temple of the Holy Tooth and Dagoba, Kandy, Ceylon, c1890, (1910). Artist: Alfred William Amandus Plate
The Temple of the Holy Tooth and Dagoba, Kandy, Ceylon, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageArial View Collection: Kandy Perahera. - A Procession of Elephants carried through by the Kandyan Chiefs, c1890, (1910)

Kandy Perahera. - A Procession of Elephants carried through by the Kandyan Chiefs, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageArial View Collection: Sacred Elephant in the Perahera Procession, Kandy, Ceylon, c1890, (1910)

Sacred Elephant in the Perahera Procession, Kandy, Ceylon, c1890, (1910). Artist: Alfred William Amandus Plate
Sacred Elephant in the Perahera Procession, Kandy, Ceylon, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageArial View Collection: View of Paddy Field from Kadugannawa Pass, c1890, (1910). Artist: Alfred William Amandus Plate

View of Paddy Field from Kadugannawa Pass, c1890, (1910). Artist: Alfred William Amandus Plate
View of Paddy Field from Kadugannawa Pass, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageArial View Collection: View from Mount Lavinia, Showing Cocoanut Palms along Seashore, c1890, (1910)

View from Mount Lavinia, Showing Cocoanut Palms along Seashore, c1890, (1910). Artist: Alfred William Amandus Plate
View from Mount Lavinia, Showing Cocoanut Palms along Seashore, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageArial View Collection: View Towards the Pettah or Native Quarter, Colombo, Showing Khan Clock Tower, c1890, (1910)

View Towards the Pettah or Native Quarter, Colombo, Showing Khan Clock Tower, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageArial View Collection: The Grand Oriental Hotel and P. & O. Building, Ceylon, c1890, (1910)

The Grand Oriental Hotel and P. & O. Building, Ceylon, c1890, (1910). Artist: Alfred William Amandus Plate
The Grand Oriental Hotel and P. & O. Building, Ceylon, c1890, (1910). From The Hundred Best Views of Ceylon. [Plate Ltd, Colombo, Kandy & Nuwara Eliya, 1910]

Background imageArial View Collection: At Sunset, 22nd September 1893. Water-Colour Sketch, 1893, (1897). Artist: Fridtjof Nansen

At Sunset, 22nd September 1893. Water-Colour Sketch, 1893, (1897). Artist: Fridtjof Nansen
At Sunset, 22nd September 1893. (1897). Water-Colour Sketch from Farthest North, Vol. 1 by Fridtjof Nansen. [Archibald Constable and Company, London, 1897]

Background imageArial View Collection: Evening Among the Drift-Ice, 22nd September 1893, (1897). Artist: Fridtjof Nansen

Evening Among the Drift-Ice, 22nd September 1893, (1897). Artist: Fridtjof Nansen
Evening Among the Drift-Ice, 22nd September 1893, (1897). Water-Colour Sketch from Farthest North, Vol. 1 by Fridtjof Nansen. [Archibald Constable and Company, London, 1897]

Background imageArial View Collection: Whitsunday Island, c1885, (1890). Artist: Robert Taylor Pritchett

Whitsunday Island, c1885, (1890). Artist: Robert Taylor Pritchett
Whitsunday Island, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Background imageArial View Collection: The Queens Palace at Papeete, Tahiti, c1885, (1890). Artist: Robert Taylor Pritchett

The Queens Palace at Papeete, Tahiti, c1885, (1890). Artist: Robert Taylor Pritchett
The Queens Palace at Papeete, Tahiti, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Background imageArial View Collection: Travelling in the Andes, c1885, (1890). Artist: Robert Taylor Pritchett

Travelling in the Andes, c1885, (1890). Artist: Robert Taylor Pritchett
Travelling in the Andes, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Background imageArial View Collection: Buenos Ayres, c1885, (1890). Artist: Robert Taylor Pritchett

Buenos Ayres, c1885, (1890). Artist: Robert Taylor Pritchett
Buenos Ayres, c1885, (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Background imageArial View Collection: Brazilian Forest, c1885 (1890). Artist: Robert Taylor Pritchett

Brazilian Forest, c1885 (1890). Artist: Robert Taylor Pritchett
Brazilian Forest, c1885 (1890). From Journal of Researchers into the Natural History and Geology of the Countries Visited during the Voyage of H.M.S

Background imageArial View Collection: A Broad River with a Canal Running Beside It, c1480 (1945). Artist: Leonardo da Vinci

A Broad River with a Canal Running Beside It, c1480 (1945). Artist: Leonardo da Vinci
A Broad River with a Canal Running Beside It, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageArial View Collection: Bird s-Eye View of a River with a Rope Ferry, c1480 (1945). Artist: Leonardo da Vinci

Bird s-Eye View of a River with a Rope Ferry, c1480 (1945). Artist: Leonardo da Vinci
Bird s-Eye View of a River with a Rope Ferry, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageArial View Collection: Plan of an Embankment for Diverting the Arno, c1480 (1945). Artist: Leonardo da Vinci

Plan of an Embankment for Diverting the Arno, c1480 (1945). Artist: Leonardo da Vinci
Plan of an Embankment for Diverting the Arno, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageArial View Collection: Bird s-Eye View Showing Arezzo, Borgho San Sepolco, Perugia, Chiusi and Siena, c1480 (1945)

Bird s-Eye View Showing Arezzo, Borgho San Sepolco, Perugia, Chiusi and Siena, c1480 (1945). Artist: Leonardo da Vinci
Bird s-Eye View Showing Arezzo, Borgho San Sepolco, Perugia, Chiusi and Siena, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageArial View Collection: Bird s-Eye View of Part of Tuscany, c1480 (1945). Artist: Leonardo da Vinci

Bird s-Eye View of Part of Tuscany, c1480 (1945). Artist: Leonardo da Vinci
Bird s-Eye View of Part of Tuscany, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageArial View Collection: A Storm Over an Alpine Valley, c1480 (1945). Artist: Leonardo da Vinci

A Storm Over an Alpine Valley, c1480 (1945). Artist: Leonardo da Vinci
A Storm Over an Alpine Valley, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageArial View Collection: View over a Valley with Mountains Beyond, c1480 (1945). Artist: Leonardo da Vinci

View over a Valley with Mountains Beyond, c1480 (1945). Artist: Leonardo da Vinci
View over a Valley with Mountains Beyond, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageArial View Collection: Rocks and Stream, c1480 (1945). Artist: Leonardo da Vinci

Rocks and Stream, c1480 (1945). Artist: Leonardo da Vinci
Rocks and Stream, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageArial View Collection: Portsmouth Harbour, c1890

Portsmouth Harbour, c1890. Best known as the home of the Royal Navy, HMNB Portsmouth. Because of its strategic location on the south coast of England, After a photograph by West & Son

Background imageArial View Collection: Santa Clara. Central Park - Parque Central, c1910

Santa Clara. Central Park - Parque Central, c1910

Background imageArial View Collection: Prado Avenue, 1907

Prado Avenue, 1907. [Wilsons Obispo, Havana, Cuba, 1907]

Background imageArial View Collection: Cuban Pack Train, c1910

Cuban Pack Train, c1910. [Harris Bros. Co. Havana, Cuba, c1910]

Background imageArial View Collection: Battle of Quatre Bras, June 16, 1815, 1815 (1909). Artist: Thomas Sutherland

Battle of Quatre Bras, June 16, 1815, 1815 (1909). Artist: Thomas Sutherland
Battle of Quatre Bras, June 16, 1815, 1815 (1909). After William Heath (1794-1840). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Background imageArial View Collection: The Cavalry Charge at Balaclava, 1854 (1909)

The Cavalry Charge at Balaclava, 1854 (1909). After Edward Morin (1824-1882). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Background imageArial View Collection: Bombardment of Sebastopol, 1854 (1909)

Bombardment of Sebastopol, 1854 (1909). After J. Thomas. From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Background imageArial View Collection: The Battle of Alma, 1855 (1909). Artist: William Simpson

The Battle of Alma, 1855 (1909). Artist: William Simpson
The Battle of Alma, 1855 (1909). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Background imageArial View Collection: The Battle of Waterloo, June 18, 1815, 1817 (1909). Artist: Richard Gibson Reeve

The Battle of Waterloo, June 18, 1815, 1817 (1909). Artist: Richard Gibson Reeve
The Battle of Waterloo, June 18, 1815, 1817 (1909). After William Heath (1794-1840). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Background imageArial View Collection: The Mortar Battery at Woolwich, 1847 (1909). Artist: Charles Hunt

The Mortar Battery at Woolwich, 1847 (1909). Artist: Charles Hunt
The Mortar Battery at Woolwich, 1847 (1909). After Thomas Jones (1742-1803). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Background imageArial View Collection: Plan of the Castle, 1895

Plan of the Castle, 1895. From The Governors Guide to Windsor Castle, by the Most Noble The Marquis of Lorne, K.T. [Cassell and Company, Limited, London, 1895]

Background imageArial View Collection: Nordens View of Windsor Castle, 1607. 1895. Artist: John Norden

Nordens View of Windsor Castle, 1607. 1895. Artist: John Norden
Nordens View of Windsor Castle, 1607. 1895. From The Governors Guide to Windsor Castle, by the Most Noble The Marquis of Lorne, K.T. [Cassell and Company, Limited, London, 1895]

Background imageArial View Collection: England, c1930s

England, c1930s
England. Gleaming afar in the sun the fair white Seven Sisters that lie on the seaward edge of the Sussex Downs near Seaford are familiar landmarks to every mariner faring up and down the Channel

Background imageArial View Collection: A Landscape in Donegal, c1915. Artist: William Monk

A Landscape in Donegal, c1915. Artist: William Monk
A Landscape in Donegal, c1915. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]



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