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And Gold On Paper Collection (page 5)

Background imageAnd Gold On Paper Collection: A Rajput Warrior with Camel, Possibly Maru Ragini from a Ragamala, 1650-80. Creator: Unknown

A Rajput Warrior with Camel, Possibly Maru Ragini from a Ragamala, 1650-80. Creator: Unknown
A Rajput Warrior with Camel, Possibly Maru Ragini from a Ragamala, 1650-80

Background imageAnd Gold On Paper Collection: A mendicant bowing before a holy man, from the Prince Salim Album, c. 1585. Creator

A mendicant bowing before a holy man, from the Prince Salim Album, c. 1585. Creator
A mendicant bowing before a holy man, from the Prince Salim Album, c. 1585; inner border added in Allahabad c. 1602; outer border added probably 1900s

Background imageAnd Gold On Paper Collection: The Beach at Sumiyoshi from the Tales of Ise ( Ise Monogatari ), 1600-1640

The Beach at Sumiyoshi from the Tales of Ise ( Ise Monogatari ), 1600-1640
The Beach at Sumiyoshi from the " Tales of Ise" (" Ise Monogatari" ), 1600-1640. The poem written on the painting comes from The Tales of Ise

Background imageAnd Gold On Paper Collection: A Lady Plucking Flowers with Peacocks, Gunakali Ragini of Malkos, from the Chawand

A Lady Plucking Flowers with Peacocks, Gunakali Ragini of Malkos, from the Chawand
A Lady Plucking Flowers with Peacocks, Gunakali Ragini of Malkos, from the " Chawand Ragamala", 1605

Background imageAnd Gold On Paper Collection: Chrysanthemums by the Water, 1761-1828. Creator: Sakai Hoitsu (Japanese, 1761-1828)

Chrysanthemums by the Water, 1761-1828. Creator: Sakai Hoitsu (Japanese, 1761-1828)
Chrysanthemums by the Water, 1761-1828

Background imageAnd Gold On Paper Collection: Maharaja Jagat Singh Hunting, 1734-1751. Creator: Unknown

Maharaja Jagat Singh Hunting, 1734-1751. Creator: Unknown
Maharaja Jagat Singh Hunting, 1734-1751. One of the favorite pastimes of the Rajputana nobility was hunting, a subject frequently depicted in secular painting in Rajasthan

Background imageAnd Gold On Paper Collection: Maharaja Abhai Singh, Equestrian, Watching Girls Swinging at the Teej Festival, c

Maharaja Abhai Singh, Equestrian, Watching Girls Swinging at the Teej Festival, c. 1740. The Teej Festival celebrates the coming of the monsoons that bring the rains essential for the crops

Background imageAnd Gold On Paper Collection: Madhu Madhavi Ragini, c. 1630-1640. Creator: Unknown

Madhu Madhavi Ragini, c. 1630-1640. Creator: Unknown
Madhu Madhavi Ragini, c. 1630-1640

Background imageAnd Gold On Paper Collection: Page from Tales of a Parrot (Tuti-nama): Thirty-fifth night: The Brahman gives... c

Page from Tales of a Parrot (Tuti-nama): Thirty-fifth night: The Brahman gives... c
Page from Tales of a Parrot (Tuti-nama): Thirty-fifth night: The Brahman gives an account of his falling in love with the king of Babylons daughter to his friend, the magician, c. 1560

Background imageAnd Gold On Paper Collection: Pan Lang (Han Ro), early 1600s. Creator: Unkoku T?gan (Japanese, 1547-1618)

Pan Lang (Han Ro), early 1600s. Creator: Unkoku T?gan (Japanese, 1547-1618)
Pan Lang (Han Ro), early 1600s. This is one of the pair of screens depicts episodes from the stories of famed Song-dynasty poets Su Shi of the 1000s and Zhou-dynasty official Pan Lang of the 900s

Background imageAnd Gold On Paper Collection: On the Benefits of Quails (verso) from a Manafi al-Hayawan... c. 1300. Creator: Unknown

On the Benefits of Quails (verso) from a Manafi al-Hayawan... c. 1300. Creator: Unknown
On the Benefits of Quails (verso) from a Manafi al-Hayawan (On the Usefulness of Animals) of Ibn Bakhtishu (d. 1058), c. 1300

Background imageAnd Gold On Paper Collection: Page from Tales of a Parrot (Tuti-nama): Fourth night: The mendicants wife deceives

Page from Tales of a Parrot (Tuti-nama): Fourth night: The mendicants wife deceives him with a soldier, c. 1560. According to this story, written in Persian

Background imageAnd Gold On Paper Collection: Bahram Gur Arrives at the House of a Merchant, text page (recto), from a Shahnama

Bahram Gur Arrives at the House of a Merchant, text page (recto), from a Shahnama (Book of Kings) of Firdausi (940-1019 or 1025), known as the Great Mongol Shahnama, 1330-35

Background imageAnd Gold On Paper Collection: Krishna Stealing Curds, late 1700s. Creator: Unknown

Krishna Stealing Curds, late 1700s. Creator: Unknown
Krishna Stealing Curds, late 1700s

Background imageAnd Gold On Paper Collection: Lady Longing for her Lover, Varari Ragini of Dipak, from a Ragamala, 1650-60. Creator: Unknown

Lady Longing for her Lover, Varari Ragini of Dipak, from a Ragamala, 1650-60. Creator: Unknown
Lady Longing for her Lover, Varari Ragini of Dipak, from a Ragamala, 1650-60. A lady clasps her hands above her head in a posture of seduction meant to show off her figure as she anticipates her

Background imageAnd Gold On Paper Collection: Ladies Shooting from a Pavilion, c. 1810. Creator: Unknown

Ladies Shooting from a Pavilion, c. 1810. Creator: Unknown
Ladies Shooting from a Pavilion, c. 1810. The anonymous master who painted this work reveled in detailed depictions of animals in nature

Background imageAnd Gold On Paper Collection: Leaf from a Koran, 1100s. Creator: Unknown

Leaf from a Koran, 1100s. Creator: Unknown
Leaf from a Koran, 1100s. Arabic calligraphy, the art of beautiful writing, was elevated above all other art forms in the Islamic world because Allah, or God

Background imageAnd Gold On Paper Collection: Black and White Bird Perched on a Shrub, 1651-1652. Creator: Shafi Abbasi (Iranian)

Black and White Bird Perched on a Shrub, 1651-1652. Creator: Shafi Abbasi (Iranian)
Black and White Bird Perched on a Shrub, 1651-1652. In Iran between the 1630s and 1650s, the court painter Shafi Abbasi, son of the renowned painter Riza Abbasi

Background imageAnd Gold On Paper Collection: Emperor Yao Visiting Yu Chonghua, mid- to late 1600s. Creator: Kusumi Morikage (Japanese, c)

Emperor Yao Visiting Yu Chonghua, mid- to late 1600s. Creator: Kusumi Morikage (Japanese, c)
Emperor Yao Visiting Yu Chonghua, mid- to late 1600s. One of a pair, this screen shows a section of the narrative of how the Chinese Emperor Yao (about 2356-2255 BC) selected his successor

Background imageAnd Gold On Paper Collection: Calligraphy, Persian Verses (verso), 1400s. Creator: Unknown

Calligraphy, Persian Verses (verso), 1400s. Creator: Unknown
Calligraphy, Persian Verses (verso), 1400s

Background imageAnd Gold On Paper Collection: A Disconsolate Lady on a Terrace with Attendants, c. 1730. Creator: Unknown

A Disconsolate Lady on a Terrace with Attendants, c. 1730. Creator: Unknown
A Disconsolate Lady on a Terrace with Attendants, c. 1730. This princess is waiting for her lover to arrive. Thinking of him, she touches her breast and her lap

Background imageAnd Gold On Paper Collection: The Forty-Eighth Year of Nushirwans Reign. The Combat of the Khaqan of China

The Forty-Eighth Year of Nushirwans Reign. The Combat of the Khaqan of China
" The Forty-Eighth Year of Nushirwans Reign. The Combat of the Khaqan of China with the Haithalians in the manuscript of Shahnama of Firdawsi. c. 1482

Background imageAnd Gold On Paper Collection: Arrival of the Southern Barbarians, c. 1600. Creator: Unknown

Arrival of the Southern Barbarians, c. 1600. Creator: Unknown
Arrival of the " Southern Barbarians", c. 1600

Background imageAnd Gold On Paper Collection: Animals, Precious Stones, Coins, and Musical Instruments (recto); Animals, Birds, and Plants

Animals, Precious Stones, Coins, and Musical Instruments (recto); Animals, Birds, and Plants (verso) from a Munis al-Ahrar fi Daqaiq al-Ashar (The Free Mens Companion to the Subtleties of Poems)

Background imageAnd Gold On Paper Collection: An African Lyre Player (recto); Calligraphy (verso), c. 1640-1660. Creator: Unknown

An African Lyre Player (recto); Calligraphy (verso), c. 1640-1660. Creator: Unknown
An African Lyre Player (recto); Calligraphy (verso), c. 1640-1660

Background imageAnd Gold On Paper Collection: An African Lyre Player, c. 1640-1660. Creator: Unknown

An African Lyre Player, c. 1640-1660. Creator: Unknown
An African Lyre Player, c. 1640-1660. The anonymity of the subject of this painting obscures whether this is a portrait of a historical person, or a generic depiction of a musician



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