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Allegorical Figure Collection (page 52)

Background imageAllegorical Figure Collection: A Question of Supply, 1884. Artist: Joseph Swain

A Question of Supply, 1884. Artist: Joseph Swain
A Question of Supply, 1884. John Bull, the representative of the British people, tells the Duke of Richmond quite plainly that the proposed Cattle Bill should first

Background imageAllegorical Figure Collection: The Real Parliamentary Whip, 1884. Artist: Joseph Swain

The Real Parliamentary Whip, 1884. Artist: Joseph Swain
The Real Parliamentary Whip, 1884. Mr Punch encourages Mr John Bull as, armed with a whip labelled public opinion he heads in a determined fashion for the House of Commons

Background imageAllegorical Figure Collection: Why Should England Wait?, 1884

Why Should England Wait?, 1884. John Bull, the representative of the British people, urges the Liberal Prime Minister, Gladstone, to unmuzzle the British Lion

Background imageAllegorical Figure Collection: The Beast of Burden, 1884. Artist: Joseph Swain

The Beast of Burden, 1884. Artist: Joseph Swain
The Beast of Burden, 1884. John Bull is depicted trying to persuade the camel representing Egypt and laden with political issues, to move, whilst France offers to take over the task

Background imageAllegorical Figure Collection: Snubbed!, 1883. Artist: Joseph Swain

Snubbed!, 1883. Artist: Joseph Swain
Snubbed!, 1883. Spain and Germany are shown taking a walk together, with France scowling jealously in the background. In November 1883

Background imageAllegorical Figure Collection: A Mutual Understanding, 1883. Artist: Joseph Swain

A Mutual Understanding, 1883. Artist: Joseph Swain
A Mutual Understanding, 1883. The British Lion, clutching a bag of money, is seen negotiating with the foxy M de Lesseps. This relates to an ongoing discussion concerning the Suez Canal

Background imageAllegorical Figure Collection: A Momentous Question!, 1883. Artist: Joseph Swain

A Momentous Question!, 1883. Artist: Joseph Swain
A Momentous Question!, 1883. Czar Alexander III of Russia is majestic following his coronation. On one side is the representative of Constitutional Liberty and, on the other, Despotism

Background imageAllegorical Figure Collection: Help! Help! or, Wanted a Water Act, 1883

Help! Help! or, Wanted a Water Act, 1883
Help! Help! or, wanted a water act, 1883. Agriculture looks at the horizon in the hope of spotting good weather to come. Behind her are representatives of the farmers who suffered so much

Background imageAllegorical Figure Collection: On the Trail, 1883. Artist: Joseph Swain

On the Trail, 1883. Artist: Joseph Swain
On the Trail, 1883. Justitia, armed with her sword, is followed here by a shrinking Hibernia. During the course of the previous year, the new Chief Secretary for Ireland, Lord Frederick Cavendish

Background imageAllegorical Figure Collection: The Model School, 1882

The Model School, 1882. A young John Bull shows Mr William Forster his model of a Board School. In Gladstones Liberal administration of 1868-74

Background imageAllegorical Figure Collection: The Lions Just Share, 1882. Artist: Joseph Swain

The Lions Just Share, 1882. Artist: Joseph Swain
The Lions Just Share, 1882. The British Lion stands proudly on his Egyptian captive. He is watched by Italy, a French poodle, the Russian Bear, Spain, Germany and the two headed eagle of Austria

Background imageAllegorical Figure Collection: Safe!, 1882. Artist: Joseph Swain

Safe!, 1882. Artist: Joseph Swain
Safe!, 1882. John Bull, able-seaman, is shown tenderly cradling the infant Suez Canal. On the 28th July 1882, it was agreed that the Canal should operate under the joint protection of the six great

Background imageAllegorical Figure Collection: A Self-Denying Policy!, 1882. Artist: Joseph Swain

A Self-Denying Policy!, 1882. Artist: Joseph Swain
A Self-Denying Policy!, 1882. The French sailor congratulates John Bull on a job well done, and proposes to share in the glory

Background imageAllegorical Figure Collection: Rule Britannia, 1882

Rule Britannia, 1882. Britannia is not sure whether or not she has jurisdiction over the proposed Channel Tunnel. From Punch, or the London Charivari, July 15, 1882

Background imageAllegorical Figure Collection: Egyptian Bonds, 1882. Artist: Joseph Swain

Egyptian Bonds, 1882. Artist: Joseph Swain
Egyptian Bonds, 1882. John Bull represents the British Navy, and is tied to a small French sailor. At the right of the cartoon is Arabi Pasha who was generally viewed as the representative of a

Background imageAllegorical Figure Collection: Hold On!, 1882. Artist: Joseph Swain

Hold On!, 1882. Artist: Joseph Swain
Hold On!, 1882. John Bull and a sailor struggle to manage a recalcitrant Egyptian crocodile. Lord Granville, the Liberal Foreign Secretary

Background imageAllegorical Figure Collection: A Cry from Christendom, 1882. Artist: Joseph Swain

A Cry from Christendom, 1882. Artist: Joseph Swain
A Cry from Christendom, 1882. England illustrates the outrage of the people to Russia. In the background, Russians are seen murdering Russian Jews in vast numbers

Background imageAllegorical Figure Collection: Times Waxworks, 1881. Artist: Joseph Swain

Times Waxworks, 1881. Artist: Joseph Swain
Times Waxworks, 1881. Father Time shows Mr Punch around Madame Tussauds, the waxwork museum of celebrities that opened in 1802

Background imageAllegorical Figure Collection: Two Forces, 1881. Artist: Joseph Swain

Two Forces, 1881. Artist: Joseph Swain
Two Forces, 1881. Britannia, armed with a large sword labelled The Law, protects Hibernia from a stone-throwing, animalistic Irish anarchist

Background imageAllegorical Figure Collection: A Common Sorrow, 1881. Artist: Joseph Swain

A Common Sorrow, 1881. Artist: Joseph Swain
A Common Sorrow, 1881. Britannia comforts America after the death of the President on the 19th September 1881. James A Garfield was shot

Background imageAllegorical Figure Collection: A Tiff, 1881. Artist: Joseph Swain

A Tiff, 1881. Artist: Joseph Swain
A Tiff, 1881. John Bull, the representative of the British people, is at odds with Madame France in this cartoon. This illustrates a dispute between the governments of the two countries after Frances

Background imageAllegorical Figure Collection: Out of the Wood!, 1881. Artist: Joseph Swain

Out of the Wood!, 1881. Artist: Joseph Swain
Out of the Wood!, 1881. The Liberal Prime Minister, Gladstone, is the knight in shining armour, sweeping Hibernia out of danger. Instead of a lance, he carries the Irish Land Act

Background imageAllegorical Figure Collection: The Rivals, 1881. Artist: Joseph Swain

The Rivals, 1881. Artist: Joseph Swain
The Rivals, 1881. The Liberal Prime Minister, Gladstone, outdoes his rival for the affection of Hibernia by presenting her with flowers wrapped in his Land Reform Bill

Background imageAllegorical Figure Collection: Suspense, 1881. Artist: Joseph Swain

Suspense, 1881. Artist: Joseph Swain
Suspense, 1881. Hibernia, with two Irish children, awaits the forthcoming Land Reform Act. This was introduced by the Liberal Prime Minister, Gladstone

Background imageAllegorical Figure Collection: Peace with Honour, 1881. Artist: Joseph Swain

Peace with Honour, 1881. Artist: Joseph Swain
Peace with Honour, 1881. Britannia wears full mourning in honour of Benjamin Disraeli, the Earl of Beaconsfield. The former Conservative Prime Minister died on 19th April 1881

Background imageAllegorical Figure Collection: Measurable Distance, 1881. Artist: Joseph Swain

Measurable Distance, 1881. Artist: Joseph Swain
Measurable Distance, 1881. Mr John Bull, the representative of the British people is the owner of the ship which the pilot, Prime Minister Gladstone, is attempting to steer into safe harbour

Background imageAllegorical Figure Collection: The Irrepressible Nigger!, 1881. Artist: Joseph Swain

The Irrepressible Nigger!, 1881. Artist: Joseph Swain
The Irrepressible Nigger!, 1881. John Bull, the representative of the British people, is being asked by King Coffee for the return of his state umbrella

Background imageAllegorical Figure Collection: Law and Liberty, 1880. Artist: Joseph Swain

Law and Liberty, 1880. Artist: Joseph Swain
Law and Liberty, 1880. Law and Liberty watch the unrest in Ireland. This relates to a conference, held on the 23rd October, at Dublin

Background imageAllegorical Figure Collection: Mending the Lesson, 1873. Artist: Joseph Swain

Mending the Lesson, 1873. Artist: Joseph Swain
Mending the Lesson, 1873. A skinny Britannia tells John Bull to beware of handing out too much charity to the needy. This relates to the serious famine blighting the lives of the inhabitants of

Background imageAllegorical Figure Collection: Between Two Terrors, 1873. Artist: Joseph Swain

Between Two Terrors, 1873. Artist: Joseph Swain
Between Two Terrors, 1873. (White and Red). Louis Adolphe Thiers, the first President of the Third Republic, is being embraced by a pleading France

Background imageAllegorical Figure Collection: Au Revoir, 1873. Artist: Joseph Swain

Au Revoir, 1873. Artist: Joseph Swain
Au Revoir, 1873. Germany, carrying a bag stuffed with cash, says farewell to France. A defiant France insists it is not farewell, just au revoir

Background imageAllegorical Figure Collection: Persia Won!, 1873. Artist: Joseph Swain

Persia Won!, 1873. Artist: Joseph Swain
Persia Won!, 1873. Britannia says farewell to the Shah of Persia (now Iran) after his successful visit to Britain. It was believed that whilst good relations were maintained with Persia

Background imageAllegorical Figure Collection: Feline Friends; or, The British Lion and the Persian Chat!, 1873. Artist: Joseph Swain

Feline Friends; or, The British Lion and the Persian Chat!, 1873. Artist: Joseph Swain
Feline Friends; or, The British Lion and the Persian Chat!, 1873. The Russian Bear is shackled in the background as the Persian Pussycat cuddles up to the great British Lion

Background imageAllegorical Figure Collection: The Ugly Duckling, 1873. Artist: Joseph Swain

The Ugly Duckling, 1873. Artist: Joseph Swain
The Ugly Duckling, 1873. Britannia and Neptune watch one of the new iron-clad ships Devastation leave port. Such ships were armed with giant guns

Background imageAllegorical Figure Collection: The Coffin-Ships, 1873. Artist: Joseph Swain

The Coffin-Ships, 1873. Artist: Joseph Swain
The Coffin-Ships, 1873. Jack Tar is embraced by his lover as he prepares to board his ship. This relates to recent agitation on the part of Samuel Plimsoll for a Royal Commission into the condition

Background imageAllegorical Figure Collection: The Return of Ulysses, 1872

The Return of Ulysses, 1872. Americas Republican President, Ulysses Grant, was re-elected in 1872 and stands proudly by Columbias side

Background imageAllegorical Figure Collection: Humble Pie, 1872. Artist: Joseph Swain

Humble Pie, 1872. Artist: Joseph Swain
Humble Pie, 1872. Mr Bull, the representative of the British people, is presented with a second humble pie by Mr Gladstone in his waiters outfit

Background imageAllegorical Figure Collection: Pity the Poor Garotters!, 1872

Pity the Poor Garotters!, 1872. A ruffian is howling even before the first blow. Watching is John Bull and assorted policemen. This relates to a new wave of garrotting

Background imageAllegorical Figure Collection: The Loving Cup, 1872. Artist: Joseph Swain

The Loving Cup, 1872. Artist: Joseph Swain
The Loving Cup, 1872. Mr Bull shares a Loving Cup with Colombia. This cartoon relates to the ongoing Alabama dispute, brewing since the end of the American Civil War

Background imageAllegorical Figure Collection: A Good Beginning 1872. Artist: Joseph Swain

A Good Beginning 1872. Artist: Joseph Swain
A Good Beginning.. 1872. The new Ballot Bill had recently been passed into law and here Britannia drops a slight curtsey to the lanky figure of the Ballot. The man to the left is Hugh Childers

Background imageAllegorical Figure Collection: Injured Innocence, 1872. Artist: Joseph Swain

Injured Innocence, 1872. Artist: Joseph Swain
Injured Innocence, 1872. Germany reels at the headline in the newspaper confirming the amount of money that France has raised to pay off her war indemnity

Background imageAllegorical Figure Collection: Adolphe the Alchemist, 1872. Artist: Joseph Swain

Adolphe the Alchemist, 1872. Artist: Joseph Swain
Adolphe the Alchemist, 1872. France kneels next to the alchemist, who is producing cash from his brew. Adolphe is Louis Adolphe Thiers, the first President of the Third Republic

Background imageAllegorical Figure Collection: Prosperous John, 1872. Artist: Joseph Swain

Prosperous John, 1872. Artist: Joseph Swain
Prosperous John, 1872. John Bull is the representative of the British people and the people are being raided of their earnings through income tax. He also represents the national purse

Background imageAllegorical Figure Collection: The Men of Business, 1872. Artist: Joseph Swain

The Men of Business, 1872. Artist: Joseph Swain
The Men of Business, 1872. Columbia and Britannia discuss the differences between America and Britain. In the background the representatives of the two administrations sort out the details

Background imageAllegorical Figure Collection: Out of the Question, 1872. Artist: Joseph Swain

Out of the Question, 1872. Artist: Joseph Swain
Out of the Question, 1872. The Butler, Mr Gladstone, considers giving notice to Britannia. She refuses to allow him to go until the Alabama Claim being pursued by America is settled

Background imageAllegorical Figure Collection: Jeremy Diddlowe, 1872. Artist: Joseph Swain

Jeremy Diddlowe, 1872. Artist: Joseph Swain
Jeremy Diddlowe, 1872. Robert Lowe, Gladstones Chancellor of the Exchequer, is depicted as Jeremy Diddlowe. He is presenting John Bull, the representative of the British people, with twopence

Background imageAllegorical Figure Collection: A Still Bigger Claimant, 1872. Artist: Joseph Swain

A Still Bigger Claimant, 1872. Artist: Joseph Swain
A Still Bigger Claimant, 1872. John Bull, the representative of the British people, is dwarfed by a huge American claim. The claim is being inflated by the representative of the American

Background imageAllegorical Figure Collection: Suspense, 1871. Artist: Joseph Swain

Suspense, 1871. Artist: Joseph Swain
Suspense, 1871. Britannia waits anxiously outside the door of the Prince of Waless sick chamber. Since Prince Alberts death some ten years earlier



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