Allahabad Collection

Jesus writes on the ground, from a Mirror of Holiness (Mir at al-quds)... 1602-1604
Jesus writes on the ground, from a Mirror of Holiness (Mir at al-quds) of Father Jerome Xavier, 1602-1604. As Jesus was debating with the scribes

Mirror of Holiness (Mir at al-quds) of Father Jerome Xavier, 1602-1604. Creator: Unknown
Mirror of Holiness (Mir at al-quds) of Father Jerome Xavier, 1602-1604. Father Jerome Xavier (1549-1617) of the Society of Jesus, also known as the Jesuit order of Catholic priests

[Countess Canning with Guest, Government House, Allahabad], 1858

[Gardens, Government House, Allahabad], 1858. Creator: John Constantine Stanley
[Gardens, Government House, Allahabad], 1858

[Countess Canning with Guests, Government House, Allahabad], 1858

[Government House, Allahabad], 1858. Creator: John Constantine Stanley
[Government House, Allahabad], 1858

Ghat at Allahabad Fort, 1858-61. Creator: Unknown
Ghat at Allahabad Fort, 1858-61

The Flagellation, from a Mirror of Holiness (Mir at al-quds) of Father Jerome Xavier, 1602-1604. This is the last illustration in the Cleveland manuscript of the Mir at al-quds

The Flowering of Josephs Rod, from a Mirror of Holiness (Mir at al-quds) of Father Jerome Xavier, 1602-1604. This painting illustrates a story that introduces Joseph into the narrative

The place of Jesuss birth, from a Mir at al-quds of Father Jerome Xavier…
The place of Jesuss birth, from a Mir at al-quds of Father Jerome Xavier (Spanish, 1549-1617), 1602-1604. Instead of a stable

The Annunciation, from a Mir at al-quds of Father Jerome Xavier (Spanish, 1549-1617), 1602-1604. The Annunciation is a familiar scene in European Renaissance

Text pages from the Mir at al-quds of Father Jerome Xavier (Spanish, 1549-1617), 1602

The Adoration of the Shepherds, from a Mirror of Holiness (Mir at al-quds) of Father Jerome Xavier, 1602-1604. Without reading the text

The Adoration of the Magi, from a Mirror of Holiness (Mir at al-quds) of Father Jerome Xavier, 1602-1604. In this Nativity scene, familiar in Christian contexts

The Marriage at Cana, from a Mirror of Holiness (Mir at al-quds) of Father Jerome Xavier, 1602-1604

The Magi Follow the Star, from a Mirror of Holiness (Mir at al-quds) of Father Jerome Xavier, 1602-1604. One of the three kings points excitedly at the star at the upper left edge of the page

Simeon Kneels in Front of Mary and Jesus After Recognizing Them, from a Mirror of Holiness (Mir at al-quds) of Father Jerome Xavier, 1602-1604

Salome Receiving John the Baptists Head on a Platter, from a Mirror of Holiness (Mirat al-quds) of Father Jerome Xavier, 1602-1604

Mary ascends the stairs to the temple, from a Mir at al-quds (Mirror of Holiness) of Father Jerome Xavier (Spanish, 1549-1617), 1602-1604

Moses praying to end the serpents attack on the Israelites, from a Mir at al-quds (Mirror of Holiness) of Father Jerome Xavier (Spanish, 1549-1617), 1602-1604

Mary Magdalene Presents Ointment to Jesus, from a Mirror of Holiness... 1602-1604
Mary Magdalene Presents Ointment to Jesus, from a Mirror of Holiness (Mir at al-quds) of Father Jerome Xavier, 1602-1604. While Jesus dined in the house of a Pharisee he was approached by Mary

Mary and Joseph travel to Bethlehem, from a Mir at al-quds of Father Jerome Xavier (Spanish, 1549-1617), 1602-1604. Since the author of this book on the life of Christ did not specify the kind of

Illuminated page, from a Mir at al-quds of Father Jerome Xavier (Spanish, 1549-1617), 1602

John the Baptist recognizes Christ by the appearance of a dove, from a Mirror of Holiness (Mir at al-quds) of Father Jerome Xavier, 1602-1604

A raven brings food to Elijah, from a Mir at al-quds of Father Jerome Xavier (Spanish, 1549-1617), 1602-1604

The Entry into Jerusalem, from a Mirror of Holiness (Mir at al-quds) of Father Jerome Xavier, 1602-1604

Jesus Raises Jairuss Daughter from the Dead, from a Mirror of Holiness (Mir at al-quds) of Father Jerome Xavier, 1602-1604

Jesus Heals the Noblemans Son in Capernaum, from a Mirror of Holiness (Mir at al-quds) of Father Jerome Xavier, 1602-1604

Jesus being portrayed by King Abgars painter, from a Mir at al-quds of Father Jerome Xavier (Spanish, 1549-1617), 1602-1604

Jesus in the Tun Mountains near Nazareth where he Chooses Twelve of his Followers and Calls them Apostles, from a Mirror of Holiness (Mirat al-quds) of Father Jerome Xavier, 1602-1604

Jesus being awakened during a tempest on the Sea of Galilee, from a Mir at al-quds of Father Jerome Xavier (Spanish, 1549-1617), 1602-1604

Antelope and deer hunt, c. 1602-1604. Creator: Govardhan (Indian, active c. 1596-1645)
Antelope and deer hunt, c. 1602-1604. The Mughals used trained cheetahs to capture prey during hunting expeditions in the wilderness

Angels bring food to Jesus in the wilderness, from a Mir at al-quds of Father Jerome Xavier (Spanish, 1549-1617), 1602-1604

Gateway in Allahabad, Uttar Pradesh, India, 1902. Creator: Kirk & Sons of Cowes
Gateway in Allahabad, Uttar Pradesh, India, 1902

Allahabad, c1880. Episode of the Anglo-Persian War (1856-1857). From British Battles on Land and Sea, Vol. III, by James Grant. [Cassell Petter & Galpin, London, Paris & New York, c1880]

Returning from the Mela, Allahabad, c1880 (1905). Artist: Alexander Henry Hallam Murray
Returning from the Mela, Allahabad, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Major Eyre driving the Oude rebels from Allahabad, 1857, (c1860). British officer Vincent Eyre and his troops fighting against Indians from Oudh (Ayodhya in Uttar Pradesh)

View of Allahabad, showing the fort, c1860. Allahabad Fort, on the banks of the River Yamuna in India, was built by Emperor Akbar in 1583

Palace of Allahabad, India, 1847. Artist: Bonner
Palace of Allahabad, India, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Chalees Satoon, or the Pavilion of the Forty Pillars, 1847. Artist: Giles
Chalees Satoon, or the Pavilion of the Forty Pillars, 1847. Pavilion in Allahabad, Uttar Pradesh, India. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

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