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Agricultural Collection (page 6)

Background imageAgricultural Collection: A Harbour surrounded by Wooded Hills and Meadows with Cattle, 1859, (1938). Artist: Alfred Vickers

A Harbour surrounded by Wooded Hills and Meadows with Cattle, 1859, (1938). Artist: Alfred Vickers
A Harbour surrounded by Wooded Hills and Meadows with Cattle, 1859, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

Background imageAgricultural Collection: At the Smithfield Club cattle show, Agricultural Hall, Islington, London, 1902 (1903)

At the Smithfield Club cattle show, Agricultural Hall, Islington, London, 1902 (1903)
At the Smithfield Club cattle show, Agricultural Hall, Islington, London, 19 December 1902 (1903). From Living London, Vol. III, by George R. Sims

Background imageAgricultural Collection: A Dutch Scene, c1908. Artist: The Arc Engraving Co Ltd

A Dutch Scene, c1908. Artist: The Arc Engraving Co Ltd
A Dutch Scene, c1908. From Penroses Pictorial Annual, Vol. XIV, edited by William Gamble. [A.W. Penrose & Co. Ltd, London, 1908-9]

Background imageAgricultural Collection: Study from Life, (c1840), 1925

Study from Life, (c1840), 1925
Study from Life, c1840. After a work by John Frederick Lewis (1804-1876). From The Connoisseur, 1925

Background imageAgricultural Collection: Irrigating fields near Cairo, Egypt, c1920s

Irrigating fields near Cairo, Egypt, c1920s. Plate taken From In the Land of the Pharaohs, published by Lehnert & Landrock (Cairo)

Background imageAgricultural Collection: A Cuban ox team, early 20th century. Artist: Harris Bros & Co

A Cuban ox team, early 20th century. Artist: Harris Bros & Co
A Cuban ox team, early 20th century

Background imageAgricultural Collection: A Scene in Brittany, 1902-1903

A Scene in Brittany, 1902-1903. From Penroses Pictorial Annual 1902-1903, An Illustrated Review of the Graphic Arts, volume 8, edited by William Gamble and published by AW Penrose (London)

Background imageAgricultural Collection: The Melton horse show, judging the hunters, c1880-1940. Artist: Cuthbert Bradley

The Melton horse show, judging the hunters, c1880-1940. Artist: Cuthbert Bradley
The Melton horse show, judging the hunters, c1880-1940

Background imageAgricultural Collection: Fujimi Fuji view field in the Owari province (from a Series 36 Views of Mount Fuji), 1830-1833

Fujimi Fuji view field in the Owari province (from a Series 36 Views of Mount Fuji), 1830-1833. Artist: Hokusai
Fujimi Fuji view field in the Owari province (from a Series 36 Views of Mount Fuji), 1830-1833

Background imageAgricultural Collection: Sundai in Edo (from a Series 36 Views of Mount Fuji), 1830-1833. Artist: Hokusai

Sundai in Edo (from a Series 36 Views of Mount Fuji), 1830-1833. Artist: Hokusai
Sundai in Edo (from a Series 36 Views of Mount Fuji), 1830-1833. Hokusai, Katsushika (1760-1849). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Background imageAgricultural Collection: From the series Hundred Poems by One Hundred Poets: Fujiwara no Teika, c1830. Artist: Hokusai

From the series Hundred Poems by One Hundred Poets: Fujiwara no Teika, c1830. Artist: Hokusai
From the series Hundred Poems by One Hundred Poets: Fujiwara no Teika, c1830. Hokusai, Katsushika (1760-1849). Found in the collection of the State Hermitage, St. Petersburg

Background imageAgricultural Collection: From the series Hundred Poems by One Hundred Poets: Minamoto no Tsunenobu, c1830. Artist: Hokusai

From the series Hundred Poems by One Hundred Poets: Minamoto no Tsunenobu, c1830. Artist: Hokusai
From the series Hundred Poems by One Hundred Poets: Minamoto no Tsunenobu, c1830. Hokusai, Katsushika (1760-1849). Found in the collection of the State Hermitage, St. Petersburg

Background imageAgricultural Collection: From the series Hundred Poems by One Hundred Poets: Sanji Hitoshi, c1830. Artist: Hokusai

From the series Hundred Poems by One Hundred Poets: Sanji Hitoshi, c1830. Artist: Hokusai
From the series Hundred Poems by One Hundred Poets: Sanji Hitoshi, c1830. Hokusai, Katsushika (1760-1849). Found in the collection of the State Hermitage, St. Petersburg

Background imageAgricultural Collection: From the series Hundred Poems by One Hundred Poets: Ariwara no Narihira, c1830. Artist: Hokusai

From the series Hundred Poems by One Hundred Poets: Ariwara no Narihira, c1830. Artist: Hokusai
From the series Hundred Poems by One Hundred Poets: Ariwara no Narihira, c1830. Hokusai, Katsushika (1760-1849). Found in the collection of the State Hermitage, St. Petersburg

Background imageAgricultural Collection: From the series Hundred Poems by One Hundred Poets: Sarumaru Dayu, c1830. Artist: Hokusai

From the series Hundred Poems by One Hundred Poets: Sarumaru Dayu, c1830. Artist: Hokusai
From the series Hundred Poems by One Hundred Poets: Sarumaru Dayu, c1830. Hokusai, Katsushika (1760-1849). Found in the collection of the State Hermitage, St. Petersburg

Background imageAgricultural Collection: From the series Hundred Poems by One Hundred Poets: Tenchi Tenno, c1830. Artist: Hokusai

From the series Hundred Poems by One Hundred Poets: Tenchi Tenno, c1830. Artist: Hokusai
From the series Hundred Poems by One Hundred Poets: Tenchi Tenno, c1830. Hokusai, Katsushika (1760-1849). Found in the collection of the State Hermitage, St. Petersburg

Background imageAgricultural Collection: Shepherdess with a cow at the Edge of the Forest, 1865-1870. Artist: Jean-Baptiste-Camille Corot

Shepherdess with a cow at the Edge of the Forest, 1865-1870. Artist: Jean-Baptiste-Camille Corot
Shepherdess with a cow at the Edge of the Forest, 1865-1870. Corot, Jean-Baptiste Camille (1796-1875). Found in the collection of the State Hermitage, St. Petersburg

Background imageAgricultural Collection: The Windmill, 1752. Artist: Francois Boucher

The Windmill, 1752. Artist: Francois Boucher
The Windmill, 1752. Boucher, Francois (1703-1770). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Background imageAgricultural Collection: Les Halles, Paris Central Market, 1880. Artist: Gilbert Victor Gabriel

Les Halles, Paris Central Market, 1880. Artist: Gilbert Victor Gabriel
Les Halles, Paris Central Market, 1880

Background imageAgricultural Collection: Destroying the grasshopper, 1901

Destroying the grasshopper, 1901. Illustration published in, Le Petit Journal, 4th August 1901

Background imageAgricultural Collection: The barrel fete, Russia, 1901

The barrel fete, Russia, 1901. Illustration published in, Le Petit Journal, 7th April 1901

Background imageAgricultural Collection: Festival of the grape harvest in Alsace, 1911

Festival of the grape harvest in Alsace, 1911. An illustration from Le Petit Journal, 1st October 1911

Background imageAgricultural Collection: The Portuguese pavilion at the Universal Exhibition of 1900, Paris, 1900

The Portuguese pavilion at the Universal Exhibition of 1900, Paris, 1900. Exposition Universelle of 1900 was a worlds fair held in Paris, France

Background imageAgricultural Collection: The Hungarian pavilion at the Universal Exhibition of 1900, Paris, 1900

The Hungarian pavilion at the Universal Exhibition of 1900, Paris, 1900. The Exposition Universelle of 1900 was a worlds fair held in Paris, France

Background imageAgricultural Collection: Agricultural lesson for the indigenous people of Madagascar, 1897. Artist: F Meaulle

Agricultural lesson for the indigenous people of Madagascar, 1897. Artist: F Meaulle
Agricultural lesson for the indigenous people of Madagascar, 1897. An illustration from Le Petit Journal, 7th November 1897

Background imageAgricultural Collection: Manuring, 1826. Artist: Amelia Alderson Opie

Manuring, 1826. Artist: Amelia Alderson Opie
Manuring, 1826. From The Black Mans Lament; or How to Make Sugar by Amelia Opie. (London, 1826)

Background imageAgricultural Collection: Windmills of the Surrounding Landscape of Lille, 1877. Artist: Emmanuel Lansyer

Windmills of the Surrounding Landscape of Lille, 1877. Artist: Emmanuel Lansyer
Windmills of the Surrounding Landscape of Lille, 1877

Background imageAgricultural Collection: The Autumn, 1738. Artist: Nicolas Lancret

The Autumn, 1738. Artist: Nicolas Lancret
The Autumn, 1738. From the collection of the Louvre Museum, Paris, France

Background imageAgricultural Collection: Steam ploughing tackle, c1860

Steam ploughing tackle, c1860. Portable steam engine by Garrett & Sons of Leiston, Suffolk, being used with ploughing tackle to draw a plough, in right background, back and forth across a field

Background imageAgricultural Collection: Cyrus McCormicks reaping machine of 1831 (patented 1834), c1851

Cyrus McCormicks reaping machine of 1831 (patented 1834), c1851. This, the first widely adopted reaping machine, was shown at the Great Exhibition of 1851 in London where it was awarded a gold medal

Background imageAgricultural Collection: 3 bronze sickles, Buckinghamshire, London and Ireland, c1100BC-700 BC

3 bronze sickles, Buckinghamshire, London and Ireland, c1100BC-700 BC

Background imageAgricultural Collection: Roman Iron Agricultural Tools at Chatillon-Sur-Seine. France, c1st-2nd century

Roman Iron Agricultural Tools at Chatillon-Sur-Seine. France, c1st-2nd century

Background imageAgricultural Collection: The blue monuments

The blue monuments
These record a transaction of land for goods in Uruk

Background imageAgricultural Collection: Hoard of Babylonian agricultural tools

Hoard of Babylonian agricultural tools
Hoard of copper Babylonian agricultural tools from Kulala. From the British Museums collection

Background imageAgricultural Collection: Part of the Egyptian book of the dead, showing labour in the Elysian fields

Part of the Egyptian book of the dead, showing labour in the Elysian fields
Part of the book of the dead belonging to Nespaquachouty, showing labour in the Elysian fields on the left and the Djed pillar of Osiris on the right

Background imageAgricultural Collection: Shepherd guarding his flock at night, early 16th century

Shepherd guarding his flock at night, early 16th century. Under his arm are his bagpipes. He has two dogs with spiked protective collars to help him guard his animals

Background imageAgricultural Collection: Shepherds with their flocks and dogs, early 16th century

Shepherds with their flocks and dogs, early 16th century. Figure on left is holding bagpipes and, as well as crooks for handling the sheep, there are woodwind instruments on the ground

Background imageAgricultural Collection: Slave quarters on a plantation in Georgia, USA

Slave quarters on a plantation in Georgia, USA

Background imageAgricultural Collection: Jean Augustin Barral (1819-1884), French agricultural chemist, 1884

Jean Augustin Barral (1819-1884), French agricultural chemist, 1884. Barral was the first to extract nicotine from tobacco leaf

Background imageAgricultural Collection: Cyrus McCormicks reaper and binder, 1877

Cyrus McCormicks reaper and binder, 1877
Cyrus McCormicks reaper and binder, an improvement on the model patented in 1831 which was a reaper only, 1877

Background imageAgricultural Collection: British wild or park cattle. Artist: William Jardine

British wild or park cattle. Artist: William Jardine
British wild or park cattle. The Hamilton strain (Scottish), and the Chillingham (English), two examples of ancient breeds surviving in a few small herds in Britain through having been enparked

Background imageAgricultural Collection: British Wild or Park Cattle, 1790. Artist: Thomas Bewick

British Wild or Park Cattle, 1790. Artist: Thomas Bewick
British Wild or Park Cattle. Ancient breed surviving in few small herds in Britain through having been enparked centuries ago

Background imageAgricultural Collection: Cyrus McCormicks reaping machine, 1862

Cyrus McCormicks reaping machine, 1862. Patented in America in 1831and shown at the Great Exhibition in the Crystal Palace, London, 1851, it was the first widely adopted mechanical reaper



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