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Agression Collection

Background imageAgression Collection: Leopard in a Cage confronted by two Mastiffs, 1739. Creator: Jean-Baptiste Oudry

Leopard in a Cage confronted by two Mastiffs, 1739. Creator: Jean-Baptiste Oudry
Leopard in a Cage confronted by two Mastiffs, 1739

Background imageAgression Collection: A Cat and a Chaffinch. Five animal studies in one frame, 1885. Creator: Bruno Liljefors

A Cat and a Chaffinch. Five animal studies in one frame, 1885. Creator: Bruno Liljefors
A Cat and a Chaffinch. Five animal studies in one frame, 1885

Background imageAgression Collection: Card Fight outside a Country Tavern, c.1628-c.1630. Creator: Adriaen Brouwer

Card Fight outside a Country Tavern, c.1628-c.1630. Creator: Adriaen Brouwer
Card Fight outside a Country Tavern, c.1628-c.1630. Two men draw swords while a woman attempts to stay the hand of one of them

Background imageAgression Collection: The Threatened Swan, c.1650. Creator: Jan Asselijin

The Threatened Swan, c.1650. Creator: Jan Asselijin
The Threatened Swan, c.1650. Interpreted later as an Allegory on Johan de Witt. With its wings stretched and its neck poised, the swan protects her eggs against a dog swimming nearby

Background imageAgression Collection: Collier's, Sporting Number, Volume XXVIII, New York Oct 12, 1901, Number 2, Price Ten Cents, c1901

Collier's, Sporting Number, Volume XXVIII, New York Oct 12, 1901, Number 2, Price Ten Cents, c1901
Collier's, Sporting Number, Volume XXVIII, New York October 12, 1901, Number 2, Price Ten Cents, c1901. [Publisher: Harper Publications; Place: New York]

Background imageAgression Collection: The Burning of Greytown, 1854. Creator: Unknown

The Burning of Greytown, 1854. Creator: Unknown
The Burning of Greytown, 1854. Post-office and Mosquito flag-staff; Hanseatic Consulate; Lyons Hotel; American Consulate; British Consulate; house containing the powder'

Background imageAgression Collection: Expedition to Rome, 1849: Your reception is neither polite nor politic, from Souvenirs d'I... 1851

Expedition to Rome, 1849: Your reception is neither polite nor politic, from Souvenirs d'I... 1851
Expedition to Rome, 1849: Your reception is neither polite nor politic, from Souvenirs d'Italie: Expedition de Rome, 1851

Background imageAgression Collection: The Entry of the Crusaders Into Constantinople, 1840, (1911). Artist: Eugene Delacroix

The Entry of the Crusaders Into Constantinople, 1840, (1911). Artist: Eugene Delacroix
The Entry of the Crusaders Into Constantinople, 1840. This painting depicts an episode of the Fourth Crusade, in which the Crusaders abandoned their plan to invade Muslim Egypt and Jerusalem

Background imageAgression Collection: Terrific combat between Richard Coeur de Lion and Saladin, 1850. Artist: John Leech

Terrific combat between Richard Coeur de Lion and Saladin, 1850. Artist: John Leech
Terrific combat between Richard Coeur de Lion and Saladin, 1850. A satirical illustration of Richard the Lionheart and Saladin in battle

Background imageAgression Collection: Ludvig Holberg's 'Jeppe pa Bjerget', act III, scene 3, 1811. Creator: CW Eckersberg

Ludvig Holberg's "Jeppe pa Bjerget", act III, scene 3, 1811. Creator: CW Eckersberg
Ludvig Holberg's "Jeppe pa Bjerget", act III, scene 3, 1811. Jeppe pa bjerget (Jeppe on the Hill; Or, The Transformed Peasant in English), was a comedy by Ludvig Holberg

Background imageAgression Collection: Captain Yorke Leading the Forlorn Hope at Masulipatam, c1891. Creator: James Grant

Captain Yorke Leading the Forlorn Hope at Masulipatam, c1891. Creator: James Grant
Captain Yorke Leading the Forlorn Hope at Masulipatam, c1891. From " Cassells Illustrated History of India Vol. I.", by James Grant. [Cassell Petter & Galpin, London, Paris and New York]

Background imageAgression Collection: The Country Samurai Sachuta and Odan, 1854. Creator: Utagawa Kunisada

The Country Samurai Sachuta and Odan, 1854. Creator: Utagawa Kunisada
The Country Samurai Sachuta and Odan, 1854

Background imageAgression Collection: A Panel from a Porticoes Series, France, 1775/1800. Creator: Unknown

A Panel from a Porticoes Series, France, 1775/1800. Creator: Unknown
A Panel from a Porticoes Series, France, 1775/1800. Swans and hunting dogs. Woven at the Manufacture Royale du Beauvais or the Manufacture Royale d'Aubusson

Background imageAgression Collection: Duellist with Sword and Dagger, c. 1622. Creator: Jacques Callot

Duellist with Sword and Dagger, c. 1622. Creator: Jacques Callot
Duellist with Sword and Dagger, c. 1622

Background imageAgression Collection: Duellist with Two Sabers, c. 1622. Creator: Jacques Callot

Duellist with Two Sabers, c. 1622. Creator: Jacques Callot
Duellist with Two Sabers, c. 1622

Background imageAgression Collection: Man Preparing to Draw his Sword, c. 1622. Creator: Jacques Callot

Man Preparing to Draw his Sword, c. 1622. Creator: Jacques Callot
Man Preparing to Draw his Sword, c. 1622

Background imageAgression Collection: Two Fighting Beggars, 1612-16. Creator: Jacques Bellange

Two Fighting Beggars, 1612-16. Creator: Jacques Bellange
Two Fighting Beggars, 1612-16

Background imageAgression Collection: Plate 31 of the Tauromaquia : Banderillas with firecrackers. 1816

Plate 31 of the Tauromaquia : Banderillas with firecrackers. 1816

Background imageAgression Collection: Children Frightened by Snarling Dog, from the series Hunting Scenes, 1829

Children Frightened by Snarling Dog, from the series Hunting Scenes, 1829

Background imageAgression Collection: Figure 18: Aggression, wickedness, 1854-56, printed 1862

Figure 18: Aggression, wickedness, 1854-56, printed 1862

Background imageAgression Collection: Figure 17: On the right, electrization of m. procerus: severity, aggressi

Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention. 1854-56, printed 1862

Background imageAgression Collection: The Man Milliner and the Sailors, March 4, 1802. March 4, 1802

The Man Milliner and the Sailors, March 4, 1802. March 4, 1802
The Man Milliner and the Sailors, March 4, 1802

Background imageAgression Collection: Why Don t You Take It?, 1861-64. 1861-64. Creators: Nathaniel Currier

Why Don t You Take It?, 1861-64. 1861-64. Creators: Nathaniel Currier
Why Don t You Take It?, 1861-64. Political satires of American Civil War with Confederate leader Jefferson Davis, as a greyhound, cringing away from an aggressive bulldog, general Ulysses S. Grant

Background imageAgression Collection: Aretino in the Studio of Tintoretto, 1848. Creator: Jean-Auguste-Dominique Ingres

Aretino in the Studio of Tintoretto, 1848. Creator: Jean-Auguste-Dominique Ingres
Aretino in the Studio of Tintoretto, 1848

Background imageAgression Collection: Illustration from the book Just so stories... by Rudyard Kipling, 1931. Artist

Illustration from the book Just so stories... by Rudyard Kipling, 1931. Artist
Illustration from the book Just so stories... by Rudyard Kipling, 1931. Found in the collection of the Russian State Library, Moscow

Background imageAgression Collection: Crusaders Entering Constantinople, 1840, (1935). Creator: WF Mansell

Crusaders Entering Constantinople, 1840, (1935). Creator: WF Mansell
Crusaders Entering Constantinople, 1840, (1935). An episode of the Fourth Crusade, in which the Crusaders abandoned their plan to invade Muslim Egypt and Jerusalem

Background imageAgression Collection: Le Francois a Londres, 1770. Artist: C White

Le Francois a Londres, 1770. Artist: C White
Le Francois a Londres, 1770. A butcher, with doubled fists, menaces a French dandy, who holds up his hands in alarm, while one of two women behind him holds his pigtail

Background imageAgression Collection: A pugilistick club... 1789. Artist: John Barlow

A pugilistick club... 1789. Artist: John Barlow
A pugilistick club... 1789. A scene in a club room. The chairman and members, many with black eyes, are in fighting attitudes

Background imageAgression Collection: A frolic at the melon shop in Piccadilly, 1826

A frolic at the melon shop in Piccadilly, 1826. The scene is set in the garden of Mrs Coutts house, Stratton Street where she threatens the Duke of St Albans with a horse-whip

Background imageAgression Collection: Fracas Royal Extraordinaire, 1820. Artist: Isaac Robert Cruikshank

Fracas Royal Extraordinaire, 1820. Artist: Isaac Robert Cruikshank
Fracas Royal Extraordinaire, 1820. The Duke of York punching King George IV in the face, watched by Queen Caroline, Alderman Matthew Wood and others. With satirical verses beneath

Background imageAgression Collection: Queen Caroline and Mrs Wood, 1820

Queen Caroline and Mrs Wood, 1820. Brandenburgh House theatricals, a Wood scene in a new farce now performing with the greatest eclat at the Hammersmith theatre

Background imageAgression Collection: The Frenchmen in Billinsgate, 1754

The Frenchmen in Billinsgate, 1754. A street scene; a Frenchman, his fists doubled, recoils from a fishwife who is in a fighting attitude; another fishwife, seated, holds a lobster to his buttocks

Background imageAgression Collection: Samurai with raised sword, c1860. Artist: Felice Beato

Samurai with raised sword, c1860. Artist: Felice Beato
Samurai with raised sword, c1860

Background imageAgression Collection: Detail from Chairing the Member, by William Hogarth, 1755 (1956)

Detail from Chairing the Member, by William Hogarth, 1755 (1956). The painting, one of a series of four depicting the Oxfordshire parliamentary election of 1754

Background imageAgression Collection: Randolph threatened, c17th century (c1880)

Randolph threatened, c17th century (c1880). A print from Cassells History of the United States, by Edmund Ollier, Volume I, Cassell Petter and Galpin, London, c1880

Background imageAgression Collection: Hercules Killing the Molionides, c1496-1498, (1936). Artist: Albrecht Durer

Hercules Killing the Molionides, c1496-1498, (1936). Artist: Albrecht Durer
Hercules Killing the Molionides, c1496-1498, (1936). Durers only woodcut of a mythological theme. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Background imageAgression Collection: The Four Horsemen of the Apocalypse, 1498, (1936). Artist: Albrecht Durer

The Four Horsemen of the Apocalypse, 1498, (1936). Artist: Albrecht Durer
The Four Horsemen of the Apocalypse, 1498, (1936). The Four Horsemen of the Apocalypse, Death, Famine, Pestilence and War, from the Apocalypse or The Revelations of St. John the Divine

Background imageAgression Collection: Wild boar hunting, c1600-1650 (1843). Artist: J Smith

Wild boar hunting, c1600-1650 (1843). Artist: J Smith
Wild boar hunting, c1600-1650 (1843). An engraving from The Art-Union Scrap Book, Henry G Bohn, London, 1843

Background imageAgression Collection: Director Layer, 1937. Artist: WA & AC Churchman

Director Layer, 1937. Artist: WA & AC Churchman
Director Layer, 1937. Churchmans Cigarette Series, The Navy At Work

Background imageAgression Collection: The Tigress, 1932

The Tigress, 1932. A print from Punch, or The London Charivari, 21st September 1932

Background imageAgression Collection: The bruising match, 1730

The bruising match, 1730. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

Background imageAgression Collection: Battle of Agincourt, 25 October 1415

Battle of Agincourt, 25 October 1415. Hand-coloured later

Background imageAgression Collection: Fighting Horses, c1550-1600. Old Master

Fighting Horses, c1550-1600. Old Master
Fighting Horses, c1550-1600. Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Background imageAgression Collection: Excesses of British soldiers in a railway station, 1902

Excesses of British soldiers in a railway station, 1902. An illustration from Le Petit Journal, 19th October 1902

Background imageAgression Collection: Scene of Recruitment under Mohammed-Ali, 1881. Artist: Wilhelm Gentz

Scene of Recruitment under Mohammed-Ali, 1881. Artist: Wilhelm Gentz
Scene of Recruitment under Mohammed-Ali, 1881. Published in L Egypt by Gaston Maspero, 1881

Background imageAgression Collection: St Anthony Beaten by Devils, 1423-1426. Artist: Sassetta

St Anthony Beaten by Devils, 1423-1426. Artist: Sassetta
St Anthony Beaten by Devils, 1423-1426. Panel from the Altarpiece of the Eucharist



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