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Active C Collection

Background imageActive C Collection: Layla and Majnun in the wilderness with animals, from a Khamsa (Quintet)... c. 1590-1600

Layla and Majnun in the wilderness with animals, from a Khamsa (Quintet)... c. 1590-1600
Layla and Majnun in the wilderness with animals, from a Khamsa (Quintet) of Amir Khusrau Dihlavi, c. 1590-1600. Nestled in the multicoloured rocks are the reunited lovers Layla and Majnun

Background imageActive C Collection: Creator: William de Brailes (English, active c. 1230), circle or workshop of

Creator: William de Brailes (English, active c. 1230), circle or workshop of
13th century, active c. 1230, and gold on vellum, circle or workshop of, england, english, heritage art, ink, ink, tempera, and gold on vellum, manuscript, oxford, tempera

Background imageActive C Collection: The Peach Blossom Spring, 1650. Creator: Liu Du (Chinese, active c. 1628-after 1653)

The Peach Blossom Spring, 1650. Creator: Liu Du (Chinese, active c. 1628-after 1653)
The Peach Blossom Spring, 1650

Background imageActive C Collection: Travelers in Autumn Mountains, 1st half 1300s. Creator: Sheng Mou (Chinese, active c

Travelers in Autumn Mountains, 1st half 1300s. Creator: Sheng Mou (Chinese, active c
Travelers in Autumn Mountains, 1st half 1300s

Background imageActive C Collection: The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama... c. 1596. Creator

The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama... c. 1596. Creator
The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247-1318), c. 1596

Background imageActive C Collection: Swinging Gibbon, late 1100s- 1st quarter 1200s. Creator: Xia Gui (Chinese, active c

Swinging Gibbon, late 1100s- 1st quarter 1200s. Creator: Xia Gui (Chinese, active c
Swinging Gibbon, late 1100s- 1st quarter 1200s

Background imageActive C Collection: Shamsa (sunburst) with portrait of Aurangzeb (1618-1707), from the Emperors Album…

Shamsa (sunburst) with portrait of Aurangzeb (1618-1707), from the Emperors Album…
Shamsa (sunburst) with portrait of Aurangzeb (1618-1707), from the Emperors Album (the Kevorkian Album), illumination 1640-55; original portrait c. 1640-50; altered after 1658

Background imageActive C Collection: Portrait of the Aged Akbar, c. 1640-1650. Creator: Govardhan (Indian, active c. 1596-1645)

Portrait of the Aged Akbar, c. 1640-1650. Creator: Govardhan (Indian, active c. 1596-1645)
Portrait of the Aged Akbar, c. 1640-1650. The soulful modeling of Akbars aged but dignified face argues strongly in favor of the attribution of this work to the imperial court artist Govardhan

Background imageActive C Collection: Portrait of Suraj Singh Rathor, Raja of Marwar and Maternal Uncle of Shah Jahan

Portrait of Suraj Singh Rathor, Raja of Marwar and Maternal Uncle of Shah Jahan: A Page from the Prince Khurram Album, c. 1600

Background imageActive C Collection: Portrait of Raja Jagat Singh of Nurpur (reigned 1618-46), probably 1619. Creator: Bichitr (Indian)

Portrait of Raja Jagat Singh of Nurpur (reigned 1618-46), probably 1619. Creator: Bichitr (Indian)
Portrait of Raja Jagat Singh of Nurpur (reigned 1618-46), probably 1619. Jagat Singh was a prince from a small kingdom in the western Himalayan foothills who grew up at the imperial Mughal court of

Background imageActive C Collection: Returning Peasants in a Spring Evening, early 1600s. Creator: Tao Hong (Chinese, active c

Returning Peasants in a Spring Evening, early 1600s. Creator: Tao Hong (Chinese, active c
Returning Peasants in a Spring Evening, early 1600s. Although little known today, Tao Hong was a versatile artist who here depicts farmers returning home after a day in the fields

Background imageActive C Collection: Maharana Jawan Singh (r. 1828-38) in a forest holding a hawk, c. 1835. Creator: Ghasi (Indian)

Maharana Jawan Singh (r. 1828-38) in a forest holding a hawk, c. 1835. Creator: Ghasi (Indian)
Maharana Jawan Singh (r. 1828-38) in a forest holding a hawk, c. 1835

Background imageActive C Collection: Page from Tales of a Parrot (Tuti-nama): Fifth night: The hunter offers the mother

Page from Tales of a Parrot (Tuti-nama): Fifth night: The hunter offers the mother parrot to the king of Kamarupa, c. 1560

Background imageActive C Collection: Leaf from a Book of Hours: Annunciation to the Shepherds (recto) and Text (verso), c

Leaf from a Book of Hours: Annunciation to the Shepherds (recto) and Text (verso), c. 1410-20. This finely preserved leaf with its large miniature is stylistically consistent with the work of

Background imageActive C Collection: Listening to the Sound of Autumn in a Misty Grove, 1657. Creator: Zhang Feng (Chinese, active c)

Listening to the Sound of Autumn in a Misty Grove, 1657. Creator: Zhang Feng (Chinese, active c)
Listening to the Sound of Autumn in a Misty Grove, 1657

Background imageActive C Collection: Miniature Excised from a Compendium in historiae genealogia Christi…, 1200-1250

Miniature Excised from a Compendium in historiae genealogia Christi…, 1200-1250
Miniature Excised from a Compendium in historiae genealogia Christi by Peter Poitiers: The Sacrifice of Isaac, 1200-1250

Background imageActive C Collection: Hulagu Khan giving a feast and dispensing favor upon the amirs and princes... c. 1596-1600

Hulagu Khan giving a feast and dispensing favor upon the amirs and princes... c. 1596-1600
Hulagu Khan giving a feast and dispensing favor upon the amirs and princes, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles), c. 1596-1600

Background imageActive C Collection: Greeting the Spring, 1600. Creator: Wu Bin (Chinese, active c. 1591-1626)

Greeting the Spring, 1600. Creator: Wu Bin (Chinese, active c. 1591-1626)
Greeting the Spring, 1600. This masterfully composed landscape in light colours and delicate brushwork is an image of the water-rich Jiangnan region in southeast China

Background imageActive C Collection: A Solitary Crane in the Bamboo Grove, early 1600s. Creator: Tao Hong (Chinese, active c

A Solitary Crane in the Bamboo Grove, early 1600s. Creator: Tao Hong (Chinese, active c
A Solitary Crane in the Bamboo Grove, early 1600s. Although little known today, Tao Hong was a versatile artist who here depicts farmers returning home after a day in the fields

Background imageActive C Collection: A mendicant bowing before a holy man, from the Prince Salim Album, c. 1585. Creator

A mendicant bowing before a holy man, from the Prince Salim Album, c. 1585. Creator
A mendicant bowing before a holy man, from the Prince Salim Album, c. 1585; inner border added in Allahabad c. 1602; outer border added probably 1900s

Background imageActive C Collection: The Knickknack Peddler, 1212. Creator: Li Song (Chinese, active c. 1190-c. 1230)

The Knickknack Peddler, 1212. Creator: Li Song (Chinese, active c. 1190-c. 1230)
The Knickknack Peddler, 1212

Background imageActive C Collection: Circumcision ceremony for Akbars sons, painting 126 from an Akbar-nama (Book

Circumcision ceremony for Akbars sons, painting 126 from an Akbar-nama (Book of Akbar) of Abu l Fazl (Indian, 1551-1602), c. 1602-3

Background imageActive C Collection: Chinese Literatus in an Autumn Landscape, late 1400s. Creator: Josui S?en (Japanese, active c)

Chinese Literatus in an Autumn Landscape, late 1400s. Creator: Josui S?en (Japanese, active c)
Chinese Literatus in an Autumn Landscape, late 1400s. In this painting, Sesshu Toyos disciple Soen depicts a Chinese scholar-official astride a donkey with his attendant behind

Background imageActive C Collection: One Hundred Children at Play, 1100s-1200s. Creator: Su Hanchen (Chinese, active c

One Hundred Children at Play, 1100s-1200s. Creator: Su Hanchen (Chinese, active c
One Hundred Children at Play, 1100s-1200s

Background imageActive C Collection: Page from the Late Shah Jahan Album: Prince and Ascetics, c. 1630. Creator: Govardhan (Indian)

Page from the Late Shah Jahan Album: Prince and Ascetics, c. 1630. Creator: Govardhan (Indian)
Page from the Late Shah Jahan Album: Prince and Ascetics, c. 1630. Most paintings in the Late Shah Jahan Album were commissioned specifically for the album

Background imageActive C Collection: Landscape Ink-Play, 1300s. Creator: Fang Congyi (Chinese, active c. 1340-1380)

Landscape Ink-Play, 1300s. Creator: Fang Congyi (Chinese, active c. 1340-1380)
Landscape Ink-Play, 1300s

Background imageActive C Collection: Landscape in the Style of Juran, 1368-1644. Creator: Liu Du (Chinese, active c. 1628-after 1653)

Landscape in the Style of Juran, 1368-1644. Creator: Liu Du (Chinese, active c. 1628-after 1653)
Landscape in the Style of Juran, 1368-1644

Background imageActive C Collection: Leaf from a Book of Hours: Text (verso), c. 1410-20. Creator: Boethius Illuminator (Flemish)

Leaf from a Book of Hours: Text (verso), c. 1410-20. Creator: Boethius Illuminator (Flemish)
Leaf from a Book of Hours: Text (verso), c. 1410-20. This finely preserved leaf with its large miniature is stylistically consistent with the work of the Boethius Illuminator

Background imageActive C Collection: Book of Hours (Use of Paris): Fol. 77r, David, c. 1420. Creator: The Bedford Master (French)

Book of Hours (Use of Paris): Fol. 77r, David, c. 1420. Creator: The Bedford Master (French)
Book of Hours (Use of Paris): Fol. 77r, David, c. 1420

Background imageActive C Collection: Book of Hours (Use of Paris): Fol. 72r, Presentation at the Temple, c. 1420. Creator

Book of Hours (Use of Paris): Fol. 72r, Presentation at the Temple, c. 1420. Creator
Book of Hours (Use of Paris): Fol. 72r, Presentation at the Temple, c. 1420

Background imageActive C Collection: Book of Hours (Use of Paris): Fol. 67r, Adoration of the Magi, c

Book of Hours (Use of Paris): Fol. 67r, Adoration of the Magi, c. 1420

Background imageActive C Collection: Book of Hours (Use of Paris): Fol. 66v, Decorated Border, c. 1420. Creator: The Bedford Master

Book of Hours (Use of Paris): Fol. 66v, Decorated Border, c. 1420. Creator: The Bedford Master
Book of Hours (Use of Paris): Fol. 66v, Decorated Border, c. 1420

Background imageActive C Collection: Book of Hours (Use of Paris): Fol. 204v, Last Judgment, c. 1420. Creator: The Bedford Master

Book of Hours (Use of Paris): Fol. 204v, Last Judgment, c. 1420. Creator: The Bedford Master
Book of Hours (Use of Paris): Fol. 204v, Last Judgment, c. 1420

Background imageActive C Collection: Book of Hours (Use of Paris): Fol. 108r, The Pentecost, c. 1420. Creator: The Bedford Master

Book of Hours (Use of Paris): Fol. 108r, The Pentecost, c. 1420. Creator: The Bedford Master
Book of Hours (Use of Paris): Fol. 108r, The Pentecost, c. 1420

Background imageActive C Collection: Book of Hours (Use of Paris): Fol. 118r, Angel and Devil Fighting over a Soul, c. 1420

Book of Hours (Use of Paris): Fol. 118r, Angel and Devil Fighting over a Soul, c. 1420

Background imageActive C Collection: Book of Hours (Use of Paris): Fol. 106r, Multiple Initials with Decorated Border, c

Book of Hours (Use of Paris): Fol. 106r, Multiple Initials with Decorated Border, c. 1420

Background imageActive C Collection: Book of Hours (Use of Paris): Fol. 37r, Annunciation, c. 1420. Creator: The Bedford Master (French)

Book of Hours (Use of Paris): Fol. 37r, Annunciation, c. 1420. Creator: The Bedford Master (French)
Book of Hours (Use of Paris): Fol. 37r, Annunciation, c. 1420

Background imageActive C Collection: Book of Hours (Use of Paris): Fol. 198r, Madonna and Child with Angel, c. 1420. Creator

Book of Hours (Use of Paris): Fol. 198r, Madonna and Child with Angel, c. 1420. Creator
Book of Hours (Use of Paris): Fol. 198r, Madonna and Child with Angel, c. 1420

Background imageActive C Collection: Book of Hours (Use of Paris): Fol. 105v, Initial D with Decorated Border, c. 1420

Book of Hours (Use of Paris): Fol. 105v, Initial D with Decorated Border, c. 1420

Background imageActive C Collection: Akbar supervising the capture of wild elephants at Malwa in 1564, painting 90…, c

Akbar supervising the capture of wild elephants at Malwa in 1564, painting 90…, c
Akbar supervising the capture of wild elephants at Malwa in 1564, painting 90 from an Akbar-nama (Book of Akbar) of Abu l Fazl (Indian 1551-1602), c. 1602-3; borders added c. 1700s

Background imageActive C Collection: Album of Landscapes: Leaf 7, 1677. Creator: Wang Gai (Chinese, active c. 1677-1705)

Album of Landscapes: Leaf 7, 1677. Creator: Wang Gai (Chinese, active c. 1677-1705)
Album of Landscapes: Leaf 7, 1677

Background imageActive C Collection: Album of Landscapes: Leaf 8, 1677. Creator: Wang Gai (Chinese, active c. 1677-1705)

Album of Landscapes: Leaf 8, 1677. Creator: Wang Gai (Chinese, active c. 1677-1705)
Album of Landscapes: Leaf 8, 1677

Background imageActive C Collection: Album of Landscapes: Leaf 5, 1677. Creator: Wang Gai (Chinese, active c. 1677-1705)

Album of Landscapes: Leaf 5, 1677. Creator: Wang Gai (Chinese, active c. 1677-1705)
Album of Landscapes: Leaf 5, 1677

Background imageActive C Collection: Album of Landscapes: Leaf 6, 1677. Creator: Wang Gai (Chinese, active c. 1677-1705)

Album of Landscapes: Leaf 6, 1677. Creator: Wang Gai (Chinese, active c. 1677-1705)
Album of Landscapes: Leaf 6, 1677

Background imageActive C Collection: Album of Landscapes: Leaf 3, 1677. Creator: Wang Gai (Chinese, active c. 1677-1705)

Album of Landscapes: Leaf 3, 1677. Creator: Wang Gai (Chinese, active c. 1677-1705)
Album of Landscapes: Leaf 3, 1677

Background imageActive C Collection: Album of Landscapes: Leaf 4, 1677. Creator: Wang Gai (Chinese, active c. 1677-1705)

Album of Landscapes: Leaf 4, 1677. Creator: Wang Gai (Chinese, active c. 1677-1705)
Album of Landscapes: Leaf 4, 1677

Background imageActive C Collection: Album of Landscapes, 1677. Creator: Wang Gai (Chinese, active c. 1677-1705)

Album of Landscapes, 1677. Creator: Wang Gai (Chinese, active c. 1677-1705)
Album of Landscapes, 1677

Background imageActive C Collection: Album of Landscapes: Leaf 1, 1677. Creator: Wang Gai (Chinese, active c. 1677-1705)

Album of Landscapes: Leaf 1, 1677. Creator: Wang Gai (Chinese, active c. 1677-1705)
Album of Landscapes: Leaf 1, 1677



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