Absurdity Collection

Ridiculous Dream, 1819-1823. Artist: Francisco Goya
Ridiculous Dream, 1819-1823. Plate 3 of Proverbs, published in 1864. The series is also known as disparates (absurdities) or suenos (dreams)

Modern Oddities by P. Pry Esq. Plate 1st: The Sleeves Curiously Cut, Ay There s
Modern Oddities by P. Pry Esq. Plate 1st: The Sleeves Curiously Cut, Ay Theres the Villainy - vide Shakespeare, June 30, 1829

Fashion and its Developement. early 19th century. Artist: Thomas Francois Guerin
Fashion and its Developement. early 19th century. Our Fathers - Our Husbands: Which is the Most Absurd. A comment on mens clothing

Folly Triumphant, 1749. Artist: LP Boitard
Folly Triumphant, 1749. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

You who cannot, 1799. Artist: Francisco Goya
You who cannot, 1799. Plate 42 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain The series is evidence of the artists political

The men in sacks, 1819-1823. Artist: Francisco Goya
The men in sacks, 1819-1823. Plate 8 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition

Matrimonial nightmare, 1819-1823. Artist: Francisco Goya
Matrimonial nightmare, 1819-1823. Plate 7 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams)

Abducting horse, 1819-1823. Artist: Francisco Goya
Abducting horse, 1819-1823. Tale of a man who turned into a horse, abducts the woman he loves after killing her husband, plate 10 of Proverbs, published in 1864

General Riddle, 1819-1823. Artist: Francisco Goya
General Riddle, 1819-1823. Plate 9 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition

Happy fantasy, 1819-1823. Artist: Francisco Goya
Happy fantasy, 1819-1823. Plate 12 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition

Riddle of the poor, 1819-1823. Artist: Francisco Goya
Riddle of the poor, 1819-1823. Plate 11 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams)

Carnival fantasy, 1819-1823. Artist: Francisco Goya
Carnival fantasy, 1819-1823. Plate 14 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition

A way of flying, 1819-1823. Artist: Francisco Goya
A way of flying, 1819-1823. Plate 13 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition

The exhortations, 1819-1823. Artist: Francisco Goya
The exhortations, 1819-1823. Plate 16 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition

Simpleton, 1819-1823. Artist: Francisco Goya
Simpleton, 1819-1823. Plate 4 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition

Riddle of Fear, 1819-1823. Artist: Francisco Goya
Riddle of Fear, 1819-1823. Plate 2 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition

Female Riddle, 1819-1823. Artist: Francisco Goya
Female Riddle, 1819-1823. Plate 1 of Proverbs, published in 1864 by the Spanish Royal Academy of Fine Arts in Madrid. The series is also known as disparates, meaning follies

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