About 1558 1610 Gallery
Available as Prints and Gift Items
Choose from 15 pictures in our About 1558 1610 collection for your Wall Art or Photo Gift. All professionally made for Quick Shipping.

Virgin and Child with St. John, St. Catherine of Siena and Saint Francis, 1585. Creator
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Virgin and Child with St. John, St. Catherine of Siena and St. Francis, 1585. Creator
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The Triumph of Julius Caesar: Elephants Carrying Torches, 1593-99. Creator: Andrea Andreani
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The Triumph of Julius Caesar: Soldiers Carrying Banners and Standards, 1593-99. Creator
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The Triumph of Julius Caesar: Procession of Men, Women and Children, 1593-99. Creator
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The Triumph of Julius Caesar: Soldiers Carrying Vases and Trophies of War, 1593-99
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The Triumph of Julius Caesar: Soldiers Marching with Trophies of War, 1593-99. Creator
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The Triumph of Julius Caesar: Soldiers Carrying the Pictures of War, 1593-99. Creator
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The Triumph of Julius Caesar: Frontispiece, 1593-99. Creator: Andrea Andreani (Italian
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The Triumph of Julius Caesar: Colossal Statues and Siege Equipment, 1593-99. Creator
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The Triumph of Julius Caesar, 1593-99. Creator: Andrea Andreani (Italian, about 1558-1610)
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The Abduction of the Sabine Women, 1585. Creator: Andrea Andreani (Italian, about 1558-1610)
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The Triumph of Julius Caesar: Soldiers Carrying Vases and Trophies of War, 1593-99
The Triumph of Julius Caesar: Soldiers Carrying Vases and Trophies of War, 1593-99. Commissioned by Duke Vincenzo Gonzaga, this series of chiaroscuro woodcuts reproduces Andrea Mantegna's Triumph of Julius Caesar , painted a century earlier. The scenes imaginatively portray the triumphal procession of the renowned Roman general and consul Julius Caesar following his successful defeat of Gaul in 52 BC. Each section of the continuous frieze shows elements typical of these parades, sanctioned by the Roman Senate and described in ancient texts. The printed suite's frontispiece features a portrait bust of Mantegna, and the text below boasts that the famous paintings attracted many viewers. People who owned sets of these woodcuts often tacked them up to create a decorative frieze. Andreani issued the prints with a sheet of classical columns that could be cut out and placed between the scenes. Two fragments of these columns, coloured orange, still flank the fourth scene
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