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Richesse et misère ou rien qu'un, 1818. Creator: Louis MaloeuvreRichesse et misere ou rien qu'un, 1818. (Wealth and Misery or Nothing but One). A thin man stands holding a thread; is he repairing his shirt which hangs on the chair
Woman teases her lover, 1827-1828. Creator: Francis ConscienceWoman teases her lover, 1827-1828. '" Jules est-tu drole comme ca!'. (Jules, you're so funny like that!). A young woman puts her lace cap on the head of her loved one
Esquisses Parisiennes, (Parisian Sketches), 1827-1828. Creator: Francis ConscienceEsquisses Parisiennes, (Parisian Sketches), 1827-1828. A reserved man is greeted exuberantly by an excited man. 'He arrive donc farceur, nous sommes deja au champagne
Provinciaux visitant les curiosites de Paris (Provinicials Visiting the Curiosities of Paris), c. 1805
Les Invisibles en tete-a-tete (Tete-a-TêLes Invisibles en tete-a-tete (Tete-a-Tete with Poke Bonnets), c. 1805
Hec est l ami Careme!, Musee Grotesque No. 53, early 19th centuryHe c est l ami Careme!, Musee Grotesque No. 53, early 19th century
Les Musards de la Rue du Coq (Dawdlers of the Rue du Coq), 1805. Previously attributed to Jean-Baptiste-Francois Bosio
Les alliess appretent apousser les operations du sièLes alliess appretent a pousser les operations du siege avec plus de vigueur que jamais... from Actualites, published in Le Charivari, February 26, 1855, February 26, 1855
The landscape painters, the first copies nature, the second copies the first, from The artists, published in Le Charivari, May 12, 1865, May 12, 1865
Le Gout du Jour, No. 21: Les Modernes Incroyables, from Caricatures Parisiennes, ca. 1815
Les Visites, Musee Grotesque, No. 21, early 19th century. Creator: UnknownLes Visites, Musee Grotesque, No. 21, early 19th century
Recontre d Anglais a Paris;Le Supreme Bon-Ton No. 23, ca. 1815Recontre d Anglais a Paris; Le Supreme Bon-Ton No. 23, ca. 1815
L Amour et les Graces Arrivant de Londres;Le Supreme Bon-Ton No. 24, 1815L Amour et les Graces Arrivant de Londres; Le Supreme Bon-Ton No. 24, 1815
La Promenade en Bokei;Le Supreme Bon-Ton No. 26, 1816La Promenade en Bokei; Le Supreme Bon-Ton No. 26, 1816
Le Gout du Jour ou Des Chinois du Boulevard Coblentz, from Caricatures Parisiennes, ca. 1815
Visit of a Clergyman to Bastide, Sausion, and Collard, ca. 1825
Dawdlers of the Rue du Coq or The Martinets printshop, c. 1810. Found in the collection of Musee Carnavalet, Paris
Walk-through of an influential critic, from Sketches from the Salon, published in Le Charivari, June 24, 1865, June 24, 1865