Skip to main content

20th Collection

Background image20th Collection: Green Park, 2005. Creator: Ethel Davies

Green Park, 2005. Creator: Ethel Davies
Detail of the Royal Canada Gates, a gift from the country in the early 20th century to commomorate Queen Victoria, just outside Buckingham Palace and the entrance to Green Park

Background image20th Collection: You demi-puppets that by moonshine do the green sour ringlets make, illustration

You demi-puppets that by moonshine do the green sour ringlets make, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Background image20th Collection: Sometimes a thousand twangling instruments will hum about mine ears, illustration

Sometimes a thousand twangling instruments will hum about mine ears, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Background image20th Collection: Come unto these yellow sands illustration from The Tempest, 1926

Come unto these yellow sands illustration from The Tempest, 1926
Come unto these yellow sands illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act I: Scene II, Line 376;

Background image20th Collection: Re-enter Ariel like a water-nymph, illustration from The Tempest, 1926

Re-enter Ariel like a water-nymph, illustration from The Tempest, 1926
Re-enter Ariel like a water-nymph, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act I: Scene II, Line 316

Background image20th Collection: Cinderella Leaving the Ball from Cinderalla pub. 1919 (colour lithograph)

Cinderella Leaving the Ball from Cinderalla pub. 1919 (colour lithograph)

Background image20th Collection: The War in the Transvaal: General Joubert rallying the Boers, from Petit Journal, pub

The War in the Transvaal: General Joubert rallying the Boers, from Petit Journal, pub. January 1900 (colour lithograph). General Petrus Jacobus Joubert (1831 - 1900) aka Piet Joubert;

Background image20th Collection: Lady Trying on a Hat, from Art Gout Beaute, 1921 (pochoir print)

Lady Trying on a Hat, from Art Gout Beaute, 1921 (pochoir print)

Background image20th Collection: Design for a Day Dress, from Art Gout Beaute, pub. C. 1920s (pochoir print)

Design for a Day Dress, from Art Gout Beaute, pub. C. 1920s (pochoir print)

Background image20th Collection: Walking the Dog, from Art Gout Beaute, pub. 1921 (pochoir print)

Walking the Dog, from Art Gout Beaute, pub. 1921 (pochoir print)

Background image20th Collection: Boxing in a London Park, from Art Gout Beaute, pub. 1923 (pochoir print)

Boxing in a London Park, from Art Gout Beaute, pub. 1923 (pochoir print)

Background image20th Collection: The Departure of the Hunt, fashion plate from Art, Gout, Beaute, pub

The Departure of the Hunt, fashion plate from Art, Gout, Beaute, pub. 1923 (pochoir print). Le Depart pour la Chasse;

Background image20th Collection: Union against Hitler

Union against Hitler. illustration from Le Rire, 1933

Background image20th Collection: The Progression of Hitler

The Progression of Hitler. illustration from Simplicissimus 1924

Background image20th Collection: Poster; French Resistance helps Throttle the Bosch 1944

Poster; French Resistance helps Throttle the Bosch 1944. Forces Francaises de l Interieur (FFI)

Background image20th Collection: Hansel and Grethel from Grimms Fairy Tales, pub. 1911 (colour lithograph)

Hansel and Grethel from Grimms Fairy Tales, pub. 1911 (colour lithograph)

Background image20th Collection: Le Pere la Victoire c. 1919 (colour lithograph)

Le Pere la Victoire c. 1919 (colour lithograph). Georges Clemenceau (1841 - 1929); Treaty of Versailles at Paris Peace Conference 1919;

Background image20th Collection: Join the LVF against the Bolsheviks, pub. 1942 (colour lithograph)

Join the LVF against the Bolsheviks, pub. 1942 (colour lithograph)

Background image20th Collection: Au New York Sous Les Yeux Innombrables des Sky-scrapers, from Femina Magazine, pub

Au New York Sous Les Yeux Innombrables des Sky-scrapers, from Femina Magazine, pub. 1928 (colour lithograph)

Background image20th Collection: Day Dresses from Art, Gout, Beate, pub. 1923 (pochoir print)

Day Dresses from Art, Gout, Beate, pub. 1923 (pochoir print)

Background image20th Collection: Poster Un Seul Combat pour une Seule Patrie pub. 1944 (colour lithograph)

Poster Un Seul Combat pour une Seule Patrie pub. 1944 (colour lithograph)

Background image20th Collection: Conference at Versailles, 7th May, 1919 - German delegates receiving the Allied Peace Conditions

Conference at Versailles, 7th May, 1919 - German delegates receiving the Allied Peace Conditions, from Petit Journal, 25th May, 1919 (colour lithograph). La se ance historique de Versailles

Background image20th Collection: Ladies Golf Outfit by Jane Regny, pub. 1926 (colour lithograph)

Ladies Golf Outfit by Jane Regny, pub. 1926 (colour lithograph)

Background image20th Collection: The Favourite Nurse with Zouaves and Soldiers during WWI, 1915 (Colour Lithograph)

The Favourite Nurse with Zouaves and Soldiers during WWI, 1915 (Colour Lithograph)

Background image20th Collection: Cherchez la Femme, from Femina, pub. 1922 (pochoir print)

Cherchez la Femme, from Femina, pub. 1922 (pochoir print)

Background image20th Collection: La Robe Couleur de Lune, from Femina, pub. 1925 (pochoir Print)

La Robe Couleur de Lune, from Femina, pub. 1925 (pochoir Print)

Background image20th Collection: The Park Keeper, from Four and Twenty Toilers, pub. 1900 (colour lithograph)

The Park Keeper, from Four and Twenty Toilers, pub. 1900 (colour lithograph). accompanies verse by E.V. Lucas (Edward Verrall Lucas) (1868 – 1938);

Background image20th Collection: Restaurant Car on the Paris to Nice Train, pub. 1913 (colour lithograph)

Restaurant Car on the Paris to Nice Train, pub. 1913 (colour lithograph)

Background image20th Collection: The Execution of Edith Cavell from Petit Journal, pub

The Execution of Edith Cavell from Petit Journal, pub. November 1915 (colour lithograph). Edith Cavell (1865 - 1915); executed for espionage during World War I;

Background image20th Collection: Go charge my goblins that they grind their joints with dry convulsions, illustration

Go charge my goblins that they grind their joints with dry convulsions, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Background image20th Collection: Merrily, merrily shall I live now under the blossom that hangs on the bough, illustration

Merrily, merrily shall I live now under the blossom that hangs on the bough, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Background image20th Collection: Enter certain reapers, properly habited, illustration from William Shakespeares The Tempest

Enter certain reapers, properly habited, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act IV: Scene I, Line 138;

Background image20th Collection: Come, temperate nymphs, and help to celebrate a contract of true love, illustration

Come, temperate nymphs, and help to celebrate a contract of true love, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Background image20th Collection: Each one, tripping on his toe, will be here with mop and mow, illustration from The Tempest

Each one, tripping on his toe, will be here with mop and mow, illustration from The Tempest
Each one, tripping on his toe, will be here with mop and mow, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Background image20th Collection: Enter several strange Shapes, bringing in a banquest …. inviting the King, etc

Enter several strange Shapes, bringing in a banquest …. inviting the King, etc
Enter several strange Shapes, bringing in a banquest ….inviting the King, etc. to eat, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Background image20th Collection: …. And sometime voices, illustration from William Shakespeares The Tempest, 1926

…. And sometime voices, illustration from William Shakespeares The Tempest, 1926
…. And sometime voices, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act III: Scene II, Line 147;

Background image20th Collection: The isle is full of noises, sounds and sweet airs, that give delight and hurst not

The isle is full of noises, sounds and sweet airs, that give delight and hurst not, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Background image20th Collection: Alas, now, pray you, work not so hard, illustration from The Tempest, 1926

Alas, now, pray you, work not so hard, illustration from The Tempest, 1926
Alas, now, pray you, work not so hard, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act III: Scene I, Line 15;

Background image20th Collection: I ll kiss they foot: I ll swear myself thy subject, illustration from The Tempest, 1926

I ll kiss they foot: I ll swear myself thy subject, illustration from The Tempest, 1926
I ll kiss they foot: I ll swear myself thy subject, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act II: Scene II, Line 153;

Background image20th Collection: For every trifle are they set upon me, illustration from The Tempest, 1926

For every trifle are they set upon me, illustration from The Tempest, 1926
For every trifle are they set upon me, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act II: Scene II, Line 8;

Background image20th Collection: This music crept by be upon the waters, illustration from The Tempest, 1926

This music crept by be upon the waters, illustration from The Tempest, 1926
This music crept by be upon the waters, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act I: Scene II, Line 391;

Background image20th Collection: Burthen (dispersedly) Hark Hark!, illustration from The Tempest, 1926

Burthen (dispersedly) Hark Hark!, illustration from The Tempest, 1926
Burthen (dispersedly) Hark Hark!, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act I: Scene II, Line 382;

Background image20th Collection: Safely in harbour is the kings ship, illustration from The Tempest, 1926

Safely in harbour is the kings ship, illustration from The Tempest, 1926
Safely in harbour is the kings ship, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act I: Scene II, Line 226

Background image20th Collection: Had I not four or five women once that tended me? The Tempest, 1926

Had I not four or five women once that tended me? The Tempest, 1926
Had I not four or five women once that tended me? illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act I: Scene II, Line 46

Background image20th Collection: Go bring the rabble, O er whom I give thee power, here to this place, Frontispiece, 1926

Go bring the rabble, O er whom I give thee power, here to this place, Frontispiece, 1926
Go bring the rabble, O er whom I give thee power, here to this place, Frontispiece from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Background image20th Collection: Mary Magdalene, 1931, (wood engraving)

Mary Magdalene, 1931, (wood engraving)

Background image20th Collection: The Eagle of St. John (wood engraving)

The Eagle of St. John (wood engraving)
The Eagle of St.John (wood engraving)

Background image20th Collection: Self-Portrait, 1927, (wood engraving)

Self-Portrait, 1927, (wood engraving)



All Professionally Made to Order for Quick Shipping