20th Collection

You demi-puppets that by moonshine do the green sour ringlets make, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Sometimes a thousand twangling instruments will hum about mine ears, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Come unto these yellow sands illustration from The Tempest, 1926
Come unto these yellow sands illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act I: Scene II, Line 376;

Re-enter Ariel like a water-nymph, illustration from The Tempest, 1926
Re-enter Ariel like a water-nymph, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act I: Scene II, Line 316

Green Park, 2005. Creator: Ethel Davies
Detail of the Royal Canada Gates, a gift from the country in the early 20th century to commomorate Queen Victoria, just outside Buckingham Palace and the entrance to Green Park

Cinderella Leaving the Ball from Cinderalla pub. 1919 (colour lithograph)

The War in the Transvaal: General Joubert rallying the Boers, from Petit Journal, pub. January 1900 (colour lithograph). General Petrus Jacobus Joubert (1831 - 1900) aka Piet Joubert;

Lady Trying on a Hat, from Art Gout Beaute, 1921 (pochoir print)

Design for a Day Dress, from Art Gout Beaute, pub. C. 1920s (pochoir print)

Walking the Dog, from Art Gout Beaute, pub. 1921 (pochoir print)

Boxing in a London Park, from Art Gout Beaute, pub. 1923 (pochoir print)

The Departure of the Hunt, fashion plate from Art, Gout, Beaute, pub. 1923 (pochoir print). Le Depart pour la Chasse;

Union against Hitler. illustration from Le Rire, 1933

The Progression of Hitler. illustration from Simplicissimus 1924

Poster; French Resistance helps Throttle the Bosch 1944. Forces Francaises de l Interieur (FFI)

Hansel and Grethel from Grimms Fairy Tales, pub. 1911 (colour lithograph)

Le Pere la Victoire c. 1919 (colour lithograph). Georges Clemenceau (1841 - 1929); Treaty of Versailles at Paris Peace Conference 1919;

Join the LVF against the Bolsheviks, pub. 1942 (colour lithograph)

Au New York Sous Les Yeux Innombrables des Sky-scrapers, from Femina Magazine, pub. 1928 (colour lithograph)

Day Dresses from Art, Gout, Beate, pub. 1923 (pochoir print)

Poster Un Seul Combat pour une Seule Patrie pub. 1944 (colour lithograph)

Conference at Versailles, 7th May, 1919 - German delegates receiving the Allied Peace Conditions, from Petit Journal, 25th May, 1919 (colour lithograph). La se ance historique de Versailles

Ladies Golf Outfit by Jane Regny, pub. 1926 (colour lithograph)

The Favourite Nurse with Zouaves and Soldiers during WWI, 1915 (Colour Lithograph)

Cherchez la Femme, from Femina, pub. 1922 (pochoir print)

La Robe Couleur de Lune, from Femina, pub. 1925 (pochoir Print)

The Park Keeper, from Four and Twenty Toilers, pub. 1900 (colour lithograph). accompanies verse by E.V. Lucas (Edward Verrall Lucas) (1868 – 1938);

Restaurant Car on the Paris to Nice Train, pub. 1913 (colour lithograph)

The Execution of Edith Cavell from Petit Journal, pub. November 1915 (colour lithograph). Edith Cavell (1865 - 1915); executed for espionage during World War I;

Go charge my goblins that they grind their joints with dry convulsions, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Merrily, merrily shall I live now under the blossom that hangs on the bough, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Enter certain reapers, properly habited, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act IV: Scene I, Line 138;

Come, temperate nymphs, and help to celebrate a contract of true love, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Each one, tripping on his toe, will be here with mop and mow, illustration from The Tempest
Each one, tripping on his toe, will be here with mop and mow, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Enter several strange Shapes, bringing in a banquest …. inviting the King, etc
Enter several strange Shapes, bringing in a banquest ….inviting the King, etc. to eat, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

…. And sometime voices, illustration from William Shakespeares The Tempest, 1926
…. And sometime voices, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act III: Scene II, Line 147;

The isle is full of noises, sounds and sweet airs, that give delight and hurst not, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Alas, now, pray you, work not so hard, illustration from The Tempest, 1926
Alas, now, pray you, work not so hard, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act III: Scene I, Line 15;

I ll kiss they foot: I ll swear myself thy subject, illustration from The Tempest, 1926
I ll kiss they foot: I ll swear myself thy subject, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act II: Scene II, Line 153;

For every trifle are they set upon me, illustration from The Tempest, 1926
For every trifle are they set upon me, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act II: Scene II, Line 8;

This music crept by be upon the waters, illustration from The Tempest, 1926
This music crept by be upon the waters, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act I: Scene II, Line 391;

Burthen (dispersedly) Hark Hark!, illustration from The Tempest, 1926
Burthen (dispersedly) Hark Hark!, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act I: Scene II, Line 382;

Safely in harbour is the kings ship, illustration from The Tempest, 1926
Safely in harbour is the kings ship, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act I: Scene II, Line 226

Had I not four or five women once that tended me? The Tempest, 1926
Had I not four or five women once that tended me? illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act I: Scene II, Line 46

Go bring the rabble, O er whom I give thee power, here to this place, Frontispiece, 1926
Go bring the rabble, O er whom I give thee power, here to this place, Frontispiece from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Mary Magdalene, 1931, (wood engraving)

The Eagle of St. John (wood engraving)
The Eagle of St.John (wood engraving)

Self-Portrait, 1927, (wood engraving)

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