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1926 Collection

Background image1926 Collection: A. J. Cook led the Miners and the miners led the strike, c1926, (1938)

A. J. Cook led the Miners and the miners led the strike, c1926, (1938). Arthur James Cook (1883-1931), known as A. J. Cook, was a British trade union leader who was General Secretary of the Miners

Background image1926 Collection: Night institution (Boite de nuit), 1926 Creator: Sorin, Saveli Abramovich (1878-1953)

Night institution (Boite de nuit), 1926 Creator: Sorin, Saveli Abramovich (1878-1953)
Night institution (Boite de nuit), 1926

Background image1926 Collection: Pioggia primaverile (Spring Rain), 1926. Creator: Giacometti, Giovanni (1868-1933)

Pioggia primaverile (Spring Rain), 1926. Creator: Giacometti, Giovanni (1868-1933)
Pioggia primaverile (Spring Rain), 1926. Private Collection

Background image1926 Collection: Bauhaus House, Dessau, 1926. Creator: Anonymous

Bauhaus House, Dessau, 1926. Creator: Anonymous
Bauhaus House, Dessau, 1926. Private Collection

Background image1926 Collection: 1926 Morris Cowley Bullnose. Creator: Unknown

1926 Morris Cowley Bullnose. Creator: Unknown
1926 Morris Cowley Bullnose

Background image1926 Collection: You demi-puppets that by moonshine do the green sour ringlets make, illustration

You demi-puppets that by moonshine do the green sour ringlets make, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Background image1926 Collection: Sometimes a thousand twangling instruments will hum about mine ears, illustration

Sometimes a thousand twangling instruments will hum about mine ears, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Background image1926 Collection: Come unto these yellow sands illustration from The Tempest, 1926

Come unto these yellow sands illustration from The Tempest, 1926
Come unto these yellow sands illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act I: Scene II, Line 376;

Background image1926 Collection: Re-enter Ariel like a water-nymph, illustration from The Tempest, 1926

Re-enter Ariel like a water-nymph, illustration from The Tempest, 1926
Re-enter Ariel like a water-nymph, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act I: Scene II, Line 316

Background image1926 Collection: 1926 Checker taxi cab. Creator: Unknown

1926 Checker taxi cab. Creator: Unknown
1926 Checker taxi cab

Background image1926 Collection: 1926 Scammell petrol tanker for Shell. Creator: Unknown

1926 Scammell petrol tanker for Shell. Creator: Unknown
1926 Scammell petrol tanker for Shell

Background image1926 Collection: 1926 Franklin Series II. Creator: Unknown

1926 Franklin Series II. Creator: Unknown
1926 Franklin Series II

Background image1926 Collection: 1926 Chevrolet Superior K. Creator: Unknown

1926 Chevrolet Superior K. Creator: Unknown
1926 Chevrolet Superior K

Background image1926 Collection: 1926 Isotta Fraschini, Avati in Targa Abruzzo, Pescara. Creator: Unknown

1926 Isotta Fraschini, Avati in Targa Abruzzo, Pescara. Creator: Unknown
1926 Isotta Fraschini, Avati in Targa Abruzzo, Pescara

Background image1926 Collection: 1926 Rex Acme TT. Creator: Unknown

1926 Rex Acme TT. Creator: Unknown
1926 Rex Acme TT

Background image1926 Collection: 1926 Marlborough 2 litre with Jarvis body. Creator: Unknown

1926 Marlborough 2 litre with Jarvis body. Creator: Unknown
1926 Marlborough 2 litre with Jarvis body

Background image1926 Collection: 1926 Bentley 3 litre. Creator: Unknown

1926 Bentley 3 litre. Creator: Unknown
1926 Bentley 3 litre

Background image1926 Collection: Milk churns at Hyde Park during the General Strike, London, 1926, (1935). Creator: Unknown

Milk churns at Hyde Park during the General Strike, London, 1926, (1935). Creator: Unknown
Milk churns at Hyde Park during the General Strike, London, 1926, (1935). Hyde Park was closed to the public, and used as a food depot

Background image1926 Collection: Miners playing cards during the General Strike, Britain, 1926, (1935). Creator: Unknown

Miners playing cards during the General Strike, Britain, 1926, (1935). Creator: Unknown
Miners playing cards during the General Strike, Britain, 1926, (1935). The Miners Fight for their Wages - the dispute dragged on until nearly the end of November

Background image1926 Collection: Movie poster Nana by Jean Renoir, 1926. Creator: Florit, Francois (active 1920s-1930s)

Movie poster Nana by Jean Renoir, 1926. Creator: Florit, Francois (active 1920s-1930s)
Movie poster Nana by Jean Renoir, 1926. Private Collection

Background image1926 Collection: Saga, 1926. Creator: Munthe, Gerhard (1849-1929)

Saga, 1926. Creator: Munthe, Gerhard (1849-1929)
Saga, 1926. Found in the Collection of Nasjonalmuseet for Kunst, Arkitektur og Design, Oslo

Background image1926 Collection: Self-Portrait, 1926. Creator: Moholy-Nagy, Laszlo (1895-1946)

Self-Portrait, 1926. Creator: Moholy-Nagy, Laszlo (1895-1946)
Self-Portrait, 1926. Private Collection

Background image1926 Collection: Sunday Evening, pub. 1926. Creator: Christopher Richard Wynne Nevinson (1889 –

Sunday Evening, pub. 1926. Creator: Christopher Richard Wynne Nevinson (1889 –
Sunday Evening, pub. 1926 (etching)

Background image1926 Collection: Lady with a Shawl, pub. 1926. Creator: Laura Knight (1877 - 1970)

Lady with a Shawl, pub. 1926. Creator: Laura Knight (1877 - 1970)
Lady with a Shawl, pub. 1926 (engraving)

Background image1926 Collection: Five Clowns, pub. 1926. Creator: Laura Knight (1877 - 1970)

Five Clowns, pub. 1926. Creator: Laura Knight (1877 - 1970)
Five Clowns, pub. 1926 (engraving)

Background image1926 Collection: nr John Lewis Ox St, 2005. Creator: Ethel Davies

nr John Lewis Ox St, 2005. Creator: Ethel Davies
Two remaining traditional red telephone boxes, designed by Sir George Gilbert Scott, dating from 1926 with the crown, rapidly disappearing from the streets of London

Background image1926 Collection: nr John Lewis, 2005. Creator: Ethel Davies

nr John Lewis, 2005. Creator: Ethel Davies
Two remaining traditional red telephone boxes, designed by Sir George Gilbert Scott, dating from 1926 with the crown, rapidly disappearing from the streets of London

Background image1926 Collection: Portrait of Paul von Hindenburg (1847-1934), 1926. Creator: Vogel, Hugo (1855-1934)

Portrait of Paul von Hindenburg (1847-1934), 1926. Creator: Vogel, Hugo (1855-1934)
Portrait of Paul von Hindenburg (1847-1934), 1926. Found in the Collection of Staatliche Museen, Berlin

Background image1926 Collection: Karelia and Murmansk (agitation panel), 1926. Creator: Vogeler, Heinrich (1872-1942)

Karelia and Murmansk (agitation panel), 1926. Creator: Vogeler, Heinrich (1872-1942)
Karelia and Murmansk (agitation panel), 1926. Found in the Collection of Staatliche Museen, Berlin

Background image1926 Collection: La Tour Eiffel, 1926

La Tour Eiffel, 1926. Found in the Collection of Muse e d art moderne de la Ville de Paris

Background image1926 Collection: Still life, 1926

Still life, 1926. Private Collection

Background image1926 Collection: Impressions of Bombardment (Shrapnels and Grenades), 1926

Impressions of Bombardment (Shrapnels and Grenades), 1926. Found in the Collection of Estorick Collection, London

Background image1926 Collection: Ramon Maria del Valle Inclan (1869-1936), Spanish writer, at a bookstore in Malaga

Ramon Maria del Valle Inclan (1869-1936), Spanish writer, at a bookstore in Malaga, photo 1926

Background image1926 Collection: Ladies Golf Outfit by Jane Regny, pub. 1926 (colour lithograph)

Ladies Golf Outfit by Jane Regny, pub. 1926 (colour lithograph)

Background image1926 Collection: Go charge my goblins that they grind their joints with dry convulsions, illustration

Go charge my goblins that they grind their joints with dry convulsions, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Background image1926 Collection: Merrily, merrily shall I live now under the blossom that hangs on the bough, illustration

Merrily, merrily shall I live now under the blossom that hangs on the bough, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Background image1926 Collection: Enter certain reapers, properly habited, illustration from William Shakespeares The Tempest

Enter certain reapers, properly habited, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act IV: Scene I, Line 138;

Background image1926 Collection: Come, temperate nymphs, and help to celebrate a contract of true love, illustration

Come, temperate nymphs, and help to celebrate a contract of true love, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Background image1926 Collection: Each one, tripping on his toe, will be here with mop and mow, illustration from The Tempest

Each one, tripping on his toe, will be here with mop and mow, illustration from The Tempest
Each one, tripping on his toe, will be here with mop and mow, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Background image1926 Collection: Enter several strange Shapes, bringing in a banquest …. inviting the King, etc

Enter several strange Shapes, bringing in a banquest …. inviting the King, etc
Enter several strange Shapes, bringing in a banquest ….inviting the King, etc. to eat, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Background image1926 Collection: …. And sometime voices, illustration from William Shakespeares The Tempest, 1926

…. And sometime voices, illustration from William Shakespeares The Tempest, 1926
…. And sometime voices, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act III: Scene II, Line 147;

Background image1926 Collection: The isle is full of noises, sounds and sweet airs, that give delight and hurst not

The isle is full of noises, sounds and sweet airs, that give delight and hurst not, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Background image1926 Collection: Alas, now, pray you, work not so hard, illustration from The Tempest, 1926

Alas, now, pray you, work not so hard, illustration from The Tempest, 1926
Alas, now, pray you, work not so hard, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act III: Scene I, Line 15;

Background image1926 Collection: I ll kiss they foot: I ll swear myself thy subject, illustration from The Tempest, 1926

I ll kiss they foot: I ll swear myself thy subject, illustration from The Tempest, 1926
I ll kiss they foot: I ll swear myself thy subject, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act II: Scene II, Line 153;

Background image1926 Collection: For every trifle are they set upon me, illustration from The Tempest, 1926

For every trifle are they set upon me, illustration from The Tempest, 1926
For every trifle are they set upon me, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act II: Scene II, Line 8;

Background image1926 Collection: This music crept by be upon the waters, illustration from The Tempest, 1926

This music crept by be upon the waters, illustration from The Tempest, 1926
This music crept by be upon the waters, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act I: Scene II, Line 391;

Background image1926 Collection: Burthen (dispersedly) Hark Hark!, illustration from The Tempest, 1926

Burthen (dispersedly) Hark Hark!, illustration from The Tempest, 1926
Burthen (dispersedly) Hark Hark!, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act I: Scene II, Line 382;

Background image1926 Collection: Safely in harbour is the kings ship, illustration from The Tempest, 1926

Safely in harbour is the kings ship, illustration from The Tempest, 1926
Safely in harbour is the kings ship, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act I: Scene II, Line 226



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