1844 1926 Collection

Under the Horse Chestnut Tree, 1896-1897. Creator: Mary Cassatt (American, 1844-1926)
Under the Horse Chestnut Tree, 1896-1897. Under the Horse Chestnut Tree was among the last colour prints Cassatt made. In 1894

The Fitting, 1890-1891. Creator: Mary Cassatt (American, 1844-1926)
The Fitting, 1890-1891. Cassatt approached the suite of ten colour prints as an oil painter would-scraping off drypoint and aquatint areas on the plate if they did not please her

The Letter (recto), 1890-1891. Creator: Mary Cassatt (American, 1844-1926)
The Letter (recto), 1890-1891. In this study for the colour drypoint and aquatint of the same title, Cassatt worked out the placement of the figure at a writing table

The Lamp, 1890-1891. Creator: Mary Cassatt (American, 1844-1926)
The Lamp, 1890-1891. The theme of a bourgeois woman " at home, " coiffed and dressed to greet visitors, was a familiar one in Cassatts work

The Letter (verso), 1890-1891. Creator: Mary Cassatt (American, 1844-1926)
The Letter (verso), 1890-1891. In this study for the colour drypoint and aquatint of the same title, Cassatt worked out the placement of the figure at a writing table

The Letter (recto); The Letter (verso), 1891. Creator: Mary Cassatt (American, 1844-1926)
The Letter (recto); The Letter (verso), 1891. In this study for the colour drypoint and aquatint of the same title, Cassatt worked out the placement of the figure at a writing table

Simone Seated, c. 1903. Creator: Mary Cassatt (American, 1844-1926)
Simone Seated, c. 1903

Reine and Margot Seated on a Sofa, c. 1902. Creator: Mary Cassatt (American, 1844-1926)
Reine and Margot Seated on a Sofa, c. 1902

Mrs. Gardner Cassatt and Her Baby Seated near a Window, c. 1887. Creator: Mary Cassatt (American)
Mrs. Gardner Cassatt and Her Baby Seated near a Window, c. 1887. The subject of this portrait, elegant in its minimalism, was Eugenia (Jennie) Carter Cassatt who married the artists younger brother

Margot, Resting Arms on Back of Armchair, c. 1903. Creator: Mary Cassatt (American, 1844-1926)
Margot, Resting Arms on Back of Armchair, c. 1903

In the Omnibus, 1890-91. Creator: Mary Cassatt (American, 1844-1926)
In the Omnibus, 1890-91. A decade of practice and experimentation as a printmaker culminated in a suite of ten colour prints made in 1890-91

In the Conservatory, c. 1901. Creator: Mary Cassatt (American, 1844-1926)
In the Conservatory, c. 1901

Mimi as a Brunette, 1889. Creator: Mary Cassatt (American, 1844-1926)
Mimi as a Brunette, 1889. In 1888, with the goal of improving her draftsmanship, Cassatt began experimenting with the rigorous technique of drypoint

Helene of Septeuil, c. 1891. Creator: Mary Cassatt (American, 1844-1926)
Helene of Septeuil, c. 1891

Knitting in the Library (verso), c. 1881. Creator: Mary Cassatt (American, 1844-1926)
Knitting in the Library (verso), c. 1881. A mirror image of Cassatts drawing of her mother knitting is found on the reverse of this double-sided sheet

Knitting in the Library, c. 1881. Creator: Mary Cassatt (American, 1844-1926)
Knitting in the Library, c. 1881. Elaborating upon the spare drawing of her mother in the library, Cassatt added aquatint to the plate

Knitting in the Library (recto); Knitting in the Library (verso), c. 1881. Creator
Knitting in the Library (recto); Knitting in the Library (verso), c. 1881. In this working drawing for the softground etching and aquatint of the same title

Knitting in the Library (recto), c. 1881. Creator: Mary Cassatt (American, 1844-1926)
Knitting in the Library (recto), c. 1881. In this working drawing for the softground etching and aquatint of the same title

The Visitor (verso), c. 1881. Creator: Mary Cassatt (American, 1844-1926)
The Visitor (verso), c. 1881

The Visitor (recto); The Visitor (verso), c. 1881. Creator: Mary Cassatt (American, 1844-1926)
The Visitor (recto); The Visitor (verso), c. 1881. Like Knitting in the Library and After-Dinner Coffee, this is a working drawing for an etching

Lydia and her Mother at Tea, c. 1880. Creator: Mary Cassatt (American, 1844-1926)
Lydia and her Mother at Tea, c. 1880. Cassatt made bourgeois domesticity and the activities of her friends and family the primary subjects of her art

Bill Lying on his Mothers Lap, c. 1889. Creator: Mary Cassatt (American, 1844-1926)
Bill Lying on his Mothers Lap, c. 1889

After-Dinner Coffee (recto), c. 1889. Creator: Mary Cassatt (American, 1844-1926)
After-Dinner Coffee (recto), c. 1889. Cassatt exhibited prints for the first time in 1880 at the fifth Impressionist exhibition

After-Dinner Coffee (recto); After-Dinner Coffee (verso), c. 1889. Creator: Mary Cassatt (American)
After-Dinner Coffee (recto); After-Dinner Coffee (verso), c. 1889. Cassatt exhibited prints for the first time in 1880 at the fifth Impressionist exhibition

The Visitor (recto), c. 1881. Creator: Mary Cassatt (American, 1844-1926)
The Visitor (recto), c. 1881. Like Knitting in the Library and After-Dinner Coffee, this is a working drawing for an etching

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