1630s Collection

Portrait of Two Women and a Boy, 1632. Creator: Thomas de Keyser
Portrait of Two Women and a Boy, 1632.

Still Life with Fruit Pie and various Objects, 1634. Creator: Willem Claesz. Heda
Still Life with Fruit Pie and various Objects, 1634.

Vertumnus and Pomona, 1637. Creator: Caesar Boëtius van Everdingen
Vertumnus and Pomona, 1637.

Saint Jerome in penitence, 1634. Creator: Jusepe de Ribera
Saint Jerome in penitence, 1634.

The Pietà, 1633. Creator: Jusepe de Ribera
The Pieta, 1633.

Christ on the Cross, 1630. Creator: Francisco de Zurbaran
Christ on the Cross, 1630.

Saint Casilda, 1630. Creator: Francisco de Zurbaran
Saint Casilda, 1630.

Portrait of Jacques Le Roy, 1631. Creator: Anthony van Dyck
Portrait of Jacques Le Roy, 1631.

The Supper at Emmaus, 1633. Creator: Matthias Stomer
The Supper at Emmaus, 1633.

Solomon and the Queen of Sheba, 1639. Creator: Johann Heinrich Schonfeld
Solomon and the Queen of Sheba, 1639.

Village Scene with Men drinking, 1631. Creator: Adriaen Brouwer
Village Scene with Men drinking, 1631.

Christ driving the money changers from the Temple, 1635. Creator: Rembrandt Harmensz van Rijn
Christ driving the money changers from the Temple, 1635.

Christ at Emmaus: the smaller plate, 1634. Creator: Rembrandt Harmensz van Rijn
Christ at Emmaus: the smaller plate, 1634.

Joseph's coat brought to Jacob, c.1633. Creator: Rembrandt Harmensz van Rijn
Joseph's coat brought to Jacob, c.1633. The tragic consequences, when Joseph's brothers turned against him, are described in Genesis 37:12-35

Amoenissimæ aliquot locorum ... Effigies. Plate 18. Zu Cöllen, 1635. Creator: Wenceslaus Hollar
Amoenissimae aliquot locorum ... Effigies. Plate 18. Zu Collen, 1635.

Amoenissimæ aliquot locorum ... effigies. Plate 14. Rudeßheim im Rinckow, 1635. Creator: Wenceslaus Hollar
Amoenissimae aliquot locorum ... effigies. Plate 14. Rudeszheim im Rinckow, 1635.

Amoenissimæ aliquot locorum ... effigies. Plate 13. Zu Francfort, 1635. Creator: Wenceslaus Hollar
Amoenissimae aliquot locorum ... effigies. Plate 13. Zu Francfort, 1635.

Amoenissimæ aliquot locorum ... effigies. Plate 17. Zu Cöllen, 1635. Creator: Wenceslaus Hollar
Amoenissimae aliquot locorum ... effigies. Plate 17. Zu Collen, 1635. Zu Collen (Cologne) is Plate 17 of a collection of 24 etchings, Amoenissimae aliquot locorum

Beggar with a wooden leg, c.1630. Creator: Rembrandt Harmensz van Rijn
Beggar with a wooden leg, c.1630.

Self-portrait in a cap and scarf with the face dark: bust, 1633. Creator: Rembrandt Harmensz van Rijn
Self-portrait in a cap and scarf with the face dark: bust, 1633. To some extent this work reflects Rembrandt's status, showing him wearing a cap and scarf, facing one way but looking in the other

The crucifixion: small plate, c.1635. Creator: Rembrandt Harmensz van Rijn
The crucifixion: small plate, c.1635. Presenting the viewer with a sensitive interpretation of Christ on the Cross, close attention has been paid to the intricate features on the figures

Menasseh ben Israel, 1636. Creator: Rembrandt Harmensz van Rijn
Menasseh ben Israel, 1636. Manoel Dias Soeiro (1604-57), better known by his Hebrew name Menasseh/ Manasseh ben Israel also, Menasheh ben Yossef ben Yisrael, was a Portuguese rabbi, kabbalist

Bearded old man in a high fur cap, with eyes closed, c.1635. Creator: Rembrandt Harmensz van Rijn
Bearded old man in a high fur cap, with eyes closed, c.1635. Sunken shadows follow the old man's weathered face, undulating over his aged skin and full beard

Self-portrait with Saskia, 1636. Creator: Rembrandt Harmensz van Rijn
Self-portrait with Saskia, 1636. The artist and his wife are shown wearing historical clothing. Rembrandt wears a fanciful 16th-century style plumed beret tilted at a jaunty angle

The strolling musicians, c.1635. Creator: Rembrandt Harmensz van Rijn
The strolling musicians, c.1635. A sympathetic inquiry into the lives of impoverished people, including beggars. Two musicians, one playing a hurdy gurdy, and the other the bagpipes

Bust of an old man with flowing beard and white sleeve, c.1630. Creator: Rembrandt Harmensz van Rijn
Bust of an old man with flowing beard and white sleeve, c.1630. A bust-length image of an elderly man with a beard and large forehead, his body facing to the right

Robert van Voerst. From Icones principum virorum ('The Iconography), before 1637. Creator: Robert van Voerst
Robert van Voerst. From Icones principum virorum ('The Iconography), before 1637. The Flemish artist Robert van Voerst (1597-1635/6) studied engraving under Crispin van de Passe

Beggar with two crutches, 1632. Creator: Jan Georg van Vliet
Beggar with two crutches, 1632. A beggar, seen from behind, moves, in what looks like a painful fashion, with the aid of two wooden crutches

Temptation of St Antony, 1628-1642. Creator: Andries Dirksz Both
Temptation of St Antony, 1628-1642. The Temptation of Saint Anthony/Antony is an often-repeated subject in history of art and literature

The stoning of St Stephen, 1635, Netherlands. Creator: Rembrandt Harmensz van Rijn
The stoning of St Stephen, 1635, Netherlands.

The stoning of St Stephen, 1635. Creator: Rembrandt Harmensz van Rijn
The stoning of St Stephen, 1635.

Bearded man, in a furred oriental cap and robe, 1631. Creator: Rembrandt Harmensz van Rijn
Bearded man, in a furred oriental cap and robe, 1631. Bearded man, in a furred oriental cap and robe is traditionally said to be a portrait of the artist's father

Old man with beard, fur cap, and velvet cloak, c.1631. Creator: Rembrandt Harmensz van Rijn
Old man with beard, fur cap, and velvet cloak, c.1631. An old man, seen in half-length portrait, is sitting in a chair with a heavy velvet cloak draped around his shoulders.

A Ruin On The Palatine Hill, 1630-35. Creator: Claude Lorrain
A Ruin On The Palatine Hill, 1630-35.

Queen Kristina as a Child, 1630s. Creator: School of Jacob Heinrich Elbfas
Queen Kristina as a Child, 1630s

Aeneas Carrying Anchises from Troy, between 1623 and 1630. Creator: Ludolph Busing
Aeneas Carrying Anchises from Troy, between 1623 and 1630

Lot and His Daughters, 1631. Creator: Jan Georg van Vliet
Lot and His Daughters, 1631

Beggar with a Wooden Leg, 1632. Creator: Jan Georg van Vliet
Beggar with a Wooden Leg, 1632. From The Beggar, plate 2

Landscape with views through the cave, from c.1635 until 1635. Creator: Jan Asselijin
Landscape with views through the cave, from c.1635 until 1635

Radha's Confidante Meets with Krishna (Arudhayauvana Madhya)... c1635. Creator: Unknown
Radha's Confidante Meets with Krishna (Arudhayauvana Madhya), Folio from a Rasikapriya (The Connoisseur's Delights), c1635

Village Scene, 1637. Creator: Joost Cornelisz Droochsloot
Village Scene, 1637

River View with Fishermen, 1633. Creator: Salomon Ruysdael
River View with Fishermen, 1633

Merry Company, c1630. Creator: Jan van Bijlert
Merry Company, c1630

Girl Teasing a Cat, c1630. Creator: Jan van Bijlert
Girl Teasing a Cat, c1630. A child teasing a cat is a frequent subject in Dutch art; it refers to the idea that (sexual) teasing can lead to a painful scratching

Diana and Her Nymphs after Their Hunt, 1630-1639. Creator: Jan Brueghel the younger
Diana and Her Nymphs after Their Hunt, 1630-1639

Wolfgang Konrad von Thumbsirn, 1604-1667, c1630s. Creator: Anon
Wolfgang Konrad von Thumbsirn, 1604-1667, c1630s

Idealized Portrait of the Poet Homer, 1639. Creator: Unknown
Idealized Portrait of the Poet Homer, 1639. The old man honored by a laurel wreath is Homer, the greatest poet of antiquity

Two Peasants in an Inn, 1630-1639. Creator: Unknown
Two Peasants in an Inn, 1630-1639

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