Feathers Collection (page 28)

Commercial Application of Three Colour Process, 1901. Artist: John Swain & Son
Commercial Application of Three Colour Process, 1901. Hat and boot. Illustration from The Process Year Book by AW Penrose & Co, (London, 1901)

The Prince of Wales, 1862. Portrait of the future King Edward VII (1841-1910). The frame is surmounted by ostrich feathers, the heraldic badge of the Heir Apparent

King George V and Queen Mary on their way to St Pauls Cathedral, Silver Jubilee, 1935. Illustration from George V and Edward VIII, A Royal Souvenir, by FGH Salusbury

The Prince of Wales in Native American dress, Canada, c1930s. The future King Edward VIII was invested with the title of Chief Morning Star by the Stony Creek indians

Edward, Prince of Wales as a Knight of the Garter, early 20th century
King Edward VIII when Prince of Wales, wearing his robes as a Knight of the Garter, early 20th century. Illustration from George V and Edward VIII, A Royal Souvenir, by FGH Salusbury

Philip II of Spain, 1631-1640, (1896). Illustration after a portrait from the studio of Rubens in the Royal Collection at Windsor Castle, of Philip (1527-1598) who was King of Spain from 1556-1598

Portrait of Helena Fourment, c1630-32. Artist: Peter Paul Rubens
Portrait of Helena Fourment, c1630-32. In 1630, Rubens married Helena Fourment, daughter of a wealthy silk and tapestry merchant in the city of Antwerp

Prince Albert of Saxe-Coburg and Gotha, consort of Queen Victoria, c1840-1861 (1910). Artist: George Baxter
Prince Albert of Saxe-Coburg and Gotha, husband and consort of Queen Victoria, c1840-1861 (1910). Prince Albert (1819-1861) married his first cousin, Queen Victoria, in 1840

Leopold of Saxe-Coburg and Gotha, 1831. Artist: J Thomson
Leopold of Saxe-Coburg and Gotha, 1831. Leopold (1790-1865) was the first king of Belgium

Feather money, brought to Forrests house at Nelua, 1892. Price of girl bought as teachers wife. A view showing A E C Forrest, a European lay worker

Icarus and Daedalus, 1887. Artist: Bernard de Montfaucon
Icarus and Daedalus, 1887. A plate from Gaston Tissandiers Histoire des ballons, 1887. Private Collection

Madame Pascal, 1905. Artist: Leon Joseph Florentin Bonnat
Madame Pascal, 1905

The Healing of Blind Man of Jericho, Detail, 1531. Artist: Lucas van Leyden
The Healing of Blind Man of Jericho, Detail, 1531. Located in the collection at, State Hermitage Museum, St Peterburg

Corner of the Ball, 1905. Artist: Edmond Lempereur
Corner of the Ball, 1905

Gardes-du-Corps de Roi, Garde de la Manche, 1814-30 Artist: Eugene Titeux
Histoire de la Maison Militaire du Roi de 1814-1830, volume 1

Gardes-du-Corps de Roi, 1814 Artist: Eugene Titeux
Histoire de la Maison Militaire du Roi de 1814-1830, volume 1

Gardes-du-Corps de Roi, tenue de societe, 1814 Artist: Eugene Titeux
Histoire de la Maison Militaire du Roi de 1814-1830, volume 1

Gardes-du-Corps de Roi, Artillery, 1814-15 Artist: Eugene Titeux
Histoire de la Maison Militaire du Roi de 1814-1830, volume 1

Gendarmes de la Garde du Roi, Trumpeter, 1814-15. Artist: Eugene Titeux
Gendarmes de la Garde du Roi, Trumpeter, 1814-15. Histoire de la Maison Militaire du Roi de 1814-1830, volume 2

Chevau-Legers de la Garde du Roi, Marechal-des-Logis de 1er Classe, 1814-15. Artist: Eugene Titeux
Chevau-Legers de la Garde du Roi, Marechal-des-Logis de 1er Classe, 1814-15. Histoire de la Maison Militaire du Roi de 1814-1830, volume 2

Chevau-Legers de la Garde du Roi, 1814-15. Artist: Eugene Titeux
Chevau-Legers de la Garde du Roi, 1814-15. Histoire de la Maison Militaire du Roi de 1814-1830, volume 2

Ivory fan trimmed with ostrich feathers, from the Tomb of Tutankhamun, 14th century BC. From the Treasure of Tutankhamun (ruled 1333-1323 BC)

Garnier, Paris, c1900

Two men with coats of arms, 16th century. Two Germans wearing slashed sleeves and parti-coloured hose, with heraldic crests

A Man playing a Lute, 1624. Artist: Hendrick ter Brugghen
A Man playing a Lute, 1624. From the collection of the National Gallery, London

Fusilier Grenadier and Fusilier Chasseurs, 1859. Artist: Auguste Raffet
Fusilier Grenadier and Fusilier Chasseurs, 1859. Depiction of French Military attire from the book Napoleon 1er et la Garde Imperiale, by Eugene Fieffe, 1859

Musician and Sapper of the Grenadiers-a-Pied, 1859. Artist: Auguste Raffet
Musician and Sapper of the Grenadiers-a-Pied, 1859. A depiction of French Military attire from the book Napoleon 1er et la Garde Imperiale, by Eugene Fieffe, 1859

Tirailleur Voltigeur, (Rifleman), 1859. Artist: Auguste Raffet
Tirailleur Voltigeur, (Rifleman), 1859. A depiction of French Military attire from the book Napoleon 1er et la Garde Imperiale, by Eugene Fieffe, 1859

Marine, 1859. Artist: Auguste Raffet
Marine, 1859. A depiction of French Military attire from the book Napoleon 1er et la Garde Imperiale, by Eugene Fieffe, 1859

Francisco Pizarro, 15th century Spanish conquistador, 1671. Later engraving of Pizarro (c1475-1541), conqueror of the Inca empire (1531-1533)

Still Life with Skull, detail, 19th century. Artist: Antoine Vollon
Still Life with Skull, detail, 19th century

Smoker in front of a Fire, 17th century. Artist: David Teniers II
Smoker in front of a Fire, 17th century

Page de la fee des Canaris, costume design for Tchaikovskys ballet Sleeping Beauty, 1921. Artist: Leon Bakst
Page de la fee des Canaris, costume design for Tchaikovskys ballet Sleeping Beauty, 1921. From the Galleria del Levante, Milan

Le Garibaldien, Paris Commune, 1871. Cartoon from a series titled Types de la Commune. The Paris Commune was established when the citizens of Paris, many of them armed National Guards

The Guard, 17th century. Artist: Rembrandt Harmensz van Rijn
The Guard, 17th century. From the Museu Calouste Gulbenkian, Portugal

The Swan, Goose and Duck, c1850. Artist: Benjamin Waterhouse Hawkins
The Swan, Goose and Duck, c1850. The central image is of the three different birds. Surrounding vignettes show (clockwise from top left)

Domestic Fowl, c1850. Artist: Benjamin Waterhouse Hawkins
Domestic Fowl, c1850. The central image shows a cockerel, hens and chicks. Surrounding vignettes show (clockwise from top left)

Egyptian bronze, Goddess Maat, (Truth), 26th Dynasty, c664BC-332BC. Maat or Ma at refers to the ancient Egyptian concepts of truth, balance, order, harmony, law, morality, and justice

Funeral effigies for Wikaruk ceremony, Diegueno tribe, Southern California. North American Indian. Diegueno, also called San Diegueno

Bronze figurine of a warrior, Canaanite, c2000-c1700 BC. Figurine wearing a broad belt fastened with a pair of ribbons, suggesting that he is a warrior

Self-portrait, 1782. Artist: Elisabeth Louise Vigee-LeBrun
Self-portrait, 1782. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Roman terracotta figure of the goddess Juno, with a Peacock, 1st century. Said to be from Tunis, Africa. From the British Museums collection

Papyrus image of the goddess Maat
Papyrus image of the Egyptian goddess Maat, wearing the feather of truth

Fossil Archaeopterix with traces of feathers
A fossil Archaeopterix from Germany. On this fossil, traces of the feathers can be seen

Two lovers, 16th century. German

Sewessissing, Chief of the Iowa Indians (North American Plains Indians), 1837. From The Animal Kingdom by George Cuvier. (London, 1837)

Sioux war dance, 1888. The Dakota Plains Indians of North America usually held four days of ceremonies before departing for battle. Ceremonies such as this induce a state of self hypnosis

Ahura Mazda, Persepolis, c500 BC
Ahura Mazda (c-500). Winged symbol of Ahura Mazda (Ormazd, Ormuzd, Ohrmazd), Lord of Wisdom, supreme god of the Zorastrian (Zarathustrian) religion of Persia

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